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Aniconism
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within each religio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aniconistic
Aniconism is the absence of artistic representations (''icons'') of the natural and supernatural worlds, or it is the absence of representations of certain figures in religions. It is a feature of various cultures, particularly of cultures which are based on monotheistic Abrahamic religions. The prohibition of material representations may only extend from God and other supernatural beings to saint-like characters, or it may extend to material representations of all living beings, and material representations of everything that exists. The phenomenon is generally codified by religious traditions and as such, it becomes a taboo. When it is enforced by the physical destruction of images, aniconism becomes iconoclasm. Aniconism has been a historical phase in both Buddhism and Christianity, and even though it is much less of an issue today, the attitudes towards religious imagery show considerable variability between different traditions, denominations, and strands within each religion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanchi
Sanchi is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the States and territories of India, State of Madhya Pradesh, India. It is located, about 23 kilometres from Raisen, Raisen town, district headquarter and north-east of Bhopal, capital of Madhya Pradesh. The Great Stupa at Sanchi is one of the oldest stone structures in India, and an important monument of Indian Architecture. It was originally commissioned by the Mauryan emperor Ashoka the Great in the 3rd century BCE. Its nucleus was a simple hemispherical brick structure built over the relics of the Gautama Buddha, Buddha. It was crowned by the '''chhatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics. The original construction work of this stupa was overseen by Ashoka, whose wife Devi was the daughter of a merchant of nearby Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yahweh
Yahweh *''Yahwe'', was the national god of ancient Israel and Judah. The origins of his worship reach at least to the early Iron Age, and likely to the Late Bronze Age if not somewhat earlier, and in the oldest biblical literature he possesses attributes typically ascribed to weather and war deities, fructifying the land and leading the heavenly army against Israel's enemies. The early Israelites were polytheistic and worshipped Yahweh alongside a variety of Canaanite gods and goddesses, including El, Asherah and Baal. In later centuries, El and Yahweh became conflated and El-linked epithets such as El Shaddai came to be applied to Yahweh alone, and other gods and goddesses such as Baal and Asherah were absorbed into Yahwist religion. Towards the end of the Babylonian captivity, the very existence of foreign gods was denied, and Yahweh was proclaimed as the creator of the cosmos and the one true God of all the world, giving birth to Judaism, which has 14–15 mill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hetoimasia
The Hetoimasia, Etimasia (Greek ἑτοιμασία, "preparation"), prepared throne, Preparation of the Throne, ready throne or Throne of the Second Coming is the Christian version of the symbolic subject of the empty throne found in the art of the ancient world, whose meaning has changed over the centuries. In Ancient Greece it represented Zeus, chief of the gods, and in early Buddhist art it represented the Buddha. In Early Christian art and Early Medieval art it is found in both the East and Western churches, and represents either Christ, or sometimes God the Father as part of the Trinity. In the Middle Byzantine period, from about 1000, it came to represent more specifically the throne prepared for the Second Coming of Christ, a meaning it has retained in Eastern Orthodox art to the present. The motif consists of an empty throne and various other symbolic objects, in later depictions surrounded when space allows by angels paying homage. It is usually placed centrally in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Art
Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE. As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gautama Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana, that is, freedom from ignorance, craving, rebirth, and suffering. His teachings are summarized in the Noble Eightfold Path, a training of the mind that includes meditation and instruction in Buddhist ethics such as right effort, mindfulness, and '' jhana''. He di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christianity
Christianity is an Abrahamic monotheistic religion based on the life and teachings of Jesus of Nazareth. It is the world's largest and most widespread religion with roughly 2.38 billion followers representing one-third of the global population. Its adherents, known as Christians, are estimated to make up a majority of the population in 157 countries and territories, and believe that Jesus is the Son of God, whose coming as the messiah was prophesied in the Hebrew Bible (called the Old Testament in Christianity) and chronicled in the New Testament. Christianity began as a Second Temple Judaic sect in the 1st century Hellenistic Judaism in the Roman province of Judea. Jesus' apostles and their followers spread around the Levant, Europe, Anatolia, Mesopotamia, the South Caucasus, Ancient Carthage, Egypt, and Ethiopia, despite significant initial persecution. It soon attracted gentile God-fearers, which led to a departure from Jewish customs, and, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconoclasm
Iconoclasm (from Ancient Greek, Greek: grc, wikt:εἰκών, εἰκών, lit=figure, icon, translit=eikṓn, label=none + grc, wikt:κλάω, κλάω, lit=to break, translit=kláō, label=none)From grc, wikt:εἰκών, εἰκών + wikt:κλάω, κλάω, lit=image-breaking. ''Iconoclasm'' may also be considered as a back-formation from ''iconoclast'' (Greek: εἰκοκλάστης). The corresponding Greek word for iconoclasm is εἰκονοκλασία, ''eikonoklasia''. is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons. People who engage in or support iconoclasm are called iconoclasts, a term that has come to be figuratively applied to any individual who challenges "cherished beliefs or venerated institutions on the grounds that they are erroneous or pernicious." Conversely, one who reveres or venerates religious images is called (by iconoclasts) an ''Iconolatry, ic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Privative Alpha
An alpha privative or, rarely, privative a (from Latin ', from Ancient Greek ) is the prefix ''a-'' or ''an-'' (before vowels) that is used in Indo-European languages such as Sanskrit and Greek and in words borrowed therefrom to express negation or absence, for example the English words of greek origin ''atypical'', ''anesthetic'', and ''analgesic''. It is derived from a Proto-Indo-European syllabic nasal *', the zero ablaut grade of the negation *', i.e. /n/ used as a vowel. For this reason, it usually appears as ' before vowels (e.g. '' an-alphabetism'', '' an-esthesia'', '' an-archy''). It shares the same root with the Greek prefix ' or ', in Greek or , that is also privative (e.g. '). It is not to be confused with, among other things, an alpha copulative (e.g. ') or the prepositional component ' (i.e. the preposition ' with ecthlipsis or elision of its final vowel before a following vowel; e.g. '). Cognates Sanskrit The same prefix appears in Sanskrit, also as अ- before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-ism
''-ism'' is a suffix in many English words, originally derived from the Ancient Greek suffix ('), and reaching English through the Latin , and the French . It means "taking side with" or "imitation of", and is often used to describe philosophies, theories, religions, social movements, artistic movements and behaviors. It is typically added to nouns. The concept of an -ism may resemble that of a grand narrative. History The first recorded usage of the suffix ''ism'' as a separate word in its own right was in 1680. By the nineteenth century it was being used by Thomas Carlyle to signify a pre-packaged ideology. It was later used in this sense by such writers as Julian Huxley and George Bernard Shaw. In the United States of the mid-nineteenth century, the phrase "the isms" was used as a collective derogatory term to lump together the radical social reform movements of the day (such as slavery abolitionism, feminism, alcohol prohibitionism, Fourierism, pacifism, Technoism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thou Shalt Not Make Unto Thee Any Graven Image
"Thou shalt not make unto thee any graven image" ( he, לֹא-תַעֲשֶׂה לְךָ פֶסֶל, וְכָל-תְּמוּנָה, Lōʾ-t̲aʿăśeh lək̲ā p̲esel, wək̲ol-təmûnāh) is an abbreviated form of one of the Ten Commandments which, according to the Book of Deuteronomy, were spoken by God to the Israelites and then written on stone tablets by the Finger of God. It continues, "''..any graven image, or any likeness f any thingthat sin heaven above, or that sin the earth beneath, or that sin the water under earth: 5 Thou shalt not bow down thyself to them, nor serve them.''" Although no single biblical passage contains a complete definition of idolatry, the subject is addressed in numerous passages, so that idolatry may be summarized as the strange worship of idols or images; the worship of polytheistic gods by use of idols or images; the worship of created things (trees, rocks, animals, astronomical bodies, or another human being); and the use of idols in the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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