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Yoo Doo Right
"Yoo Doo Right" is a song on Can (band), Can's 1969 debut album, ''Monster Movie (Can album), Monster Movie'', which had been edited down from a six-hour improvisation to a mere twenty minutes. The song features a pounding, tribal-influenced rhythm section throughout, along with singer Malcolm Mooney repeatedly reading excerpts from a love letter in an almost mantra-like manner. Can continued to play the song after Mooney's departure, as heard on the ''Can Live'' album. It has been cover song, covered in abbreviated form by the Geraldine Fibbers, Thin White Rope, Masaki Batoh, Susheela Raman, Jonathan Segel, The Wendys and others. In 2001, shortly after the death of Can's guitarist Michael Karoli, a group of musicians associated with the Austrian composer Karlheinz Essl performed this song in several hour-long concerts in his memory. The song was remixed by 3p for the double remix compilation Sacrilege (album), Sacrilege in 1997, reduced to a three-minute, verse-chorus-bridge pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wendys
The Wendys are a Scottish alternative indie rock band, that were part of the Madchester music scene, and were signed to the Factory Records music label by Tony Wilson. They were formed in Edinburgh by Jonathan Renton (vocals), Ian White (guitar), Johnny MacArthur (drums), and Arthur Renton (bass). History Formed in 1987, the Wendys were the second Scottish band to be signed to Factory Records, after the Wake. Their name came about after a nights drinking the evening before they were due to sign for Factory. They decided upon The Marys, but when the time came to sign for Factory, none of them could remember what they had decided upon. Believing they had chosen the Wendys, that's the name they registered. After the group opened for the Happy Mondays, Shaun Ryder's father suggested that they send in a demo tape. After they were signed to the label, Phil Saxe acted as their manager. Having felt at odds with the contemporary Scottish music scene, the Wendys found a common spirit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MusicOMH
MusicOMH (stylized as musicOMH) is a London-based online music magazine which publishes independent reviews, features and interviews from across all genres including classical, metal, rock and R&B. History MusicOMH was founded and launched by Editor in Chief Michael Hubbard in 1999. In February 2011 the site's former theatre section was spun off, becominExeunt Magazine as MusicOMH refocused from being a general arts publication to writing primarily about music. Main features and coverage MusicOMHs music content consists of reviews of albums, gigs, tracks and festivals, alongside features, interviews and blog posts. The site also provides live reviews and other features. The site's album reviews, usually covering a wide range of genres including pop, electro, classical, metal, rock and R&B, have been quoted by numerous publications such as ''The Daily Telegraph'', ''The Independent'' and the BBC. The site has also been used as one of many sources to accumulate aggregated revi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Screamadelica
''Screamadelica'' is the third studio album by Scottish rock band Primal Scream. It was first released on 23 September 1991 in the United Kingdom by Creation Records and on 8 October 1991 in the United States by Sire Records. The album marked a significant departure from the band's early indie rock sound, drawing inspiration from the blossoming house music scene and associated drugs such as LSD and MDMA. Much of the album's production was handled by acid house DJ Andrew Weatherall and engineer Hugo Nicolson, who remixed original recordings made by the band into dance-oriented tracks. ''Screamadelica'', featuring Manchester born singer Denise Johnson, was the band's first album to be a commercial success, peaking at number eight on the UK Albums Chart upon its release. It received wide praise from critics, and has been frequently named one of the best albums of the 1990s in various polls. It won the first Mercury Music Prize in 1992, and has sold over three million copies worldwi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primal Scream
Primal Scream are a Scottish rock band originally formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie. The band's current lineup consists of Gillespie, Andrew Innes (guitar), Simone Butler (bass), and Darrin Mooney (drums). Barrie Cadogan has toured and recorded with the band since 2006 as a replacement after the departure of guitarist Robert "Throb" Young. Primal Scream had been performing live from 1982 to 1984, but their career did not take off until Gillespie left his position as drummer of The Jesus and Mary Chain. The band were a key part of the mid-1980s indie pop scene, but eventually moved away from their jangly sound, taking on more psychedelic and garage rock influences, before incorporating a dance music element to their sound with their 1991 album '' Screamadelica'', which broke them into the mainstream. The band have continued to explore different styles on subsequent albums, experimenting with blues, trip hop and industrial rock. Their mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sack Full Of Silver
''Sack Full of Silver'' is the fourth full-length album by Thin White Rope. It is the band's debut on major label RCA Records. Composed whilst on tour in Europe, the album was noted for its "visceral" instrumental performances, Guy Kyser's gravelly vocals and his personal, abstract lyricism. Despite selling less than its predecessors, the album went on to receive critical acclaim from the mainstream press and is regarded as one of the most underrated albums in the band's discography. Background ''Sack Full of Silver'' was composed largely during a lengthy European tour over 1988-89, which included 16 dates in the USSR. According to guitarist/vocalist Guy Kyser:We had a lot of down time in urfirst couple of European tours ..They were poorly organized. We'd be stuck in an old house in Sweden for three days, or laying around Rome for five days, without any money and usually writing songs just to pass the time.The band utilised this aforementioned downtime to compose the songs th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacrilege (album)
''Sacrilege'' is a double remix album by the band Can, released in 1997. It features remixes of many of the band's best-known songs from the 1960s and 1970s, remixed by contemporary recording artists. The remix of "Spoon" by Sonic Youth was sampled by Tyler, The Creator for the song "Foreword" on his 4th album, ''Flower Boy''. Track listing # "PNOOM" (Moon Up Mix) by Brian Eno – 0:56 # "Spoon" (Sonic Youth Mix) – 6:08 # "Blue Bag (Inside Paper)" (Toroid Mix) by François Kevorkian & Rob Rives – 6:54 # "Tango Whiskyman" (A Guy Called Gerald Mix) – 5:12 # "TV Spot" (Bruce Gilbert Mix) – 3:52 # "Vitamin C" ( U.N.K.L.E. Mix) – 8:20 # "Halleluhwah" (Halleluwa Orbus 2) – 9:20 # "Oh Yeah" (Sunroof Mix) – 8:56 # "Unfinished" ( Hiller/Kaiser/Leda Mix) – 6:01 # "Future Days" (Blade Runner Mix) by Carl Craig – 6:08 # "... And More" ( Westbam Mix) – 6:41 # "Father Cannot Yell" (Pete Shelley/Black Radio Mix) – 8:28 # "Dizzy Spoon" (System 7 Mix) – 6:45 # "Yoo Doo Ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Essl
Karlheinz Essl (born 15 August 1960) is an Austrian composer, performer, sound artist, improviser, and composition teacher. Biography Essl was born in Vienna. His studies at the University of Music in Vienna included: composition (under Friedrich Cerha), electro-acoustic music (under Dieter Kaufmann) and double bass. At the University of Vienna he studied musicology (1989 doctoral thesis on ''Das Synthese-Denken bei Anton Webern''). In 1990-94 he was "composer in residence" at the Darmstädter Ferienkurse für Neue Musik, while in 1992-93 he worked on a commission at IRCAM in Paris. From 1992 to 2016, he was the music curator of the Essl Collectioin Klosterneuburg/Vienna. Between 1995–2006 he taught Algorithmic composition at the ''Studio for Advanced Music & Media Technology'' at the Anton Bruckner Private University for Music, Drama, and Dance in Linz, Austria. As of 2007, Essl is professor of composition for electro-acoustic and experimental music at the University of Musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Karoli
Michael Karoli (29 April 1948 – 17 November 2001) was a German guitarist, violinist and composer. He was a founding member of the influential krautrock band Can. Career Karoli was born and grew up in Straubing, Bavaria, moving to St. Gallen, Switzerland by the time he finished school. He learned to play the guitar, violin and cello as a child, and played in numerous jazz and dance bands. In 1966, he met and befriended Holger Czukay, who was his guitar teacher for a while. After he graduated he began studies of the law until leaving in 1968 to form Can with Czukay, Irmin Schmidt, Jaki Liebezeit, and David Johnson. In Can, he mostly played guitar, occasionally also playing violin; after Damo Suzuki left in late 1973 he was also their main vocalist. He was a constant member of the band, playing with it between 1968 and its break-up in 1979. He also joined the band for its three reunions, in 1986, 1991, and 1999. Karoli died from an undisclosed form of cancer in 2001 in Esse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Segel
Jonathan Segel (born September 3, 1963) is an American composer and multi-instrumentalist. He has played with Camper Van Beethoven, Sparklehorse, Eugene Chadbourne, and Dieselhed. Early life and education Segel was born in Marseille, France, and grew up in Davis, California and Tucson, Arizona. His parents, both professors at University of California, Davis, were biochemist Irwin H. Segel and microbiologist Wiltraud Pfeiffer. Segel went to college at the University of California, Santa Cruz, where he studied under Peter Elsea and experimental music pioneer Gordon Mumma. He later obtained a master's degree in music composition at Mills College, studying with Fred Frith, Pauline Oliveros, Alvin Curran and Joëlle Léandre. Musical career Segel joined the indie rock group Camper Van Beethoven in 1984, while in college at Santa Cruz. His contributions as violinist became the band's hallmark, creating a distinctive identity and sound. Personality conflicts with frontman David Lower ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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