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The Passionate Pilgrim
''The Passionate Pilgrim'' (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to " W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. These are two sonnets, later to be published in the 1609 collection of '' Shakespeare's Sonnets'', and three poems extracted from the play ''Love's Labour's Lost''. Five were attributed to other poets during his lifetime, and two were published in other collections anonymously. While most critics disqualify the rest as not Shakespearean on stylistic grounds, stylometric analysis by Ward Elliott and Robert Valenza put two blocks of the poems (4, 6, 7 and 9, and 10, 12, 13 and 15) within Shakespeare's stylistic boundaries. Jaggard later published an augmented edition with poems he knew to be by Thomas Heywood. Textual history ''The Passionate Pilgrim'' was first published in octavo by William Jaggard, probably in 1599 or possibly the year before, since th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passionate Pilgrim
''The Passionate Pilgrim'' (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to " W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. These are two sonnets, later to be published in the 1609 collection of '' Shakespeare's Sonnets'', and three poems extracted from the play '' Love's Labour's Lost''. Internal and external evidence contradicts the title page's attribution to Shakespeare. Five were attributed to other poets during his lifetime, and two were published in other collections anonymously. While most critics disqualify the rest as not Shakespearean on stylistic grounds, stylometric analysis by Ward Elliott and Robert Valenza put two blocks of the poems (4, 6, 7 and 9, and 10, 12, 13 and 15) within Shakespeare's stylistic boundaries. Jaggard later published an augmented edition with poems he knew to be by Thomas Heywood. Textual history ''The Passionate Pilgrim'' was first publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Size
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from ''folio'' (the largest), to ''quarto'' (smaller) and ''octavo'' (still smaller). Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto (from Latin ''quartō'', ablative form of ''quartus'', fourth) historically was a book printed on sheets of paper folded in half twice, with the first fold at right angles to the second, to produce 4 leaves (or 8 pages), each leaf one fourth the size of the original sheet printed – note that a ''leaf'' refers to the single piece of paper, whereas a ''page'' is one side of a leaf. Because the actual format of many modern books cannot be determined fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Weelkes
Thomas Weelkes (baptised 25 October 1576 – 30 November 1623) was an English composer and organist. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services. Life Weelkes was baptised in the little village church of Elsted near Chichester in West Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. He dedicated the volume to George Philpot. Early in his life he was in service at the house of the courtier Edward Darcy. At the end of 1598, probably aged 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years, receiving the q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Deloney
Thomas Deloney (born ; died in or shortly before 1600) was an English silk-weaver, novelist, and ballad writer. Biography Thomas Deloney was born sometime in the middle decades of the 16th century; the precise date is not recorded. Although often alleged to be a native of Norwich, he was most likely born in London, where he was trained as a silk-weaver. French and Walloon immigrants dominated the silk-weaving trade in 16th-century England, and the name Deloney, which looks like an anglicized form of a French name such as De Laune or De Lanoy, suggests that his family may have been relatively recent arrivals in England. An entry in the parish register of St Giles-without-Cripplegate from 16 October 1586 records the baptism of his son Richard, who may have died within a few months. During the 1580s and 1590s he became well-known as a writer of popular printed ballads, many of which circulated as ephemeral broadsides, while others were collected in books and pamphlets. His subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartholomew Griffin
Bartholomew Griffin ( fl. 1596) was an English poet. He is known for his ''Fidessa'' sequence of sonnets, published in 1596. Works In August 1572 the Queen made a progress to Warwick, spending several days at Kenilworth Castle as guest of the Earl of Leicester. At this time a portion of the entertainment for Elizabeth was the reading of some Latin verses composed by a “Mr. Griffin"D & C Ogburn (2003), ''The Star of England'', Coward-McCann, 1952 - this may have been Barthlomew Griffin. Griffin wrote a series of 62 sonnets entitled ''Fidessa, more chaste than kinde'', London, 1596. The dedication to Sir William Essex, 1st Baronet of Lambourn, Berkshire is followed by an epistle to the gentlemen of the Inns of Court The Inns of Court in London are the professional associations for barristers in England and Wales. There are four Inns of Court – Gray's Inn, Lincoln's Inn, Inner Temple and Middle Temple. All barristers must belong to one of them. They have ..., from which it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Barnfield
Richard Barnfield (baptized 29 June 1574 – 1620) was an English poet. His obscure though close relationship with William Shakespeare has long made him interesting to scholars. It has been suggested that he was the " rival poet" mentioned in Shakespeare's sonnets. Early life Barnfield was born at the home of his maternal grandparents in Norbury, Staffordshire, where he was baptized on 29 June 1574. He was the son of Richard Barnfield, gentleman, and Mary Skrymsher (1552–1581). He was brought up in Shropshire at The Manor House in Edgmond, his upbringing supervised by his aunt Elizabeth Skrymsher after his mother died when Barnfield was six years old. In November 1589 Barnfield matriculated at Brasenose College, Oxford, and took his degree in February 1592. He performed the exercise for his masters gown, but seems to have left the university abruptly, without proceeding to the M.A. It is conjectured that he came up to London in 1593, and became acquainted with Watson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet 144
Sonnet 144 (along with Sonnet 138) was published in the '' Passionate Pilgrim'' (1599). Shortly before this, Francis Meres referred to Shakespeare's Sonnets in his handbook of Elizabethan poetry, '' Palladis Tamia, or Wit's Treasurie'', published in 1598, which was frequently talked about in the literary centers of London taverns. Shakespeare's sonnets are mostly addressed to a young man, but the chief subject of Sonnet 127 through Sonnet 152 is the "dark lady". Several sonnets portray a conflicted relationship between the speaker, the "dark lady" and the young man. Sonnet 144 is one of the most prominent sonnets to address this conflict. Structure Sonnet 144 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form ''abab cdcd efef gg'' and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet 138
Sonnet 138 is one of the most famous of William Shakespeare's sonnets. Making use of frequent puns ("lie" and "lie" being the most obvious), it shows an understanding of the nature of truth and flattery in romantic relationships. The poem has also been argued to be biographical: many scholars have suggested Shakespeare used the poem to discuss his frustrating relationship with the Dark Lady, a frequent subject of many of the sonnets. (To note, the Dark Lady was definitely not Shakespeare's wife, Anne Hathaway.) The poem emphasizes the effects of age and the associated deterioration of beauty, and its effect on a sexual or romantic relationship. Paraphrase Sonnet 138 begins with the speaker discussing how his love speaks word of truth, but the next line states "''I do believe her, though I know she lies''." This sets the tone for the rest of the sonnet because he knows that his lover is lying. He chooses to deny it and accept her lie. The line "''That she might think me some untu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passionate Pilgrim
''The Passionate Pilgrim'' (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. These are two sonnets, later to be published in the 1609 collection of '' Shakespeare's Sonnets'', and three poems extracted from the play ''Love's Labour's Lost''. Five were attributed to other poets during his lifetime, and two were published in other collections anonymously. While most critics disqualify the rest as not Shakespearean on stylistic grounds, stylometric analysis by Ward Elliott and Robert Valenza put two blocks of the poems (4, 6, 7 and 9, and 10, 12, 13 and 15) within Shakespeare's stylistic boundaries. Jaggard later published an augmented edition with poems he knew to be by Thomas Heywood. Textual history ''The Passionate Pilgrim'' was first published in octavo by William Jaggard, probably in 1599 or possibly the year before, since th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Phoenix And The Turtle
''The Phoenix and the Turtle'' (also spelled ''The Phœnix and the Turtle'') is an allegorical poem by William Shakespeare, first published in 1601 as a supplement to a longer work, ''Love's Martyr'', by Robert Chester. The poem, which has been called "the first great published metaphysical poem", has many conflicting interpretations. The title "The Phoenix and the Turtle" is a conventional label. As published, the poem was untitled. The title names two birds: the mythological phoenix and the turtle dove. The poem describes a funeral arranged for the deceased Phoenix and Turtledove, to which some birds are invited, but others excluded. The Phoenix and Turtledove are emblems of perfection and of devoted love, respectively. The traditional attribute of the Phoenix is that when it dies, it returns to life, rising from the ashes of its prior incarnation; the Turtledove, by contrast, is mortal. The poem states that the love of the birds created a perfect unity which transcended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Lover's Complaint
"A Lover's Complaint" is a narrative poem written by William Shakespeare, and published as part of the 1609 quarto of '' Shakespeare's Sonnets''. It was published by Thomas Thorpe. "A Lover’s Complaint" is an example of the female-voiced complaint, which is frequently appended to sonnet sequences. Other examples include Samuel Daniel's "Complaint to Rosamund", which follows Daniel's ''Delia'' (1592), Thomas Lodge's "Complaint of Elstred", which follows ''Phillis'' (1593), Michael Drayton's "Matilda the Faire", which follows ''Ideas Mirrour'' (1594), and Richard Barnfield's "Cassandra", which follows ''The Affectionate Shepherd''. Form and content The poem consists of forty-seven seven-line stanzas written in the form known as rhyme royal (rhyme scheme ABABBCC), a metre identical to that of Shakespeare's longer narrative poem ''The Rape of Lucrece''. The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Benson (publisher)
John Benson (died 23 January 1667) was a London publisher of the middle seventeenth century, best remembered for a historically important publication of the Sonnets and miscellaneous poems of William Shakespeare in 1640. John Benson began his career as a stationer in 1635; he maintained shops in Chancery Lane (from 1635 on) and St. Dunstan's Churchyard in Fleet Street (1640 and after). In his publishing career, Benson generally concentrated on the lower end of the market for printed matter in his era; he "specialized in the publication of ballads and broadsides." Yet he published books too, like Joseph Rutter's ''The Shepherds' Holy-Day'' (1635); he issued Ben Jonson's ''Execration Against Vulcan'' in 1640. Benson partnered with other stationers for some projects. He joined with fellow stationer John Waterson to publish the first quarto of Fletcher and Massinger's '' The Elder Brother'' (1637). Benson and John Saywell issued Francis Quarles's ''Hosanna, or Divine poems on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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