Zenón Rolón
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Zenón Rolón
Zenón Rolón (25 June 1856 – 13 May 1902) was an Afro Argentine musician and composer. Born in Buenos Aires, he composed approximately 80 works including operas, operettas, zarzuelas and sacred music. Rolón also founded a music publishing company which published numerous works by contemporary Argentine composers. Many of his manuscripts are now held by the Instituto Nacional de Estudios de Teatro, in Buenos Aires, and by the Museo Histórico de Morón, Buenos Aires, Morón, the city where he died at the age of 45. Biography Rolón was born in Buenos Aires to an Afro Argentine family and first studied music in his native city with Alfredo Quiroga, a fellow Afro Argentine and organist of the (Church of Our Lady of Mercy). In 1873, when he was only 17 years old, he went to Florence for further study and remained there until 1879. In 1877 he wrote (''Two Words to my Caste Brothers''), a political pamphlet on the role of Afro Argentines in wider Argentine culture. When it was publ ...
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Zenón Rolón
Zenón Rolón (25 June 1856 – 13 May 1902) was an Afro Argentine musician and composer. Born in Buenos Aires, he composed approximately 80 works including operas, operettas, zarzuelas and sacred music. Rolón also founded a music publishing company which published numerous works by contemporary Argentine composers. Many of his manuscripts are now held by the Instituto Nacional de Estudios de Teatro, in Buenos Aires, and by the Museo Histórico de Morón, Buenos Aires, Morón, the city where he died at the age of 45. Biography Rolón was born in Buenos Aires to an Afro Argentine family and first studied music in his native city with Alfredo Quiroga, a fellow Afro Argentine and organist of the (Church of Our Lady of Mercy). In 1873, when he was only 17 years old, he went to Florence for further study and remained there until 1879. In 1877 he wrote (''Two Words to my Caste Brothers''), a political pamphlet on the role of Afro Argentines in wider Argentine culture. When it was publ ...
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Prudencio R
Prudencio or Prudêncio may refer to the following people ;Given name *Prudencio Benavides (1870–?), Cuban baseball center fielder and manager *Prudencio Cardona (born 1951), Colombian boxer *Prudencio Indurain (born 1968), Spanish cyclist *Prudencio Norales (born 1956), Honduran football midfielder *Prudencio de Orobio y Basterra, Spanish merchant, soldier and government official *Prudencio Ortiz de Rozas (1800–1857), Argentine general *Prudencio de Pena (born 1913), Uruguayan basketball player *Pruden, nickname of the Spanish footballer Prudencio Sánchez Fernández (1916–1998) *Prudencio de Sandoval (1553–1620), Spanish historian and Benedictine monk *San Prudencio, Spanish anchorite and cleric, bishop of Tarazona **San Prudencio festival ;Surname *José López Prudencio (1870–1949), Spanish writer *José Prudencio Padilla (1784–1828), Colombian military leader *Mauricio Prudencio (born 1980), Bolivian swimmer *Miel Prudencio Ma, Filipino cartoonist and illustrator *N ...
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Sociedad General De Autores Y Editores
The Spanish Society of Authors and Publishers (''Sociedad General de Autores y Editores, SGAE'') is the main collecting society for songwriters, composers and music publishers in Spain. It is similar to AGADU, ASCAP The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadca ..., GEMA, SADAIC, Société des auteurs, compositeurs et éditeurs de musique, SACEM and SAYCO. The philologist, poet, composer, scriptwriter, movie and television director and producer Antón Reixa (1957) is the Chairman of the Board of Directors since May 2012. SGAE was founded in 1889 as Society of Authors of Spain. In 1995, its name changed to Society of Authors and Publishers, seeking to accommodate cultural editors. SGAE comprises more than 100,000 music, audiovisual and dramatic creators. Created in 1899, its main m ...
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Kyrie
Kyrie, a transliteration of Greek , vocative case of (''Kyrios''), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison ( ; ). In the Bible The prayer, "Kyrie, eleison," "Lord, have mercy" derives from a Biblical phrase. Greek "have mercy on me, Lord" is the Septuagint translation of the phrase found often in Psalms ( 6:2, 9:13, 31:9, 86:3, 123:3) In the New Testament, the Greek phrase occurs three times in Matthew: * Matthew 15:22: the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." () *Matthew 17:15: "Lord, have mercy on my son" () *Matthew 20:30f, two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." () In the Parable of the Publican and the Pharisee (Luke 18:9-14) the despised tax collector who cries out "Lord have mercy on me, a sinner" is contrasted with the smug Pharisee who believes he has no need for forgiveness. Luke 17:13 has ''epistates'' "master" instead ...
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Our Lady Of Mount Carmel
Our Lady of Mount Carmel, or Virgin of Carmel, is the title given to the Blessed Virgin Mary in her role as patroness of the Carmelite Order, particularly within the Catholic Church. The first Carmelites were Christian hermits living on Mount Carmel in the Holy Land during the late 12th and early to mid-13th century. They built in the midst of their hermitages a chapel which they dedicated to the Blessed Virgin, whom they conceived of in chivalric terms as the "Lady of the place." Our Lady of Mount Carmel was adopted in the 19th century as the patron saint of Chile. Since the 15th century, popular devotion to Our Lady of Mount Carmel has centered on the Scapular of Our Lady of Mount Carmel, also known as the Brown Scapular. Traditionally, Mary is said to have given the Scapular to an early Carmelite named Simon Stock (1165–1265). The liturgical feast of Our Lady of Mount Carmel is celebrated on 16 July. The solemn liturgical feast of Our Lady of Mount Carmel was probably firs ...
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Holy Week
Holy Week ( la, Hebdomada Sancta or , ; grc, Ἁγία καὶ Μεγάλη Ἑβδομάς, translit=Hagia kai Megale Hebdomas, lit=Holy and Great Week) is the most sacred week in the liturgical year in Christianity. In Eastern Churches, which includes Eastern Orthodox, Eastern Catholic and Eastern Lutheran traditions, Holy Week occurs the week after Lazarus Saturday and starts on the evening of Palm Sunday. In the denominations of the Western Christianity, which includes the Roman Catholicism, Lutheranism, Moravianism, Anglicanism, Methodism and Reformed Christianity, it begins with Palm Sunday and concludes on Easter Sunday. For all Christian traditions it is a moveable observance. In Eastern Rite Churches, Holy Week starts after 40 days of Lent and two transitional days, namely Saturday of Lazarus (Lazarus Saturday) and Palm Sunday. In the Western Christian Churches, Holy Week falls on the last week of Lent or Sixth Lent Week. Holy Week begins with the commemoratio ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ...
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Barcarolle
A barcarolle (; from French, also barcarole; originally, Italian barcarola or barcaruola, from ''barca'' 'boat') is a traditional folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the most famous barcarolles are Jacques Offenbach's "Belle nuit, ô nuit d'amour", from his opera ''The Tales of Hoffmann''; and Frédéric Chopin's Barcarolle in F-sharp major for solo piano. Description A barcarolle is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably in 6/8 meter at a moderate tempo. While the most-famous barcarolles are from the Romantic period, the genre was known well enough in the 18th century for Burney to mention, in ''The Present State of Music in France and Italy'' (1771), that it was a celebrated form cherished by "collectors of good taste". Notable examples The barcarolle was a popular form in opera, where the apparently artless sentimental style of the folklike song could b ...
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March (music)
A march, as a musical genre, is a piece of music with a strong regular rhythm which in origin was expressly written for marching to and most frequently performed by a military band. In mood, marches range from the moving death march in Richard Wagner, Wagner's ''Götterdämmerung'' to the brisk military marches of John Philip Sousa and the martial hymns of the late 19th century. Examples of the varied use of the march can be found in Ludwig van Beethoven, Beethoven's Symphony No. 3 (Beethoven), ''Eroica'' Symphony, in the Three Marches Militaires (Schubert), Marches Militaires of Franz Schubert, in the Marche funèbre in Frédéric Chopin, Chopin's Piano Sonata No. 2 (Chopin), Sonata in B flat minor, the "''Jäger March''" in the by Jean Sibelius, and in the Dead March in George Frideric Handel, Handel's ''Saul (Handel), Saul''. Characteristics Marches can be written in any time signature, but the most common time signatures are , (''alla breve'' , although this may refer to ...
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Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The polka' ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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