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Dialogue
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term ''dialogue'' stems from the Greek (, ); its roots are (, ) and (, ). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as . As genre Antiquity Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns, and the '' Mahabharata''. In the West, Plato ( BC – BC) has commonly been credited with the systematic use of dialogue as an ...
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Conversation About Cross-Cultural Youth Convention, 1972 (16432965096)
Conversation is interactive communication between two or more people. The development of conversational skills and etiquette is an important part of socialization. The development of conversational skills in a new language is a frequent focus of language teaching and learning. Conversation analysis is a branch of sociology which studies the structure and organization of human interaction, with a more specific focus on conversational interaction. Definition and characterization No generally accepted definition of conversation exists, beyond the fact that a conversation involves at least two people talking together. Consequently, the term is often defined by what it is not. A ritualized exchange such as a mutual greeting is not a conversation, and an interaction that includes a marked status differential (such as a boss giving orders) is also not a conversation. An interaction with a tightly focused topic or purpose is also generally not considered a conversation. Summariz ...
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Politeia Beginning
''Politeia'' (πολιτεία) is an ancient Greek word used in Greek political thought, especially that of Plato and Aristotle. Derived from the word ''polis'' ("city-state"), it has a range of meanings from " the rights of citizens" to a "form of government". English translations of the Greek word According to Liddell and Scott's '' Greek-English Lexicon'' a meaning of politeia is "the conditions and rights of the citizen, or citizenship", analogous to the Latin ''civitas''. ''Politeia'', in Greek means the community of citizens in a city / state. It should not be confused with "regime" that is meant by ''politeuma'' or "Status quo" that is meant by '' kathestos''. ''Politeuma'' is the word describing the political situation of the community of citizens in a city/state, and ''kathestos'' means also the general situation of an object, an agreement, or something else. ''Politeia'' is derived from both the root word ''polis'' meaning "city" or "state", and from the verb ''polite ...
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Xenophon
Xenophon of Athens (; grc, wikt:Ξενοφῶν, Ξενοφῶν ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Ancient Greek mercenaries, Greek mercenary armies of the Achaemenid Empire, the Ten Thousand, that marched on and came close to capturing Babylon in 401 BC. As the military historian Theodore Ayrault Dodge wrote, "the centuries since have devised nothing to surpass the genius of this warrior". Xenophon established precedents for many logistical operations, and was among the first to describe strategic flanking maneuvers and feints in combat. Xenophon's ''Anabasis (Xenophon), Anabasis'' recounts his adventures with the Ten Thousand while in the service of Cyrus the Younger, Cyrus's failed campaign to claim the Persian throne from Artaxerxes II of Persia, and the return of Greek mercenaries after Cyrus's death in the Battle of Cunaxa. ''Anabasis ...
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Epistles (Plato)
The ''Epistles'' (Greek: Ἐπιστολαί; Latin: ''Epistolae'') of Plato are a series of thirteen letters traditionally included in the Platonic corpus. Their authenticity has been the subject of some dispute, and scholarly consensus has shifted back and forth over time. They were "generally accepted as genuine until modern times"; but by the close of the nineteenth century, many philologists (such as Richard Bentley, Christoph Meiners, and Friedrich Ast) believed that none of the letters were actually written by Plato. Now every letter except the First has some defenders of its authenticity. The Twelfth is also widely regarded as a forgery, and the Fifth and Ninth have fewer supporters than the others.Platon, "Lettres", ed. by Luc Brisson, Flammarion, 2004, p. 70. The ''Epistles'' focus mostly on Plato's time in Syracuse and his influence on the political figures Dion and Dionysius. They are generally biographical rather than philosophical, although several, notab ...
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Apology (Plato)
The ''Apology of Socrates'' ( grc-gre, Ἀπολογία Σωκράτους, ''Apología Sokrátous''; la, Apologia Socratis), written by Plato, is a Socratic dialogue of the speech of legal self-defence which Socrates (469–399 BC) spoke at his trial for impiety and corruption in 399 BC. Specifically, the ''Apology of Socrates'' is a defence against the charges of "corrupting the youth" and "not believing in the gods in whom the city believes, but in other '' daimonia'' that are novel" to Athens (24b). Among the primary sources about the trial and death of the philosopher Socrates, the ''Apology of Socrates'' is the dialogue that depicts the trial, and is one of four Socratic dialogues, along with ''Euthyphro'', ''Phaedo'', and ''Crito'', through which Plato details the final days of the philosopher Socrates. The text of apology The ''Apology of Socrates'', by the philosopher Plato (429–347 BC), was one of many explanatory ''apologia'' about Socrates's legal defense ag ...
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Logical Argument
An argument is a statement or group of statements called premises intended to determine the degree of truth or acceptability of another statement called conclusion. Arguments can be studied from three main perspectives: the logical, the dialectical and the rhetorical perspective. In logic, an argument is usually expressed not in natural language but in a symbolic formal language, and it can be defined as any group of propositions of which one is claimed to follow from the others through deductively valid inferences that preserve truth from the premises to the conclusion. This logical perspective on argument is relevant for scientific fields such as mathematics and computer science. Logic is the study of the forms of reasoning in arguments and the development of standards and criteria to evaluate arguments. Deductive arguments can be valid, and the valid ones can be sound: in a valid argument, premisses necessitate the conclusion, even if one or more of the premises is false ...
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Herodas
The first column of the Herodas papyrus, showing ''Mimiamb'' 1. 1–15. Herodas or Herondas (Greek: or - the name is spelt differently in the few places where he is mentioned), was a Greek poet and the author of short humorous dramatic scenes in verse, probably written in Alexandria during the 3rd century BC.Headlam, ''Herodas'' (Cambridge, 1922) ix. Apart from the intrinsic merit of these pieces, they are interesting in the history of Greek literature as being a new species, illustrating Alexandrian methods. They are called ''Mimiamboi'' (Greek: μιμίαμβοι, "Mime- iambics"), or mimes. Mimes were the Dorian product of South Italy and Sicily, and the most famous of them – from which Plato is said to have studied the drawing of character – were the work of Sophron. These were scenes in popular life, written in the language of the people, vigorous with sexual proverbs such as we get in other reflections of that region – in Petronius and th ...
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Epicharmus
Epicharmus of Kos or Epicharmus Comicus or Epicharmus Comicus Syracusanus ( grc-gre, Ἐπίχαρμος ὁ Κῷος), thought to have lived between c. 550 and c. 460 BC, was a Greek dramatist and philosopher who is often credited with being one of the first comic writers, having originated the Doric or Sicilian comedic form. Literary evidence Most of the information about Epicharmus comes from the writings of Athenaeus, ''Suda'' and Diogenes Laërtius, although fragments and comments come up in a host of other ancient authors as well. The standard edition of his fragments was made by Kaibel (1890) to which there has been various additions and emendments. There have also been some papyrus finds of longer sections of text, but these are often so full of holes that it is difficult to make sense of them. Plato mentions Epicharmus in his dialogue ''Gorgias''Plato, ''Gorgias'' 05e "So that, in Epicharmus's phrase, 'what two men spake erewhile' I may prove I can manage si ...
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Sophron
Sophron of Syracuse ( grc-gre, Σώφρων ὁ Συρακούσιος, '' fl.'' 430 BC) was a writer of mimes. Sophron was the author of prose dialogues in the Doric dialect, containing both male and female characters, some serious, others humorous in style, and depicting scenes from the daily life of the Sicilian Greeks. Although in prose, they were regarded as poems; in any case they were not intended for stage representation. They were written in pithy and popular language, full of proverbs and colloquialisms. Influence Plato is said to have introduced Sophron's works into Athens and to have made use of them in his dialogues; according to Diogenes Laërtius, they were Plato's constant companions, and he even slept with them under his pillow; the ''Suda'' says of the mimes of Sophron, "Plato the philosopher always read them, so as to be sent into an occasional doze." Some idea of their general character may be gathered from the 2nd and 15th idylls of Theocritus, which are said ...
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Sicily
(man) it, Siciliana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = Ethnicity , demographics1_footnotes = , demographics1_title1 = Sicilian , demographics1_info1 = 98% , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-82 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €89.2 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 ...
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ...
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Rigvedic Dialogue Hymns
The Rigveda contains a number of dialogue hymns ('s) in the form of dialogues, representing the earliest surviving sample of this genre. It can be argued to be an early precursor of Indian classical drama. They are found in the youngest part of the Rigveda ( RV 1 and RV 10), dating to roughly the 12th to 10th centuries BC, with the exception of the older River hymn ( RV 3.33), where the rivers answer in reply to Vishvamitra's prayer. *1.179 Agastya and Lopamudra (5 trishtubhs, 1 brhati) *3.33 Vishvamitra and the Rivers (12 trishtubhs, 1 anushtubh) *10.10: dialogue of Yama and Yami (12 anushtubhs) *10.51 Agni and the gods (9 trishtubhs) *10.86 Indrani, Indra, the "he-ape" Vrshakapi and his wife *10.95: dialogue of Pururavas and Urvashi (18 trishtubhs) *10.183: dialogue between the sacrificer and his wife (3 trishtubhs) See also * Gambler's Lament (a Rigvedic "monologue" hymn) References {{DEFAULTSORT:Rigvedic Dialogue Hymns Dialogue Dialogue (sometimes spelled dialog in ...
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