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Zillo Musikmagazin
''Zillo'' (or ''Zillostrierte'') was a German alternative music magazine, published monthly, originally edited by Rainer "Easy" Ettler. It was in circulation between 1989 and 2014. The headquarters of ''Zillo'' were in Lübeck. History The magazine was founded in 1989 under the name ''Zillostrierte'', and three issues were published in A5 format. The format was changed to the double-size A4 format, and the name was shortened to ''Zillo'' in January 1990 after a four-month break in publication, and the magazine managed to gain circulation of about 50,000 readers. Despite a positive response and an increasing number of readers, the magazine was generating a monthly loss of 10,000 Deutsche Marks. At the end of 1990 the debt was over 100,000. To avoid bankruptcy, it was decided to increase the retail price. By 1992, circulation had increased to 70,000, and the magazine had become the mouthpiece of indie and goth culture as well as the Neue Deutsche Welle ("new German wave") movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lübeck
Lübeck (; Low German also ), officially the Hanseatic City of Lübeck (german: Hansestadt Lübeck), is a city in Northern Germany. With around 217,000 inhabitants, Lübeck is the second-largest city on the German Baltic coast and in the state of Schleswig-Holstein, after its capital of Kiel, and is the 35th-largest city in Germany. The city lies in Holstein, northeast of Hamburg, on the mouth of the River Trave, which flows into the Bay of Lübeck in the borough of Travemünde, and on the Trave's tributary Wakenitz. The city is part of the Hamburg Metropolitan Region, and is the southwesternmost city on the Baltic, as well as the closest point of access to the Baltic from Hamburg. The port of Lübeck is the second-largest German Baltic port after the port of Rostock. The city lies in the Northern Low Saxon dialect area of Low German. Lübeck is famous for having been the cradle and the ''de facto'' capital of the Hanseatic League. Its city centre is Germany's most extens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Rock
Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus, and the Cure. The genre itself was defined as a separate movement from post-punk. Gothic rock stood out due to its darker sound, with the use of primarily minor or bass chords, reverb, dark arrangements, or dramatic and melancholic melodies, having inspirations in gothic literature allied with themes such as sadness, nihilism, dark romanticism, tragedy, melancholy and morbidity. These themes are often approached poetically. The sensibilities of the genre led the lyrics to represent the evil of the century and the romantic idealization of death and the supernatural imagination. Gothic rock then gave rise to a broader goth subculture that included clubs, fashion and publications in the 1980s, 1990s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goth Subculture
Goth is a music-based subculture that began in the United Kingdom during the early 1980s. It was developed by fans of Gothic rock, an offshoot of the post-punk music genre. The name ''Goth'' was derived directly from the genre. Notable post-punk artists who presaged the gothic rock genre and helped develop and shape the subculture include: Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division. The goth subculture has survived much longer than others of the same era, and has continued to diversify and spread throughout the world. Its imagery and cultural proclivities indicate influences from 19th-century Gothic fiction and from horror films. The scene is centered on music festivals, nightclubs, and organized meetings, especially in Western Europe. The subculture has associated tastes in music, aesthetics, and fashion. The music preferred by goths includes a number of styles such as gothic rock, death rock, cold wave, dark wave, and ethereal wave. Styles of dress wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Strips
A comic strip is a Comics, sequence of drawings, often cartoons, arranged in interrelated panels to display brief humor or form a narrative, often Serial (literature), serialized, with text in Speech balloon, balloons and Glossary of comics terminology#Caption, captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal Daily comic strip, strips printed in black-and-white in newspapers, while Sunday newspaper, Sunday papers offered longer sequences in Sunday comics, special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics. Strips are written and drawn by a comics artist, known as a cartoonist. As the word "comic" implies, strips are frequently humorous. Examples of these gag-a-day strips are ''Blondie (comic strip), Blondie'', ''Bringing Up Father'', ''Marmaduke'', and ''Pearls Before Swine (comic strip), Pearls Before Swine''. In the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip Hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic music, psychedelic fusion of hip hop music, hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul music, soul, funk, reggae, dub music, dub, Contemporary R&B, R&B, and other forms of electronic dance music, electronic music, as well as sample (music), sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental music, experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and hip hop music, rap music. It was pioneered by acts like Massive Attack, Tricky (musician), Tricky, and Portishead (band), Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Deutsche Härte
Neue Deutsche Härte (; "new German hardness"), sometimes abbreviated as NDH, is a subgenre of rock music that developed in Germany and Austria during the early-to-mid 1990s and during the early 2000s. Alluding to the style of Neue Deutsche Welle, the term was coined by the music press after the 1995 release of the German rock and metal band Rammstein's first studio album ''Herzeleid''. Characteristics Neue Deutsche Härte describes a crossover style that is influenced by Neue Deutsche Welle, alternative metal and groove metal combining it with elements from electro-industrial and techno. The lyrics are generally in German. NDH uses the basic setup of instruments for metal: electric guitar, bass guitar, drums and vocals, along with keyboard, synthesizers, samples and sometimes additional percussion. Emphasis is on a demonstration of predominance, by over-pronouncing certain syllables and sounds (such as the uvular or alveolar trill). The vocals are dominantly presenting in de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album '' Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album ''Millions Now Living Will Never Die''. The term has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neofolk
Neofolk, also known as apocalyptic folk, is a form of experimental music blending elements of folk and industrial music, which emerged in punk rock circles in the 1980s. Neofolk may either be solely acoustic or combine acoustic folk instrumentation with various other sounds. History The term "neofolk" originates from esoteric music circles who started using the term in the late 20th century to describe music influenced by musicians such as Douglas Pearce (Death In June), Tony Wakeford (Sol Invictus) and David Tibet (Current 93). Anglo-American folk music with similar sounds and themes to neofolk existed as far back as the 1960s. Folk musicians such as Vulcan's Hammer, Changes, Leonard Cohen, and Comus could be considered harbingers of the sound that later influenced the neofolk artists. Also the later explorations of Velvet Underground's band members, specifically those of Nico, have been called a major influence on what later became neofolk. Culture A majority of artists wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Folk Rock
Medieval folk rock, medieval rock or medieval folk is a musical subgenre that emerged in the early 1970s in England and Germany which combined elements of early music with rock music. It grew out of the British folk rock and progressive folk movements of the late 1960s. Despite the name, the term was used indiscriminately to categorise performers who incorporated elements of medieval, renaissance and baroque music into their work and sometimes to describe groups who used few, or no, electric instruments. This subgenre reached its height towards the middle of the 1970s when it achieved some mainstream success in Britain, but within a few years most groups had either disbanded, or were absorbed into the wider movements of progressive folk and progressive rock. Nevertheless, the genre had a considerable impact within progressive rock where early music, and medievalism in general, was a major influence and through that in the development of heavy metal. More recently medieval folk ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madchester
Madchester was a musical and cultural scene that developed in the English city of Manchester in the late 1980s, closely associated with the indie dance scene. Indie-dance (sometimes referred to as indie-rave) saw artists merging indie music with elements of acid house, psychedelia and 1960s pop. The term Madchester was coined by Factory Records' Tony Wilson, with the label popularised by the British music press in the early 1990s, and its most famous groups include the Stone Roses, Happy Mondays, Inspiral Carpets, the Charlatans, James and 808 State. It is widely seen as being heavily influenced by drugs, especially MDMA. At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love. Pre-Madchester The music scene in Manchester immediately before the Madchester era had been dominated by The Smiths, New Order, and The Fall, who were to become a significa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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