Zero (Brazilian Band)
Zero (), stylized as ZERØ, is a Brazilian rock band formed in 1983 in São Paulo and based in Rio de Janeiro since 1998, widely considered to be major forerunners of the New Romantic movement in Brazil. History Early years and "Heróis" (1983–1985) Zero arose from the ashes of Ultimato (formerly known as Lux), an instrumental punk jazz/ no wave band formed in São Paulo in 1978 (and renamed as Ultimato in 1981) by Fabio Golfetti, Alberto "Beto" Birger, Cláudio Souza, Gilles Eduar and Nelson Coelho. Future vocalist Guilherme Isnard, who had recently left his former band Voluntários da Pátria, was introduced to Ultimato by his friend Luiz Antônio Ribas, owner of now-defunct independent record company Underground Discos e Artes; Isnard then decided to join the band, and approached its members to begin writing lyrics for their songs. Their musical style eventually shifted to " art rock with a hardcore punch", in the words of Isnard, and in 1983 the band reorganized itself as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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São Paulo
São Paulo (, ; Portuguese for 'Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the GaWC as an alpha global city, São Paulo is the most populous city proper in the Americas, the Western Hemisphere and the Southern Hemisphere, as well as the world's 4th largest city proper by population. Additionally, São Paulo is the largest Portuguese-speaking city in the world. It exerts strong international influences in commerce, finance, arts and entertainment. The city's name honors the Apostle, Saint Paul of Tarsus. The city's metropolitan area, the Greater São Paulo, ranks as the most populous in Brazil and the 12th most populous on Earth. The process of conurbation between the metropolitan areas around the Greater São Paulo (Campinas, Santos, Jundiaí, Sorocaba and São José dos Campos) created the São Paulo Macrometr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Former Members
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Passos No Escuro
''Passos no Escuro'' (Portuguese for "''Footsteps in the Dark''") is an extended play by the Brazilian rock band Zero. It came out in 1985 by EMI. The EP was a massive commercial success, to the point of receiving a Gold Certification by Pro-Música Brasil, and spawned the hit singles "Formosa" and "Agora Eu Sei"; the latter counted with a guest appearance by RPM vocalist Paulo Ricardo on backing vocals. Music videos would also be made for those tracks. Track listing Personnel * Guilherme Isnard – vocals, alto sax (on tracks 1, 2 and 4), photography, cover art * Eduardo Amarante – guitars * Athos Costa – drums * Ricardo "Rick" Villas-Boas – bass * Alfred "Freddy" Haiat – keyboard * Paulo Ricardo – backing vocals (on track 2) * Maurício Valladares – production * José Celso – mixing References External links ''Passos no Escuro''at Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial rele ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78 [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Metrô (band)
Metrô is a Brazilian band formed in 1978, then known as A Gota Suspensa before renaming themselves in 1984. Beginning as a progressive rock band, they later shifted to a more synth-pop-influenced direction, becoming one of the most successful groups in the then-thriving Brazilian rock/new wave scene. History Early years and ''A Gota Suspensa'' (1978–1984) The band that would become Metrô was founded in 1978, under the name A Gota Suspensa ("The Suspended Drop"), by six friends (all of them coincidentally French Brazilians) who studied together at the Lycée Pasteur in São Paulo: former model and actress Virginie Boutaud (vocals), Alec Haiat (electric guitar), Marcel Zimberg ( sax), Yann Laouenan (keyboards), Xavier Leblanc (bass) and Daniel "Dany" Roland (drums). They were originally an experimental/progressive rock ensemble heavily inspired by acts such as Pink Floyd, The Beatles, Novos Baianos and the '' Tropicalista'' movement, among others, [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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May East
May East (also known as Maria Elisa Capparelli Pinheiro),PhD is a British/Brazilian urbanist, educator, singer and songwriter. Over the years she has alternated voices of advocacy with voices of inspiration and considered herself an artivist. Early musical career 1981 – 1992 East comes from a thriving artistic community stretching between São Paulo and Rio de Janeiro, Brazil. May East's art, be it in film, video, installation or music, expressed a deep concern for Brazil's environment both in the major cities and the country's vast interior, specially the rainforests of the Amazon. As a musician, May East started her career as a singer in the band Gang 90 & Absurdettes in 1981. Their songs mixed new-wave with beatnik poetry and a female choir, inspired by the new-wave band The B-52s. Gang 90 is considered to be the predecessor of all Brazilian new-wave bands of the 80s. In 1982 she collaborated with the independent TVDO videoart group and in partnership with the producer Nel ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heróis
"Heróis" (Portuguese for "''Heroes''") is a single by Brazilian rock band Zero, released in 1985 by CBS Records International. It is Zero's first official release overall, and their only one to feature the band's first ever line-up, which lasted from their foundation in 1983 until circa 1985 – guitarists Fabio Golfetti and Nelson Coelho, drummer Cláudio Souza, bassist Beto Birger and saxophonist Gilles Eduar (who had already left Zero prior to the single's recording) would all depart the band to form projects of their own shortly after the single's release, with the only exception of vocalist Guilherme Isnard, the only founding member of the band to remain in its many different line-ups. The single's title track would be re-recorded for Zero's 2000 compilation '' Electro-Acústico''; both tracks of the single would also be included in the 2004 compilation of demos, rarities and early material '' Dias Melhores''. An alternate take of "Heróis", with the longer title of "Heróis ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fabio Golfetti
Fabio Golfetti (born April 10, 1960) is a Brazilian musician and record producer, famous for his work with progressive/ psychedelic rock band Violeta de Outono. He is also the guitarist of Franco-British rock band Gong since 2012. Biography Fabio Golfetti was born in São Paulo in 1960. He grew up listening to Pink Floyd, Gong, Led Zeppelin, The Beatles and The Rolling Stones (with their 1967 album ''Their Satanic Majesties Request'' being one of his favorite releases by them), and as a teenager he learned how to play both the classical and the electric guitar, quoting Daevid Allen, Syd Barrett, Terje Rypdal and Manuel Göttsching as some of his major influences. In 1978 he founded Lux, his first band. Lux later became Ultimato in 1981, an instrumental punk jazz/ no wave band with the arrival of drummer Cláudio Souza, and later came to be named Zero in 1983, with the entrance of vocalist Guilherme Isnard (Voluntários da Pátria). With Zero, he took part in the recording of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Punk Jazz
Punk jazz is a genre of music that combines elements of jazz, especially improvisation, with the instrumentation and performance style of punk rock. The term was first used to describe James Chance and the Contortions' 1979 album ''Buy''. Punk jazz is closely related to free jazz, no wave, and loft jazz, and has since significantly inspired post-hardcore and alternative hip hop. Notable proponents of the genre include John Zorn, Arto Lindsay, Elliott Sharp, and James Chance, among others. History 1980s The first to use this fusion of genres were The Stooges, on the Fun House album, more specifically in 2 songs, the title "Fun House" and "1970" as always, they were people ahead of their time since they did this in the year 1970, several years before the genre expanded. Late 1970s New York no wave bands broke with blues rock-influenced punk in a style that instead combined elements such as free jazz noise, experimental drone rock, and other avant-garde influences. Examples ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |