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Zhong Kui
Zhong Kui (; ko, 종규, Jonggyu; ja, 鍾馗, Shōki; vi, Chung Quỳ) is a deity in Chinese mythology, traditionally regarded as a vanquisher of ghosts and evil beings. He is depicted as a large man with a big black beard, bulging eyes, and a wrathful expression. Zhong Kui is able to command 80,000 demons to do his bidding and is often associated with the five bats of fortune. Worship and iconography of Zhong Kui later spread to other East Asian countries, and he can also be found in the folklores and mythologies of Korea, Japan, and Vietnam. In art, Zhong Kui is a frequent subject in paintings and crafts, and his image is often painted on household gates as a guardian spirit as well as in places of business where high-value goods are involved. He is also commonly portrayed in popular media. Becoming the king of ghosts According to folklore, Zhong Kui travelled with Du Ping (杜平), a friend from his hometown, to take part in the state-wide imperial examinations held in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yang Guifei
Yang Yuhuan (; 26 June, 719 – 15 July 756Volume 218 of ''Zizhi Tongjian'' recorded that Yang was killed on the ''bingshen'' day of the 6th month of the 1st year of the Zhide era of Tang Suzong's reign. This date corresponds to 15 Jul 756 on the Gregorian calendar.), often known as Yang Guifei (, with ''Guifei'' being the highest rank for imperial consorts during her time), and known briefly by the Taoist nun name Taizhen () was the beloved consort of Emperor Xuanzong of Tang during his later years. She is known as one of the Four Beauties of ancient China. During the An Lushan Rebellion, as Emperor Xuanzong and his cortege were fleeing from the capital Chang'an to Chengdu, the emperor's guards demanded that he put Yang to death because they blamed the rebellion on her cousin Yang Guozhong and the rest of her family. The emperor capitulated and reluctantly ordered his attendant Gao Lishi to supervise her forced suicide. Background Yang was born in 719 during the Tang Dynasty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunan
Hunan (, ; ) is a landlocked province of the People's Republic of China, part of the South Central China region. Located in the middle reaches of the Yangtze watershed, it borders the province-level divisions of Hubei to the north, Jiangxi to the east, Guangdong and Guangxi to the south, Guizhou to the west and Chongqing to the northwest. Its capital and largest city is Changsha, which also abuts the Xiang River. Hengyang, Zhuzhou, and Yueyang are among its most populous urban cities. With a population of just over 66 million residing in an area of approximately , it is China's 7th most populous province, the fourth most populous among landlocked provinces, the second most populous in South Central China after Guangdong and the most populous province in Central China. It is the largest province in South-Central China and the fourth largest among landlocked provinces and the 10th most extensive province by area. Hunan's nominal GDP was US$ 724 billion (CNY 4.6 trillion) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guanqiao, Liuyang
Guanqiao Town () is a rural town in Liuyang City, Hunan Province, People's Republic of China. As of the 2015 census it had a population of 26,600 and an area of . The town is bordered to the north and northwest by Zhentou Town, to the east by Puji Town, and to the south by Lusong District of Zhuzhou. Administrative division The town is divided into four villages and one community, the following areas: * Jizhen Community () * Sugu Village () * Yijiang Village () * Bajiaoting Village () * Shihuizui Village () Economy The main industries in and around the town are forestry and farming. Geography Liuyang River, also known as the mother river, flows through the town. Xiashan Reservoir () is the largest body of water and the largest reservoir in the town. Mount Daniuling () is a mountain in the town. The peak is in elevation. Education * Guanqiao Middle School Transportation Railway The Shanghai–Kunming railway passes across the town north to south. The Hangzhou–Changsha high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuba
Japanese sword mountings are the various housings and associated fittings ('' tosogu'') that hold the blade of a Japanese sword when it is being worn or stored. refers to the ornate mountings of a Japanese sword (e.g. ''katana'') used when the sword blade is being worn by its owner, whereas the ''shirasaya'' is a plain undecorated wooden mounting composed of a '' saya'' and '' tsuka'' that the sword blade is stored in when not being used. Components *: The '' fuchi'' is a hilt collar between the '' tsuka'' and the ''tsuba''. *: The '' habaki'' is a wedge-shaped metal collar used to keep the sword from falling out of the '' saya'' and to support the fittings below; fitted at the ''ha-machi'' and ''mune-machi'' which precede the '' nakago''. *: a hook shaped fitting used to lock the ''saya'' to the ''obi'' while drawing. *: The ''kashira'' is a butt cap (or pommel) on the end of the ''tsuka''. *: The '' kōgai'' is a spike for hair arranging carried sometimes as part of katana- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min Zhen
Min Zhen (; 1730–?; courtesy name Zheng Zhai 正齋) was a Chinese painter and seal carver born in Nanchang, Jiangxi, who spent most of his life in Hubei. He was noted for painting human figures and doing occasional finger painting. He was orphaned at an early age and is sometimes associated with the Eight Eccentrics of Yangzhou. References *''Chinese Paintings in the Ashmolean Museum Oxford''(118-121) Oxford Oxford () is a city in England. It is the county town and only city of Oxfordshire. In 2020, its population was estimated at 151,584. It is north-west of London, south-east of Birmingham and north-east of Bristol. The city is home to the ... *''Cultural China' 1730 births People from Nanchang Qing dynasty painters Year of death unknown Painters from Jiangxi Chinese seal artists {{China-painter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fei Danxu
Fei Danxu (; 1801–1850) was an itinerant Chinese painter during the Qing Dynasty.Barnhart: Page 378. Fei's courtesy name was Zitiao (子苕), and his art names were Xiaolou (晓楼) and Huanxisheng (环溪生). A later pseudonym was Ouweng (偶翁). He was a native of Wucheng (乌程 - now Wuxing, Zhejiang).Cihai: Page 1433. Fei began painting when he was very young in Wucheng. He later traveled throughout Zhejiang and Jiangsu provinces to practiced his art. He is most noted for his paintings of beautiful women.Barnhart: Page 292. Among his paintings of beautiful women is "Twelve Beauties of Jinling," which features twelve of the major female characters in the novel Dream of the Red Chamber. He was often associated with the painter Gai Qi in what was known as the "Gai Fei" school. Fei's younger brother Dancheng, as well as his sons and grandsons, continued the tradition of painting beautiful women, as did Gai Qi's grandson.''Zhongguo lidai shinü huaji'' 中國歷代仕女 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Okumura Masanobu
Okumura Masanobu ( ja, 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ("pictures of beautiful women"). Life and career While Masanobu's early life is largely undocumented, he is believed to have been born about 1686, possibly in Edo (modern Tokyo). Edo was a small fishing village when it was Tokugawa Ieyasu chose it as his administrative capital of the Tokugawa shogunate, and by the early 17th century the city had prospered and its population had grown to half a million. Masanobu appears to have been self-taught painter (though he did study poetry under Tachiba Fukaku); he is not known to have belonged to any artistic school. His early work shows the influence of the Torii schoo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunzhi Emperor
The Shunzhi Emperor (15 March 1638 – 5 February 1661) was the second Emperor of China, emperor of the Qing dynasty of China, and the first Qing emperor to rule over China proper, reigning from 1644 to 1661. A Deliberative Council of Princes and Ministers, committee of Manchu princes chose him to succeed his father, Hong Taiji (1592–1643), in September 1643, when he was five years old. The princes also appointed two co-regents: Dorgon (1612–1650), the 14th son of the Qing dynasty's founder Nurhaci (1559–1626), and Jirgalang (1599–1655), one of Nurhaci's nephews, both of whom were members of the Aisin Gioro, Qing imperial clan. From 1643 to 1650, political power lay mostly in the hands of Dorgon. Under his leadership, the Qing Empire conquered most of the territory of the fallen Ming dynasty (1368–1644), chased Southern Ming, Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ren Yi
Ren Yi (; 1840–1896), also known as Ren Bonian, was a painter and son of a rice merchant who supplemented his income by doing portraits. He was born in Zhejiang, but after the death of his father in 1855 he lived in Shanghai. This move placed him in a more urban world that was exposed to Western thinking. In Shanghai he became a member of the Shanghai School which fused popular and traditional styles. Ren Bonian ranked with Ren Xiong, Ren Xun and Ren Yu as the "Four Rens." He was noted for his bold brushstrokes and use of color. In his earlier career the Song Dynasty painters influenced him, but later on he favored a freer style influenced by the works of Zhu Da. Gallery File:'Portrait of Gao Yong's Wife', ink on paper by Ren Yi (1840-1896), 1886, Honolulu Academy of Arts.jpg, ''Portrait of Gao Yong's Wife'' by Rèn Yi, 1886, Honolulu Museum of Art File:Ren Bonian - Playing the Flute - Walters 35101C.jpg, ''Playing the Flute'', 1860–80, Walters Art Museum Sources *''Chines ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ge Hong
Ge Hong (; b. 283 – d. 343 or 364), courtesy name Zhichuan (稚川), was a Chinese linguist, Taoist practitioner, philosopher, physician, politician, and writer during the Eastern Jin dynasty. He was the author of '' Essays on Chinese Characters'', the '' Baopuzi'', the ''Emergency Formulae at an Elbow's Length'', among others. He was the originator of first aid in traditional Chinese medicine and influenced later generations. Early life Ge Hong was born as the third son into a well-established family, his father died when he was 13. Career In his public service role as an official, he was often asked to appraise his friends and acquaintances as possible candidates for government office positions and was also chosen to perform military service. However, he was unhappy with his life as an official. Although he never rejected Confucianism, he grew interested in Taoist cultivation and using drugs so he could achieve the spiritual freedoms of Taoist Immortality. He wrote an auto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wen Zhengming
Wen Zhengming (28 November 1470 – 1559), born Wen Bi, was a Chinese painter, calligrapher, and poet during the Ming dynasty. He was regarded as one of the Four Masters of Ming painting. Biography Wen Zhengming was born Wen Bi near present-day Suzhou on 28 November 1470. He would later be known by his courtesy name, Zhengming. He had an elder brother, Wen Gui, who was born in 1469. When Zhengming was two years old, his father, Wen Lin, passed the imperial examination with the highest possible rank, ''jinshi''. Wen Lin was assigned a government position as a magistrate in Yongjia County in Zhejiang province, and left for his job, leaving his two sons in the care of his wife, Qi Shenning. In 1476, Qi died of an illness at the age of 32. Wen Lin commissioned the noted scholar Li Dongyang to write an inscription for her tomb. Wen Zhengming's family was originally from a line of military men who lived in Hengshan County, Hunan province. At the time of his great-great-grandfather We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
