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Neofolk
Neofolk, also known as apocalyptic folk, is a form of experimental music blending elements of folk and industrial music, which emerged in punk rock circles in the 1980s. Neofolk may either be solely acoustic or combine acoustic folk instrumentation with various other sounds. History The term "neofolk" originates from esoteric music circles who started using the term in the late 20th century to describe music influenced by musicians such as Douglas Pearce (Death In June), Tony Wakeford (Sol Invictus) and David Tibet (Current 93). Anglo-American folk music with similar sounds and themes to neofolk existed as far back as the 1960s. Folk musicians such as Vulcan's Hammer, Changes, Leonard Cohen, and Comus could be considered harbingers of the sound that later influenced the neofolk artists. Also the later explorations of Velvet Underground's band members, specifically those of Nico, have been called a major influence on what later became neofolk. Culture A majority of artists wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death In June
Death in June are a neofolk group led by English musician Douglas P. (Douglas Pearce). The band was originally formed in the United Kingdom in 1981 as a trio, but after the other members left in 1984 and 1985 to work on other projects, the group became the work of Douglas P. and various collaborators. Over the band's four decades of existence, they have made numerous shifts in style and presentation, resulting in an overall shift from initial post-punk and Industrial music influence to a more acoustic and folk music-oriented approach. Douglas P.'s influence was instrumental in sparking neofolk, of which his music has subsequently become a part. History Origin Pearce formed Death in June in 1981 in England, along with Patrick Leagas and Tony Wakeford. Pearce and Wakeford had been members of the political punk band Crisis, which formed in 1977. Crisis had gained a substantial following in the UK punk subculture. Crisis performed at rallies for The Right to Work, Rock Agains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Industrial
Martial industrial is a syncretic offshoot of industrial music characterized by noise, dark ambient atmospheres, neofolk melodies, dark wave tunes and neoclassical orchestrations as well as the incorporation of audio from military marches, historical speeches and political, apolitical or metapolitical lyrics. Unlike other post-industrial genres, martial industrial is typically interested more in a particular worldview or philosophy than pure experimentalism. History Laibach were one of the first bands to incorporate military marches in their industrial music and display politically provocative aesthetics. Front 242 was also known for adding a futuristic military influence to their music too. Boyd Rice and Douglas P., the noise and neofolk pioneers, respectively, adopted such attitude at several occasions to its extreme. Allerseelen, either through ritual hymns or alchemical folklore followed in the same vein. Similarly militant but less provocative and more esoteric were the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neopagan Music
Neopagan music is music created for or influenced by modern Paganism. Music produced in the interwar period include efforts from the Latvian Dievturība movement and the Norwegian composer Geirr Tveitt. The counterculture of the 1960s established British folk revival and world music as influences for American neopagan music. Second-wave feminism created women's music which includes influences from feminist versions of neopaganism. The United States also produced Moondog, a Norse neopagan street musician and composer. The postwar neopagan organisations Ásatrúarfélagið in Iceland and Romuva in Lithuania have been led by musicians. Several subgenres of rock music have been combined with neopaganism. Neofolk bands have featured pagan revivalists since the genre's inception, pagan rock emerged in the 1980s as a distinct genre or subgenre of gothic rock, and several heavy metal bands have associated themselves with paganism since the early 1990s. Festivals like Wave-Gotik-Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Folk Music
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. While the Romantic nationalism of the first folk revival had i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Folk Music
Contemporary folk music refers to a wide variety of genres that emerged in the mid 20th century and afterwards which were associated with traditional folk music. Starting in the mid-20th century a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. The most common name for this new form of music is also "folk music", but is often called "contemporary folk music" or "folk revival music" to make the distinction. The transition was somewhat centered in the US and is also called the American folk music revival. Fusion genres such as folk rock and others also evolved within this phenomenon. While contemporary folk music is a genre generally distinct from traditional folk music, it often shares the same English name, performers and venues as traditional folk music; even individual songs may be a blend of the two. While the Romantic nationalism of the first folk revival had i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dark Wave
Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s. Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow. The genre embraces a range of styles including cold wave,Schilz, Andrea: ''Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten.'' Waxmann Verlag, 2010, , p. 84. ethereal wave, gothic rock,Uecker, Susann: ''Mit High-Heels im Stechschritt'', Hirnkost Verlag, 2014, neoclassical dark wave and neofolk. In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called ''wavers'' or ''dark wavers''. In some countries such as Germany, the movement also included fans of gothic rock (so-called ''trad-goths''). 1980s: Origins Since the 1980s, SPEX. Musik zur Zeit: ''Classified Ad by German distribution ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Wakeford
Anthony Charles "Tony" Wakeford (born 2 May 1959) is an English neofolk and neoclassical musician, who primarily records under the name Sol Invictus. Wakeford lives in London and is married to Sol Invictus violinist Renée Rosen. Musical work Pre-Sol Invictus work Wakeford was the bassist for the English political punk band Crisis from 1977 until the band's termination in 1980. Crisis played many concerts for Rock Against Racism and the Anti-Nazi League reflecting Wakeford's then membership of the Socialist Workers Party. He was briefly a member of The Runners From 84, a band started by Patrick Leagas. He then formed Death in June with Crisis guitarist Douglas Pearce and Leagas. This collaboration came to end both due to musical differences and because of Wakeford's membership at the time of the British National Front. Wakeford was asked to leave Death in June in early 1984, with the album Burial documenting his last contributions. He then formed the controversial post punk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Pearce
Douglas Pearce, known professionally as Douglas P (born 27 April 1956), is an English folk musician, record label owner, photographer and actor who is best known for his neofolk project Death in June. Pearce was born in Sheerwater in Woking, Surrey, and currently resides in Australia, where he has lived since the mid 90s. Early life Pearce was born on 27 April 1956, and grew up in Sheerwater, suburb of Woking in Surrey which he described as a "white, working-class ghetto", to a father who worked as a courier for the military, and had served in World War II. Both of his parents were English, though his mother claimed Scots-Irish ancestry. His father died of a heart attack at age 56, when Pearce was 14. Pearce grew up in what he describes as "a very militaristic environment, surrounded by war", and says that he "had a natural attraction to war". At the age of 18 Pearce left home and hitchhiked around Europe and "came home a changed man". As a child, Pearce was exorcised by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-folk
Anti-folk (sometimes referred to as unfolk) is a music genre that emerged in the 1980s in response to the remnants of the 1960s folk music scene. Anti-folk music was made to mock the perceived seriousness of the time's mainstream music scene, and artists have the intention to protest with their mocking and clever lyrics. History In the United States Anti-folk was introduced by artists who were unable to obtain gigs at established folk venues in Greenwich Village such as Folk City and The Speakeasy. (article in on pages 1 and 36) In the mid-1980s, singer-songwriter Lach started The Fort, an after-hours club on NYC's Rivington Street in the Lower East Side. The Fort's opening coincided with the New York Folk Festival. Because of this, Lach dubbed his event the New York Antifolk Festival. Other early proponents of the movement included The Washington Squares, Cindy Lee Berryhill, Brenda Kahn, Paleface, Beck, Hamell on Trial, Michelle Shocked, Zane Campbell, and John S. Hall. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Tibet
David Tibet (born David Michael Bunting; 5 March 1960) is a British poet and artist who founded the music group Current 93, of which he is the only full-time member. He was given the name "Tibet" by Genesis P-Orridge, and in January 2005 he announced that he would revert to the name David Michael, although he continues to use the well-known "Tibet" in his public career to date. Career David Bunting was born in Batu Gajah, Perak, Malaysia. Early in his career, he collaborated with Psychic TV and 23 Skidoo. Tibet left Psychic TV in 1983 and founded Current 93 the same year. He has worked with Steven Stapleton of Nurse With Wound (of which band he is a member), Michael Cashmore, Douglas P. (of Death in June, on whose albums he has appeared several times), Steve Ignorant of Crass (using the name "Stephen Intelligent"), Boyd Rice, Little Annie, Björk, Nick Cave, Rose McDowall, Tiny Tim, Annabella Lwin (of Bow Wow Wow) and Ian Read of Fire and Ice. Tibet is part of a projec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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