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John Benson (publisher)
John Benson (died 23 January 1667) was a London publisher of the middle seventeenth century, best remembered for a historically important publication of the Sonnets and miscellaneous poems of William Shakespeare in 1640. John Benson began his career as a stationer in 1635; he maintained shops in Chancery Lane (from 1635 on) and St. Dunstan's Churchyard in Fleet Street (1640 and after). In his publishing career, Benson generally concentrated on the lower end of the market for printed matter in his era; he "specialized in the publication of ballads and broadsides." Yet he published books too, like Joseph Rutter's ''The Shepherds' Holy-Day'' (1635); he issued Ben Jonson's ''Execration Against Vulcan'' in 1640. Benson partnered with other stationers for some projects. He joined with fellow stationer John Waterson to publish the first quarto of Fletcher and Massinger's ''The Elder Brother'' (1637). Benson and John Saywell issued Francis Quarles's ''Hosanna, or Divine poems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portrait Marshall De Shakespeare
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Playford
John Playford (1623–1686/7) was a London bookseller, publisher, minor composer, and member of the Stationers' Company, who published books on music theory, instruction books for several instruments, and psalters with tunes for singing in churches. He is perhaps best known today for his publication of ''The English Dancing Master'' in 1651. Biography Playford was born in Norwich, the younger son of John Playford. He served an apprenticeship in London with publisher John Benson from 1639/40 to 1647, after which he remained in the capital, opening a shop in the porch of Temple Church. Playford was clerk to the church, and probably resided with his wife Hannah over the shop until 1659. He was, it appears (from the title-pages of his publications) temporarily in partnership with John Benson in 1652, and with Zachariah Watkins in 1664 and 1665. Under the Commonwealth (1649–60), and for some years of Charles II's reign, Playford almost monopolised the business of music pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Phoenix And The Turtle
''The Phoenix and the Turtle'' (also spelled ''The Phœnix and the Turtle'') is an allegorical poem by William Shakespeare, first published in 1601 as a supplement to a longer work, ''Love's Martyr'', by Robert Chester. The poem, which has been called "the first great published metaphysical poem", has many conflicting interpretations. The title "The Phoenix and the Turtle" is a conventional label. As published, the poem was untitled. The title names two birds: the mythological phoenix and the turtle dove. The poem describes a funeral arranged for the deceased Phoenix and Turtledove, to which some birds are invited, but others excluded. The Phoenix and Turtledove are emblems of perfection and of devoted love, respectively. The traditional attribute of the Phoenix is that when it dies, it returns to life, rising from the ashes of its prior incarnation; the Turtledove, by contrast, is mortal. The poem states that the love of the birds created a perfect unity which transcended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Passionate Pilgrim
''The Passionate Pilgrim'' (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. These are two sonnets, later to be published in the 1609 collection of '' Shakespeare's Sonnets'', and three poems extracted from the play ''Love's Labour's Lost''. Internal and external evidence contradicts the title page's attribution to Shakespeare. Five were attributed to other poets during his lifetime, and two were published in other collections anonymously. While most critics disqualify the rest as not Shakespearean on stylistic grounds, stylometric analysis by Ward Elliott and Robert Valenza put two blocks of the poems (4, 6, 7 and 9, and 10, 12, 13 and 15) within Shakespeare's stylistic boundaries. Jaggard later published an augmented edition with poems he knew to be by Thomas Heywood. Textual history ''The Passionate Pilgrim'' was first publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonard Digges (II)
Leonard Digges (; 1588 – 7 April 1635) was a Hispanist and minor poet, a younger son of the astronomer Thomas Digges (1545–95) and younger brother of Sir Dudley Digges (1583–1639). After his father's death in 1595, his mother married Thomas Russell of Alderminster, now in Warwickshire, who was named by William Shakespeare as one of the two overseers of his will. There are varying opinions about the extent to which the young Leonard Digges might have been influenced in his choice of profession by his stepfather's association with Shakespeare; disagreements about whether he was or was not personally acquainted with the playwright have in recent years eclipsed discussion of the work of Digges himself. Life Leonard Digges matriculated at University College, Oxford in 1603, the year of his mother's remarriage, and graduated BA in 1606. This was followed by a period of study abroad. He may have traveled to Spain with fellow Hispanist James Mabbe, whom he knew from Oxford, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commendatory Poem
The epideictic oratory, also called ceremonial oratory, or praise-and-blame rhetoric, is one of the three branches, or "species" (eidē), of rhetoric as outlined in Aristotle's ''Rhetoric'', to be used to praise or blame during ceremonies. Origin and pronunciation The term's root has to do with display or show (''deixis''). It is a literary or rhetorical term from the Greek ἐπιδεικτικός "for show". It is generally pronounced orAnother English form, now less common, is ''epidictic'' . Characteristics This is rhetoric of ceremony, commemoration, declamation, demonstration, on the one hand, and of play, entertainment and display, including self-display. It is also the rhetoric used at festivals, the Olympic Games, Olympic games, state visits and other formal events like the opening and closing ceremonies, and celebrations of anniversaries of important events, including illustrious victories, births, deaths, and weddings. Its major subject is praise and blame, acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Folio
''Mr. William Shakespeare's Comedies, Histories, & Tragedies'' is a collection of plays by William Shakespeare, commonly referred to by modern scholars as the First Folio, published in 1623, about seven years after Shakespeare's death. It is considered one of the most influential books ever published. Printed in folio format and containing 36 plays (see list of Shakespeare's plays), it was prepared by Shakespeare's colleagues John Heminges and Henry Condell. It was dedicated to the "incomparable pair of brethren" William Herbert, 3rd Earl of Pembroke and his brother Philip Herbert, Earl of Montgomery (later 4th Earl of Pembroke). Although 19 of Shakespeare's plays had been published in quarto before 1623, the First Folio is arguably the only reliable text for about 20 of the plays, and a valuable source text for many of those previously published. Eighteen of the plays in the First Folio, including '' The Tempest'', ''Twelfth Night'', and ''Measure for Measure'' among others, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Droeshout Portrait
The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet; the other is the statue erected as his funeral monument in Shakespeare's home town of Stratford-upon-Avon. Both are posthumous. While its role as a portrait frontispiece is typical of publications from the era, the exact circumstances surrounding the making of the engraving are unknown. It is uncertain which of two "Martin Droeshouts" created the engraving and it is not known to what extent the features were copied from an existing painting or drawing. Critics have generally been unimpressed by it as a work of art, although the engraving has had a few defenders, and exponents of the Shakespeare authorship question have claimed to find coded messages within it. States ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Marshall (illustrator)
William Marshall (fl. 1617–1649) was a seventeenth-century British engraver and illustrator, best known for his print depicting "Charles the Martyr", a symbolic portrayal of Charles I of England, King Charles I of England as a Christianity, Christian martyr. Early career Nothing is known of Marshall's life beyond references to his career as an engraver. Marshall's earliest known work is the frontispiece to the book ''A Solemne Joviall Disposition Briefly Shadowing the Law of Drinking'', which was published in 1617. In the 1630s he produced a number of portrait engravings and book frontispieces, depicting Puritan divines, poets, and figures associated with the High Church establishment of the day, such as William Laud. His most ambitious work was the highly elaborate Book frontispiece, frontispiece to George Wither's 1635 ''Collection of Emblemes, Ancient and Moderne'', an unusually complex example of the Emblem book. Wither left the design to Marshall, having given general instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Size
The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from ''folio'' (the largest), to ''quarto'' (smaller) and ''octavo'' (still smaller). Historically, these terms referred to the format of the book, a technical term used by printers and bibliographers to indicate the size of a leaf in terms of the size of the original sheet. For example, a quarto (from Latin ''quartō'', ablative form of ''quartus'', fourth) historically was a book printed on sheets of paper folded in half twice, with the first fold at right angles to the second, to produce 4 leaves (or 8 pages), each leaf one fourth the size of the original sheet printed – note that a ''leaf'' refers to the single piece of paper, whereas a ''page'' is one side of a leaf. Because the actual format of many modern books cannot be determined fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Lover's Complaint
"A Lover's Complaint" is a narrative poem written by William Shakespeare, and published as part of the 1609 quarto of '' Shakespeare's Sonnets''. It was published by Thomas Thorpe. "A Lover’s Complaint" is an example of the female-voiced complaint, which is frequently appended to sonnet sequences. Other examples include Samuel Daniel's "Complaint to Rosamund", which follows Daniel's ''Delia'' (1592), Thomas Lodge's "Complaint of Elstred", which follows ''Phillis'' (1593), Michael Drayton's "Matilda the Faire", which follows ''Ideas Mirrour'' (1594), and Richard Barnfield's "Cassandra", which follows ''The Affectionate Shepherd''. Form and content The poem consists of forty-seven seven-line stanzas written in the form known as rhyme royal (rhyme scheme ABABBCC), a metre identical to that of Shakespeare's longer narrative poem ''The Rape of Lucrece''. The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
