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Zaireeka
''Zaireeka'' is the eighth studio album by American rock band The Flaming Lips, released on October 28, 1997, by Warner Bros. Records. The album consists of four CDs designed so that when played simultaneously on four separate audio systems, they would produce a harmonic or juxtaposed sound; the discs could also be played in different combinations, omitting one, two or three discs. Each of its eight songs consists of four stereo tracks, one from each CD. The album's title is a portmanteau of two words: ''Zaire'', chosen as a symbol of anarchy after Wayne Coyne heard a radio news story about the political instability of the African nation, and ''Eureka'' (literally: "I have found it"), an expression of joyous discovery. ''Zaireeka'' was the first album by the band after the departure of guitarist Ronald Jones. It acted as a preview of the music and style that would surface on the next album ''The Soft Bulletin'' (1999), which was recorded during the same sessions as ''Zaireeka'', ...
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The Flaming Lips
The Flaming Lips are an American psychedelic rock band formed in 1983 in Oklahoma City, Oklahoma. The band currently consists of Wayne Coyne (vocals, guitar, keyboards), Steven Drozd (guitars, keyboards, bass, drums, vocals), Derek Brown (keyboards, guitars, percussion), Matt Duckworth Kirksey (drums, percussion, keyboards) and Nicholas Ley (percussion, drums). Following the departure of long-time bassist Michael Ivins in 2021, Coyne has remained the band's solo consistent member. The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they released their first record with Warner, '' Hit to Death in the Future Head'' (1992). Their 1993 album '' Transmissions from the Satellite Heart'' included the hit single " She Don't Use Jelly" which broke the band into the mainstream. They later released '' The Soft Bulletin'' (1999), which was '' NME'' magazine's Album of the Year, followed by the critical ...
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Scott Booker
The Flaming Lips are an American psychedelic rock band formed in 1983 in Oklahoma City, Oklahoma. The band currently consists of Wayne Coyne (vocals, guitar, keyboards), Steven Drozd (guitars, keyboards, bass, drums, vocals), Derek Brown (keyboards, guitars, percussion), Matt Duckworth Kirksey (drums, percussion, keyboards) and Nicholas Ley (percussion, drums). Following the departure of long-time bassist Michael Ivins in 2021, Coyne has remained the band's solo consistent member. The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they released their first record with Warner, '' Hit to Death in the Future Head'' (1992). Their 1993 album ''Transmissions from the Satellite Heart'' included the hit single " She Don't Use Jelly" which broke the band into the mainstream. They later released ''The Soft Bulletin'' (1999), which was ''NME'' magazine's Album of the Year, followed by the critically acc ...
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Wayne Coyne
Wayne Michael Coyne (born January 13, 1961) is an American musician. He is the lead singer, guitarist, keyboardist, theremin player and songwriter for the band the Flaming Lips. Early life Coyne was born in Pittsburgh, Pennsylvania, United States, the son of Thomas Coyne and Dolores "Dolly" Jackson. The fifth of six children of an Irish Catholic family, Coyne moved with his family from Pittsburgh's Troy Hill neighborhood to Oklahoma in early 1961. Coyne grew up in Oklahoma City. Coyne preferred listening to music and playing pickup football. He, his sister, and his brothers dubbed themselves "The Fearless Freaks" for their brutal backyard football games. Tommy Coyne, Coyne's older brother, described the games as a "semi-civilized gang fight."The Fearless Freaks.
Dir. Beesely, Bradley. Perfs. Wayne Coyne. Shout Factory, 2005.
In 1977 ...
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Ronald Jones (musician)
The Flaming Lips are an American psychedelic rock band formed in 1983 in Oklahoma City, Oklahoma. The band currently consists of Wayne Coyne (vocals, guitar, keyboards), Steven Drozd (guitars, keyboards, bass, drums, vocals), Derek Brown (keyboards, guitars, percussion), Matt Duckworth Kirksey (drums, percussion, keyboards) and Nicholas Ley (percussion, drums). Following the departure of long-time bassist Michael Ivins in 2021, Coyne has remained the band's solo consistent member. The group recorded several albums and EPs on an indie label, Restless, in the 1980s and early 1990s. After signing to Warner Brothers, they released their first record with Warner, '' Hit to Death in the Future Head'' (1992). Their 1993 album ''Transmissions from the Satellite Heart'' included the hit single " She Don't Use Jelly" which broke the band into the mainstream. They later released ''The Soft Bulletin'' (1999), which was ''NME'' magazine's Album of the Year, followed by the critically acc ...
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The Soft Bulletin
''The Soft Bulletin'' is the ninth studio album by American rock band the Flaming Lips, released by Warner Bros. Records on May 17, 1999, in the United Kingdom, and on June 22, 1999, in the United States. The album was released to widespread acclaim, and was hailed by critics as a departure from their previous guitar-heavy alternative rock sound into a more layered, intricately arranged work. Music and lyrics The album was considered to mark a change in the course for the band, with more traditional catchy melodies, accessible-sounding music (their previous album '' Zaireeka'' was a quadruple album of experimental sounds meant to be played on four separate stereo systems simultaneously), and more serious and thoughtful lyrics. The album was also noted for its fusion of ordinary rock instruments, electronic beats, and synthesizers. Its large, layered, symphonic sound has also earned it a reputation as the ''Pet Sounds'' of the 1990s from a few critics. This sound was achieved in ...
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Dave Fridmann
David Lawrence Fridmann is an American record producer and musician. Career From 1990 onwards he co-produced most releases by Mercury Rev and The Flaming Lips. Other bands he has worked with include Weezer, Saxon Shore, Neon Indian, Wolf Gang, Ammonia, Ed Harcourt, Sparklehorse, Creeper Lagoon, Café Tacuba, Creaming Jesus, Elf Power, Mogwai, Thursday, Longwave, Mass of the Fermenting Dregs, The Delgados, Low, Phantom Planet, Gemma Hayes, Ava Luna, Goldrush, Tapes 'n Tapes, Hopewell, Black Moth Super Rainbow, Number Girl, Jed Davis, Zazen Boys, Sleater-Kinney and Clap Your Hands Say Yeah. He has recently worked on new recordings with MGMT, Neil Finn, The Cribs, OK Go, Tame Impala, Lord Huron, Baroness, Spoon, and Interpol. As a musician, Fridmann was the bassist and a founding member of Mercury Rev. He gave up his role as a touring member of the band in 1993 to concentrate on producing other artists. In 2001, Fridmann was included on MOJO's ''100 Sonic Visionaries'' li ...
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Clouds Taste Metallic
''Clouds Taste Metallic'' is the seventh studio album by American rock band The Flaming Lips, released on September 19, 1995, by Warner Bros. Records. It was the last album to feature guitarist Ronald Jones. The album's recording is heavily featured in the '' Fearless Freaks'' documentary. ''Clouds Taste Metallic'' was projected to be the band's first commercially successful release after the major success of "She Don't Use Jelly" from their previous album ''Transmissions from the Satellite Heart'' (1993), but failed to garner the same commercial success of its predecessor. However, in recent years, it has been regarded by critics and fans as one of the Flaming Lips' best albums, and has achieved cult status. The name of the album comes from an account by former Tool bassist Paul D'Amour. After flying through a cloud in a roofless airplane, the pilot remarked: "You know, it's weird, clouds taste metallic." Track listing ''Heady Nuggs: 20 Years After Clouds Taste Metallic'' O ...
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Tarbox Road Studios
David Lawrence Fridmann is an American record producer and musician. Career From 1990 onwards he co-produced most releases by Mercury Rev and The Flaming Lips. Other bands he has worked with include Weezer, Saxon Shore, Neon Indian, Wolf Gang, Ammonia, Ed Harcourt, Sparklehorse, Creeper Lagoon, Café Tacuba, Creaming Jesus, Elf Power, Mogwai, Thursday, Longwave, Mass of the Fermenting Dregs, The Delgados, Low, Phantom Planet, Gemma Hayes, Ava Luna, Goldrush, Tapes 'n Tapes, Hopewell, Black Moth Super Rainbow, Number Girl, Jed Davis, Zazen Boys, Sleater-Kinney and Clap Your Hands Say Yeah. He has recently worked on new recordings with MGMT, Neil Finn, The Cribs, OK Go, Tame Impala, Lord Huron, Baroness, Spoon, and Interpol. As a musician, Fridmann was the bassist and a founding member of Mercury Rev. He gave up his role as a touring member of the band in 1993 to concentrate on producing other artists. In 2001, Fridmann was included on MOJO's ''100 Sonic Visionaries'' lis ...
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Mixing Console
A mixing console or mixing desk is an electronic device for Audio mixing (recorded music), mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or Digital signal (signal processing), digital signals. The modified signals are summation, summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded. Mixing consoles are used for applications including recording studios, public address systems, sound reinforcement systems, nightclubs, broadcasting, and post-production. A typical, simple application combines signals from microphones on stage into an amplifier that drives one set of loudspeakers for the audience. A DJ mixer may have only two channels, for mixing two phonograph, record players. A coffeehouse's tiny stage might only h ...
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Boombox
A boombox is a transistorized portable music player featuring one or two cassette tape recorder/players and AM/FM radio, generally with a carrying handle. Beginning in the mid 1980s, a CD player was often included. Sound is delivered through an amplifier and two or more integrated loudspeakers. A boombox is a device typically capable of receiving radio stations and playing recorded music (usually cassettes or CDs usually at a high volume). Many models are also capable of recording onto cassette tapes from radio and other sources. In the 1990s, some boomboxes were available with minidisc recorders and players. Designed for portability, boomboxes can be powered by batteries as well as by line current. The boombox was introduced to the American market during the late 1970s. The desire for louder and heavier bass led to bigger and heavier boxes; by the 1980s, some boomboxes had reached the size of a suitcase. Some larger boomboxes even contained vertically mounted record ...
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Steven Drozd
Steven Gregory Drozd (born June 11, 1969) is an American musician and actor. He is a composer, multi-instrumentalist, and songwriter for the Flaming Lips, Electric Würms, and other projects. Early life Drozd was born in Houston, Texas, and grew up in Richmond and Rosenberg, Texas, with three brothers and a sister. He attended George Junior High & BF Terry High School. His father, Vernon, was a member of the polka band Vernon Drozd and the Texas Brass. At the age of ten, he began playing drums with his father's band and later played piano in various country honky-tonk groups. After high school, Drozd moved to Oklahoma City and performed, mainly on drums, with a number of underground bands in the area. The Flaming Lips Drozd joined the Flaming Lips in 1991 as a drummer. While his style is influenced by the drum sounds of the 1970s, his time spent with his father's polka band helped him develop a sense of delicacy and syncopation. His thick grooves, with episodes of odd-time fun ...
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Reverberation
Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is absorbed by the surfaces of objects in the space – which could include furniture, people, and air. This is most noticeable when the sound source stops but the reflections continue, their amplitude decreasing, until zero is reached. Reverberation is frequency dependent: the length of the decay, or reverberation time, receives special consideration in the architectural design of spaces which need to have specific reverberation times to achieve optimum performance for their intended activity. In comparison to a distinct echo, that is detectable at a minimum of 50 to 100  ms after the previous sound, reverberation is the occurrence of reflections that arrive in a sequence of less than approximately 50 ms. As time passes, the amplitude of ...
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