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Konstantin Sellheim
Konstantin Sellheim (born 1978) is a German classical violist, who has appeared internationally with a focus on chamber music. He is a violist of the Münchner Philharmoniker, and lecturer of viola at the Universität der Künste Berlin. Career Sellheim began to play violin at age six. He studied violin at the Hochschule für Musik und Theater Hannover. He then studied viola, from 1996 with of the NDR Radiophilharmonie, from 1999 with Hartmut Rohde at the Universität der Künste Berlin, from 2004 with Nobuko Imai in Amsterdam, and with Wilfried Strehle of the Berliner Philharmoniker. He was from 2004 violist with the Staatskapelle Berlin conducted by Daniel Barenboim, and from 2006 violist of the Münchner Philharmoniker. He has played with his sister, the pianist Katharina Sellheim, as the Duo Sellheim. They recorded a CD, ''Fantasy'', of works by Robert Schumann, Paul Hindemith and Rebecca Clarke. With the clarinetist László Kuti, they have performed as the Sellheim-Kuti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skylla And Charybdis (Waterhouse)
''Skylla and Charybdis'' is a 2014 composition for piano quartet by Graham Waterhouse, played in four movements without a break. The title refers to Scylla and Charybdis, two sea monsters from Greek mythology. In performances in German-speaking countries, it has also appeared in English surroundings as ''Between Scylla and Charybdis''. ''Skylla und Charybdis'' is the title of an album of music for piano and strings by Waterhouse including this piece, released by Farao Classics in 2020. History The work, composed in 2011, was premiered at the Gasteig in Munich on 2 November 2014, by pianist Katharina Sellheim, violinist David Frühwirth, violist Konstantin Sellheim and the composer as the cellist. It was used for the title of a concert at the same location on 11 March 2018, played by the same performers, and for a concert in Gilching in preparation of an album of the same name. It was played in England in 2020, again providing the concert title, in 2020, combined with quartets b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilfried Strehle
Wilfried is a masculine German given name derived from Germanic roots meaning "will" and "peace" (''Wille'' and ''Frieden'' in German). The English spelling is Wilfrid. Wilfred and Wifred (also Wifredo) are closely related to Wilfried with the same roots (Old English ''wil'' and ''frið''). People using the name Wilfried as a given name: * Murad Wilfried Hofmann (1931–2020), German diplomat * Wilfried Behre (born 1956), German artist * Wilfried Benjamin Balima (born 1985), Burkinabé footballer * Wilfried Bingangoye (born 1985), Gabonese sprinter * Wilfried Bock (21st century), German biathlete * Wilfried Böse (1949–1976), German terrorist * Wilfried Brauer (1937–2014), German computer scientist * Wilfried Brookhuis (born 1961), Dutch footballer * Wilfried Cretskens (born 1976), Belgian cyclist * Wilfried Daim (1923–2016), Austrian psychologist * Wilfried Dalmat (born 1982), French footballer * Wilfried David (1946–2015), Belgian cyclist * Wilfried Dietrich (1933–1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Levit
Igor Levit (russian: link=no, Игорь Левит; born 10 March 1987) is a Russian-German pianist who focuses on the works of Bach, Beethoven, and Liszt. He is also a professor at the Musikhochschule Hannover. He lives in Berlin. Biography Born in Gorky (now Nizhny Novgorod) to a Jewish family, Levit began playing piano at the age of three. He received piano lessons from his mother Elena Levit, a piano teacher, répétiteur and grand-disciple of Heinrich Neuhaus. As a child, he had his first successes on the concert stage in his hometown. His family moved to Hannover in 1995. From 1999 to 2000, he studied at the Mozarteum in Salzburg with Hans Leygraf and, from 2000 to 2010, at the Hochschule für Musik, Theater und Medien Hannover with Karl-Heinz Kämmerling, Matti Raekallio and . Levit has appeared in major concert halls and music festivals around the world. During his studies, he won prizes in several international competitions including second prize at the International ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giora Feidman
Giora Feidman ( he, גיורא פיידמן; born 25 March 1936) is an Argentine-born Israeli clarinetist who specializes in klezmer music. Biography Giora Feidman was born in Buenos Aires, Argentina, where his Bessarabian Jewish parents immigrated to escape persecution. Feidman comes from a family of klezmer musicians. His father, grandfather and great-grandfather made music for weddings, bar mitzvahs, and holiday celebrations in the shtetls of Eastern Europe. Feidman married Ora Bat-Chaim, his personal manager, in 1975. Music career Feidman began his career in Buenos Aires as a member of the Teatro Colón Symphony Orchestra. Two years later he immigrated to Israel to become the youngest clarinetist ever to play with the Israel Philharmonic Orchestra. He was a member of the orchestra for over 20 years. In the early 1970s he began his solo career. He has performed with the Berliner Symphoniker, the Kronos Quartet, the Polish Chamber Philharmonic, the Munich Chamber Philharmonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Kovács (clarinetist)
Béla Kovács (May 1, 1937 – November 7, 2021) was a Hungarian clarinetist. Education Kovács was born in Tatabánya, Hungary. He graduated from the Franz Liszt Academy of Music in Budapest, Hungary. Performance career Kovács was principal clarinetist with the Hungarian State Opera Orchestra and the Budapest Philharmonic Orchestra since 1956, until he retired in 1981. Teaching career Kovács has been a Professor of Clarinet at the Franz Liszt Academy of Music in Budapest and at the University of Music and Dramatic Arts in Graz Graz (; sl, Gradec) is the capital city of the Austrian state of Styria and second-largest city in Austria after Vienna. As of 1 January 2021, it had a population of 331,562 (294,236 of whom had principal-residence status). In 2018, the popul ..., Austria. He has composed a set of concert etudes for clarinet called "Hommages" that are written in the style of a number of different composers and are studied and/or performed widely today. Compositi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture On Hebrew Themes
Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” or Op. 34a, retaining a separate part for piano but featuring solo cello as much as solo clarinet. Until recently the chamber orchestra version had been the better known, being easily programmable by orchestras, while the original version (for six instruments) requires out-of-the-way planning on the part of a string quartet. But two recordings have drawn attention to the original: Michel Portal clarinet, Parrenin Quartet, Michel Béroff piano (1974); and Giora Feidman clarinet, Juilliard String Quartet, Yefim Bronfman piano (1994). Background Prokofiev arrived in New York in September 1918. Early in 1919, he was commissioned by a Russian sextet called the Zimro Ensemble, which had just arrived in Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Kurtág
György Kurtág (; born 19 February 1926) is a Hungarian classical composer and pianist. He was an academic teacher of piano at the Franz Liszt Academy of Music from 1967, later also of chamber music, and taught until 1993. Biography György Kurtág was born in Lugoj in the Banat region of Romania, to Hungarian parents. He became a Hungarian citizen in 1948, after moving to Budapest in 1946. There, he began his studies at the Franz Liszt Academy of Music, where he met his wife, Márta Kinsker, as well as composer György Ligeti, who became a close friend. His piano teacher at the academy was Pál Kadosa. He studied composition with Sándor Veress and Ferenc Farkas, chamber music with Leó Weiner, and theory with Lajos Bárdos, and graduated in piano and chamber music in 1951 before receiving his degree in composition in 1955. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Märchenerzählungen (Schumann)
''Märchenerzählungen'' (Fairy tale narrations), Op. 132, is a trio composition by Robert Schumann in four movements for clarinet (violin ad libitum), viola and piano. He composed the clarinet-viola-piano trio in B-flat major, between 9 and 11 October 1853. The movements are connected by a motif (''Kernmotiv''). The work is dedicated to Schumann's pupil Albert Dietrich, and was published in 1854 by Breitkopf & Härtel. History The composition, one of Schumann's last works, uses the same combination of instruments as Mozart's ''Kegelstatt Trio''. The composer was interested in the "picturesque and the fanciful", but left no link to specific fairy tales, as for his earlier '' Märchenbilder'', Op. 113. The composition was completed in a few days. Clara Schumann noted in her diary: "Heute vollendete Robert 4 Stücke für Klavier, Klarinette und Viola und war selbst sehr beglückt darüber. Er meint, diese Zusammenstellung werde sich höchst romantisch ausnehmen." (Today Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kegelstatt Trio
The ''Kegelstatt Trio'', K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart. History Mozart wrote the piano trio on 10 sheets (19 pages) in Vienna and dated the manuscript on 5 August 1786. According to Mozart's 17-year-old student Karoline Pichler, the work was dedicated to another student of Mozart's, Franziska von Jacquin; Mozart and the von Jacquin family – father Nikolaus Joseph von Jacquin and his youngest son Gottfried – were quite close friends. They performed house concerts together, where Nikolaus played the flute and Franziska the piano. In a letter to Gottfried from 15 January 1787, Mozart praises Franziska's studiousness and diligence. Mozart dedicated a number of works to the von Jacquin family. One year later, Mozart wrote two Lieder, "" (K. 520) and "" (K. 530) explicitly for Gottfried von Jacquin to use under his own name. The German word ' means "a place where skittles are played", akin to a duckpi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebecca Clarke (composer)
Rebecca Helferich Clarke (27 August 1886 – 13 October 1979) was a British-American classical composer and violist. Internationally renowned as a viola virtuoso, she also became one of the first female professional orchestral players. Rebecca Clarke claimed both British and American nationalities and spent substantial periods of her life in the United States, where she permanently settled after World War II. She was born in Harrow and studied at the Royal Academy of Music and Royal College of Music in London. Stranded in the United States at the outbreak of World War II, she married composer and pianist James Friskin in 1944. Clarke died at her home in New York at the age of 93. Although Clarke's output was not large, her work was recognised for its compositional skill and artistic power. Some of her works have yet to be published (and many were only recently published); those that were published in her lifetime were largely forgotten after she stopped composing. Scholarship a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith (; 16 November 189528 December 1963) was a German composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (new objectivity) style of music in the 1920s, with compositions such as '' Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler'' (1938), the '' Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd'', a requiem based on Walt Whitman's poem (1946). Life and career Hindemith was born in Hanau, near Frankfurt, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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