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Zeichenstaub
' (Symbol dust) is a composition for string trio in four movements by Graham Waterhouse, written in 2010. It was first performed in Arnstadt, Germany, on 18 September 2010, with the composer playing the cello part. History, structure and music The work was commissioned by the Hepp family. Damian Hosp (pen name of Kaspar Hepp) wrote a poem which reflects a black and white photograph of a skier. The poem describes the tracks left in the snow and the powdery snow thrown up in the air, described as "". The composer writes: "The idea of clear lines set against blurred textures as suggested by this intriguing word was a starting point in the composition of the piece." The work for violin, viola and cello is in four movements, with the dedication to the family reflected in their initials: * Halcyon – * Ethereal – * Pointilliste – * Perpetuum – Each movement is dedicated to "its own sound-world". The first movement in Doric mode, opens with rising fifths, set against syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Trio
A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio. Early History The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata. Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type.Tilmouth, Michael (2001). “String trio”. ''Grove Music Online.'' Oxford University Press, 2001. String trios scored for two violins and viola were also used, although much less frequently.Brook, Barry S. (1983). “Haydn's String Trios: A Misunderstood Genre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graham Waterhouse
Graham Waterhouse (born 2 November 1962) is an English composer and cellist who specializes in chamber music. He has composed a cello concerto, ''Three Pieces for Solo Cello'' and ''Variations for Cello Solo'' for his own instrument, and string quartets and compositions that juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and the piano quintet '' Rhapsodie Macabre''. He has set poetry for speaking voice and cello, such as ''Der Handschuh'', and has written song cycles. His compositions reflect the individual capacity and character of players and instruments, from the piccolo to the contrabassoon. Since 1998, Waterhouse has organised a concert series at the Gasteig in Munich, often playing with members of the Munich Philharmonic. His works have been performed internationally and several have been recorded. He has been awarded prizes for several of his compositions, and has been composer in residence at institutions in European countries. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Trio
A string trio is a group of three string instruments or a piece written for such a group. From at least the 19th century on, the term "string trio" with otherwise unspecified instrumentation normally refers to the combination violin, viola and cello. The classical string trio emerged during the mid-18th century and later expanded into four subgenres: the grand trio, the concertant trio, the brilliant trio, and the Hausmusik trio. Early History The earliest string trio, found during the mid 18th century, consisted of two violins and a cello, a grouping which had grown out of the Baroque trio sonata. Over the course of the late 18th century, the string trio scored for violin, viola, and cello came to be the predominant type.Tilmouth, Michael (2001). “String trio”. ''Grove Music Online.'' Oxford University Press, 2001. String trios scored for two violins and viola were also used, although much less frequently.Brook, Barry S. (1983). “Haydn's String Trios: A Misunderstood Genre. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Trios By Graham Waterhouse
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * ''Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konstantin Sellheim
Konstantin Sellheim (born 1978) is a German classical violist, who has appeared internationally with a focus on chamber music. He is a violist of the Münchner Philharmoniker, and lecturer of viola at the Universität der Künste Berlin. Career Sellheim began to play violin at age six. He studied violin at the Hochschule für Musik und Theater Hannover. He then studied viola, from 1996 with of the NDR Radiophilharmonie, from 1999 with Hartmut Rohde at the Universität der Künste Berlin, from 2004 with Nobuko Imai in Amsterdam, and with Wilfried Strehle of the Berliner Philharmoniker. He was from 2004 violist with the Staatskapelle Berlin conducted by Daniel Barenboim, and from 2006 violist of the Münchner Philharmoniker. He has played with his sister, the pianist Katharina Sellheim, as the Duo Sellheim. They recorded a CD, ''Fantasy'', of works by Robert Schumann, Paul Hindemith and Rebecca Clarke. With the clarinetist László Kuti, they have performed as the Sellheim-Kuti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Münchner Philharmoniker
The Munich Philharmonic (german: Münchner Philharmoniker, links=no) is a German symphony orchestra located in the city of Munich. It is one of Munich's four principal orchestras, along with the Bavarian Radio Symphony Orchestra, the Munich Radio Orchestra and the Bavarian State Orchestra. Since 1985, the orchestra has been housed in the Gasteig culture centre. History Foundation The orchestra was founded in Munich in 1893 by Franz Kaim, son of a piano manufacturer, as the Kaim Orchestra. In 1895, it took up residence in the city's ''Tonhalle'' (concert hall). It soon attracted distinguished conductors: Gustav Mahler first directed the group in 1897 and premiered his '' Symphony No. 4'' and '' Symphony No. 8'' with the orchestra, while Bruno Walter directed the orchestra for the posthumous premiere of Mahler's ''Das Lied von der Erde''. Felix Weingartner was music director from 1898 to 1905, and the young Wilhelm Furtwängler made his auspicious conducting debut there in 190 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highgate School
Highgate School, formally Sir Roger Cholmeley's School at Highgate, is an English co-educational, fee-charging, independent day school, founded in 1565 in Highgate, London, England. It educates over 1,400 pupils in three sections – Highgate Pre-Preparatory School (ages 4–7), Highgate junior school (ages 7–11) and the senior school (11+) – which together comprise the Highgate Foundation. As part of its wider work the charity was from 2010 a founding partner of the London Academy of Excellence and it is now also the principal education sponsor of an associated Academy, the London Academy of Excellence Tottenham, which opened in September 2017. The principal business sponsor is Tottenham Hotspur FC. The charity also funds the Chrysalis Partnership, a scheme supporting 26 state schools in six London boroughs. Administration The foundation is governed in accordance with a Charity Commission Scheme dated 1 September 2005 (and amended in 2014). Its governing body consists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointillism
Pointillism (, ) is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionism, Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes. Technique The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pizzicato
Pizzicato (, ; translated as "pinched", and sometimes roughly as "plucked") is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument : * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Toru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as "string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fifth (interval)
Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals. For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory, without consideration of the way in which they are tuned, see . Terminology *The ''prime limit'' Fox, Christopher (2003). "Microtones and Microtonalities", ''Contemporary Music Review'', v. 22, pt. 1–2. (Abingdon, Oxfordshire, UK: Routledge): p. 13. henceforth referred to simply as the ''limit'', is the largest prime number occurring in the factorizations of the numerator and denominator of the frequency ratio describing a rational interval. For instance, the limit of the just perfect fourth (4:3) is 3, but the just minor tone (10:9) has a limit of 5, because 10 can be factored into (and 9 into ). There exists another type of limit, the '' odd limit'', a concept used by Harr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
