|
Alfiz
The alfiz (, from Andalusi Arabic ''alḥíz'', from Standard Arabic ''alḥáyyiz'', meaning 'the container'; "''DRAE. Diccionario de la Lengua Española. Vigésima segunda edición''", Espasa Calpe, S.A, 2003) is an architectonic adornment, consisting of a moulding, usually a rectangular panel, which encloses the outward side of an arch. It is an architectonic ornament of origin, used in , Asturian, |
Alfiz
The alfiz (, from Andalusi Arabic ''alḥíz'', from Standard Arabic ''alḥáyyiz'', meaning 'the container'; "''DRAE. Diccionario de la Lengua Española. Vigésima segunda edición''", Espasa Calpe, S.A, 2003) is an architectonic adornment, consisting of a moulding, usually a rectangular panel, which encloses the outward side of an arch. It is an architectonic ornament of origin, used in , Asturian, |
Spandrel
A spandrel is a roughly triangular space, usually found in pairs, between the top of an arch and a rectangular frame; between the tops of two adjacent arches or one of the four spaces between a circle within a square. They are frequently filled with decorative elements. Meaning There are four or five accepted and cognate meanings of the term ''spandrel'' in architectural and art history, mostly relating to the space between a curved figure and a rectangular boundary – such as the space between the curve of an arch and a rectilinear bounding moulding, or the wallspace bounded by adjacent arches in an arcade and the stringcourse or moulding above them, or the space between the central medallion of a carpet and its rectangular corners, or the space between the circular face of a clock and the corners of the square revealed by its hood. Also included is the space under a flight of stairs, if it is not occupied by another flight of stairs. In a building with more than one floor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andalusian Arabic
Andalusi Arabic (), also known as Andalusian Arabic, was a variety or varieties of Arabic spoken mainly from the 9th to the 17th century in Al-Andalus, the regions of the Iberian Peninsula (modern Spain and Portugal) once under Muslim rule. It became an extinct language in Iberia after the expulsion of the former Hispanic Muslims, which took place over a century after the Granada War by the Catholic Monarchs of Spain. Once widely spoken in Iberia, the expulsions and persecutions of Arabic speakers caused an abrupt end to the language's use on the peninsula. Its use continued to some degree in North Africa after the expulsion, although Andalusi speakers were rapidly assimilated by the Maghrebi communities to which they fled. Origin and history The Muslim forces that conquered Iberia in 711, about a century after the death of prophet Muhammad, were composed of a small group of Arabic speakers and a majority of Amazigh people, of whom many spoke little or no Arabic. According to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Civilization
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4thcenturyBC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, when the Etr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visigothic Art And Architecture
The Visigoths entered Hispania (modern Spain and Portugal) in 415 and they rose to be the dominant people there until the Umayyad conquest of Hispania of 711 brought their kingdom to an end. This period in Iberian art is dominated by their style. Visigothic art is generally considered in the English language, English-speaking world to be a strain of Migration art, while the Portuguese- and Spanish-speaking worlds generally classify it as Pre-Romanesque. Branches of Visigothic art include their architecture, crafts (especially jewellery), and their Visigothic script, script. Visigothic architecture The only remaining examples of Visigothic architecture from the 6th century are the church of San Cugat del Vallés in Barcelona, the hermitage and church of Santa Maria de Lara in Burgos, Saint Frutuoso Chapel in Braga, the Igreja de São Gião, church of São Gião in Nazaré (Portugal), Nazaré and the few remnants of the church at Cabeza de Griego in Province of Cuenca, Cuenca. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asturian Architecture
Pre-Romanesque architecture in Asturias is framed between the years 711 and 910, the period of the creation and expansion of the kingdom of Asturias. History In the 5th century, the Goths, a Christianized tribe of Eastern Germanic origin, arrived in the Iberian peninsula after the fall of the Roman empire, and dominated most of the territory, attempting to continue Roman order by the so-called ''Ordo Gothorum''. In the year 710, the Visigothic king Wittiza died, and instead of being succeeded by the eldest of his three sons, Agila, the throne was usurped by the duke of Baetica, Roderic. The young heir sought support to recover the throne, and apart from local backing, he approached the Muslim Kingdom in northern Africa. Tarik, the caliph of Damascus governor in Tangier, received permission to offer his army and disembark in Spain, ready to face the Visigothic army of King Roderic. On July 19, 711, the battle of Guadalete took place near Gibraltar, where supporters of Witiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moorish Architecture
Moorish architecture is a style within Islamic architecture which developed in the western Islamic world, including al-Andalus (on the Iberian peninsula) and what is now Morocco, Algeria, and Tunisia (part of the Maghreb). The term "Moorish" comes from the historical Western European designation of the Muslim inhabitants of these regions as "Moors". Scholarly references on Islamic architecture often refer to this architectural tradition by a more geographic designation, such as architecture of the Islamic West or architecture of the Western Islamic lands, and some references on Islamic art and architecture consider use of the term "Moorish" to be outdated or contested. This architectural style blended influences from Berber culture in North Africa, pre-Islamic Iberia (Roman, Byzantine, and Visigothic), and contemporary artistic currents in the Islamic Middle East to elaborate a unique style over centuries with recognizable features such as the horseshoe arch, '' riad'' gardens ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozarabic Art And Architecture
Mozarabic art refers to art of Mozarabs (from ''musta'rab'' meaning “Arabized”), Iberian Christians living in Al-Andalus, the Muslim conquered territories in the period that comprises from the Arab invasion of the Iberian Peninsula (711) to the end of the 11th century, adopted some Arab customs without converting to Islam, preserving their religion and some ecclesiastical and judicial autonomy. Formerly used for the whole of the Iberian peninsula, the term is now usually restricted, at least in architecture, to the south, with Repoblación art and architecture used for the north. Art The Mozarabic communities maintained some of the Visigothic churches that were older than the Arab occupation for the practice of their religious rites and were rarely able to build new ones, because, even though a certain religious tolerance existed, the authorizations for building new churches were very limited. When permitted, new churches were always in rural areas or in the cities' suburbs, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudéjar Art
Mudéjar art, also known as Mudéjar style, refers to a type of ornamentation and decoration used in the Iberian Peninsula, Iberian Christian kingdoms, primarily between the 13th and 16th centuries. It was applied to Romanesque architecture, Romanesque, Gothic art, Gothic, and Renaissance architectural styles as constructive, ornamental, and decorative motifs derived from those that had been brought to or developed in Al-Andalus. These motifs and techniques were also present in the art and crafts, especially Hispano-Moresque ware, Hispano-Moresque lustreware that was once widely exported across Europe from southern and eastern Spain at the time. The term ''Mudejar art'' was coined by the art historian José Amador de los Ríos, José Amador de los Ríos y Serrano in reference to the ''Mudéjars'' who played a leading role in introducing Islamic derived decorative elements into the Iberian Christian kingdoms. The Mudéjars were those Muslims who remained in the former areas of Al- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabelline (architectural Style)
The Isabelline style, also called the Isabelline Gothic ( es, Gótico Isabelino), or Castilian late Gothic, was the dominant architectural style of the Crown of Castile during the reign of the Catholic Monarchs, Queen Isabella I of Castile and King Ferdinand II of Aragon in the late-15th century to early-16th century. The Frenchman Émile Bertaux named the style after Queen Isabella. It represents the transition between late Gothic and early Renaissance architecture, with original features and decorative influences of the Castilian tradition, the Flemish, the Mudéjar, and to a much lesser extent, Italian architecture. The consideration or not of the Isabelline as a Gothic or Renaissance style, or as an Eclectic style, or as a phase within a greater Plateresque generic, is a question debated by historians of art and unresolved. Overview The Isabelline style introduced several structural elements of the Castilian tradition and the typical flamboyant forms of Flanders, as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horseshoe Arch
The horseshoe arch (; Spanish: "arco de herradura"), also called the Moorish arch and the keyhole arch, is an emblematic arch of Islamic architecture, especially Moorish architecture. Horseshoe arches can take rounded, pointed or lobed form. History Origins and early uses The origins of the horseshoe arch are controversial. It appeared in pre-Islamic Sasanian architecture such as the Taq-i Kasra in present-day Iraq and the Palace of Ardashir in southwestern Iran (3rd century CE). It also appeared in Late Roman or Byzantine architecture in pre-Islamic Syria, where the form was used in the Baptistery of Saint Jacob at Nusaybin (4th century CE) and in Qasr Ibn Wardan (564 CE). However, the horseshoe arch allowed more height than the classical (semi-circular) arch as well as better aesthetic and decorative use. Muslims used this arch to develop their famous ultra-semicircular arch, around which the whole of Islamic architecture evolved, thus more likely suggesting that the hor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
