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Screamadelica
''Screamadelica'' is the third studio album by Scottish rock band Primal Scream. It was first released on 23 September 1991 in the United Kingdom by Creation Records and on 8 October 1991 in the United States by Sire Records. The album marked a significant departure from the band's early indie rock sound, drawing inspiration from the blossoming house music scene and associated drugs such as LSD and MDMA. Much of the album's production was handled by acid house DJ Andrew Weatherall and engineer Hugo Nicolson, who remixed original recordings made by the band into dance-oriented tracks. ''Screamadelica'', featuring Manchester-born singer Denise Johnson, was the band's first album to be a commercial success, peaking at number eight on the UK Albums Chart upon its release. It received wide praise from critics, and has been frequently named one of the best albums of the 1990s in various polls. It won the first Mercury Music Prize in 1992 and has sold over three million copies worldw ...
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Primal Scream
Primal Scream are a Scottish rock music, rock band originally formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie (musician), Jim Beattie (guitar). The band's current lineup consists of Gillespie, Andrew Innes (guitar), Simone Butler (bass), and Darrin Mooney (drums). Primal Scream had been performing live from 1982 to 1984, but their career did not take off until Gillespie left his position as drummer of The Jesus and Mary Chain. The band were a key part of the mid-1980s indie pop scene, but eventually moved away from their jangly sound, taking on more psychedelic music, psychedelic and garage rock influences, before incorporating a dance music element to their sound with their 1991 album ''Screamadelica'', which broke them into the mainstream. The band have continued to explore different styles on subsequent albums, experimenting with blues, trip hop and industrial rock. Their most recent album, ''Come Ahead'', was released on 8 November 2024. History Forma ...
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Dixie-Narco (EP)
''Dixie-Narco'' is an extended play (EP) by Scottish rock band Primal Scream, released on 27 January 1992 through Creation Records. Its lead track is "Movin' On Up", originally released on the ''Screamadelica'' album. This was the only official Primal Scream release to contain the song "Screamadelica" (which was recorded during sessions for the ''Screamadelica'' albumTom Pinnock (2019), 'The Making Of... Dixie-Narco EP by Primal Scream', ''Uncut'', issue 265, June 2019, p. 88.) until the song appeared on the 20th anniversary edition of the ''Screamadelica'' album. The remaining two tracks were recorded at Ardent Studios in Memphis during November 1991. 'Carry Me Home' was originally written by Dennis Wilson for The Beach Boys' 1973 album ''Holland'', although it was not included on that album. Track listing The 7-inch and cassette formats omit "Stone My Soul". "Movin' On Up" previously appeared on ''Screamadelica''. Personnel * "Movin' On Up" produced by Jimmy Miller * "Sto ...
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Come Together (Primal Scream Song)
"Come Together" is a song by Scottish rock band Primal Scream, released in August 1990 as the second single from their third studio album ''Screamadelica'' (1991). The song peaked at number 26 on the UK Singles Chart. The single versions of the song, mixed by Terry Farley, are radically different from the album version which was mixed by Andrew Weatherall. Whilst the Farley mix follows a standard pop song structure, Weatherall's extended album mix is more influenced by house music and dub mixes and features none of Bobby Gillespie's vocals. In the US, the single was released as a double A-side with the band's previous single " Loaded". A shorter edit of the song was featured on the 1997 soundtrack compilation ''Trainspotting #2: Music from the Motion Picture, Vol. 2''. In 2013, a remix of the song was produced by Daniel Avery and was signed by British television network BT Sport to provide the theme tune for coverage of the Barclays Premier League other live events. Track ...
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Loaded (Primal Scream Song)
"Loaded" is a song by Scottish rock band Primal Scream, released on 19 February 1990 by Creation Records as the lead single from their third studio album ''Screamadelica'' (1991). Mixed and produced by Andrew Weatherall, it is a remix of an earlier song titled "I'm Losing More Than I'll Ever Have". In 2014, ''NME'' placed the song at number 59 in its list of the "500 Greatest Songs of All Time". Inspiration and composition Primal Scream first became aware of Andrew Weatherall after he published a favourable review of their eponymous second album in the ''Boys Own'' fanzine. Having subsequently met him at an acid house party at which he was DJing and become friends through various later meetings, it was suggested that he should remix "I'm Losing More Than I'll Ever Have" from the album, work for which he was to receive a fee of £500. Weatherall's first attempt, which he later described as basically just having "slung a kick drum under the original", was judged by the band to h ...
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Andrew Weatherall
Andrew James Weatherall (6 April 1963 – 17 February 2020) was an English musician, DJ, songwriter, producer and remixer. His career took him from being a DJ in the acid house movement of the late 1980s to being a remixer of tracks by Happy Mondays, New Order, Björk, the Orb, the Future Sound of London, My Bloody Valentine, Saint Etienne, Primal Scream, Moby and James. His production work on Primal Scream's album '' Screamadelica'', adding samples, loops and creating an influential mix of hard rock, house and rave, helped the record win the first ever Mercury Music Prize in 1992 and become one of the most celebrated albums of the 1990s. Biography Andrew James Weatherall was born on 6 April 1963, in Windsor, Berkshire, England, to Robert Weatherall and Carol (Spires) Weatherall. During his teenage years, he started going to Funk & Soul Weekenders and disco parties. After leaving the local grammar school, he left home at the age of 18, and worked in a variety of jobs inc ...
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Primal Scream (Primal Scream Album)
''Primal Scream'' is the second studio album by Scottish rock band Primal Scream. It was released on 4 September 1989 in the United Kingdom by Creation Records and in the United States by Mercenary Records. Musically, it took a harder rock approach than their 1987 debut '' Sonic Flower Groove'' and did not achieve great success. However, the song "I'm Losing More Than I'll Ever Have" was later remixed to provide the breakthrough single " Loaded", which appeared on their much celebrated third album ''Screamadelica''. Critical reception The album received mixed-to-positive reviews from music critics. Tim Sendra of AllMusic wrote: "While the group was capable of whipping up a credible approximation of thuggish hard rock, Bobby Gillespie's fragile wisp of a voice is rather ill-suited to kicking out the jams." Track listing Personnel Credits adapted from liner notes. ;Primal Scream * Robert "Throb" Young – guitar * Bobby Gillespie Robert Gillespie ( ; born 22 June 1961) is a ...
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Jimmy Miller
Jimmy Miller (March 23, 1942 – October 22, 1994) was an American record producer and musician. While he produced albums for dozens of different bands and artists, he is known primarily for his work with several key musical acts of the 1960s and 1970s. Miller rose to prominence working with the various bands of vocalist Steve Winwood (including Spencer Davis Group, Traffic, and Blind Faith). His best acclaimed work was his late 1960s-early 1970s work with the Rolling Stones for whom he produced a string of singles and albums that rank among the most critically and financially successful works of the band's career: '' Beggars Banquet'' (1968), '' Let It Bleed'' (1969), '' Sticky Fingers'' (1971), '' Exile on Main St.'' (1972) and '' Goats Head Soup'' (1973). In the late 1970s, he began working with Motörhead and continued to produce until his death in 1994. Early life Miller was born in Brooklyn, New York City, the son of Anne Wingate and Bill Miller. Bill was a Las Vega ...
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Hugo Nicolson
Hugo Nicolson is an English record producer and engineer, who has worked on records for artists including Primal Scream, Embrace, David Holmes, Shack, Julian Cope, and his sister, Claire Nicolson (musician) who also performs under the pseudonym 'Tiger Onezie'. Nicolson started working as a tape op at the Townhouse Studios and progressed to being an engineer and producer on a number of well-known albums. Nicolson played a key role on Primal Scream's ''Screamadelica'' album, working with Andrew Weatherall as co-producer and engineer, helping to remix the original recordings made by the band. Hugo engineered Grammy award winning artist Radiohead on their critically acclaimed record In Rainbows Discography * 1988 '' My Nation Underground'' - Julian Cope * 1989 '' Trust'' - Brother Beyond * 1989 '' Skellington'' - Julian Cope * 1991 ''Screamadelica'' - Primal Scream * 1991 ''Peggy Suicide'' - Julian Cope * 1992 ''Jehovahkill'' - Julian Cope * 1993 '' Debut'' - Björk * 1999 '' Super ...
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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ...
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MDMA
3,4-Methylenedioxymethamphetamine (MDMA), commonly known as ecstasy (tablet form), and molly (crystal form), is an empathogen–entactogenic drug with stimulant and minor Psychedelic drug, psychedelic properties. In studies, it has been used alongside psychotherapy in the treatment of post-traumatic stress disorder (PTSD) and social anxiety in Autism, autism spectrum disorder. The purported pharmacological effects that may be Prosocial behavior, prosocial include altered sensations, increased energy, empathy, and pleasure. When taken by mouth, effects begin in 30 to 45 minutes and last three to six hours. MDMA was first synthesized in 1912 by Merck Group, Merck chemist Anton Köllisch. It was used to enhance psychotherapy beginning in the 1970s and became popular as a street drug in the 1980s. MDMA is commonly associated with dance party, dance parties, raves, and electronic dance music. Tablets sold as ecstasy may be Cutting agent, mixed with other substances such as ephedr ...
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House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United Kingdom, United States and New Zealand in the early to mid-1980s. Although the term was originally used to describe rock music released through independent record labels, by the 1990s it became more widely associated with the music such bands produced. The sound of indie rock has its origins in the New Zealand Dunedin sound of the Chills, Tall Dwarfs, the Clean and the Verlaines, and early 1980s college rock radio stations who would frequently play jangle pop bands like the Smiths and R.E.M. The genre solidified itself during the mid–1980s with ''NME''s ''C86'' cassette in the United Kingdom and the underground success of Sonic Youth, Dinosaur Jr. and Unrest (band), Unrest in the United States. During the 1990s, indie rock bands like Sonic Youth, the Pixies and Radiohead all released albums on major labels and subgenres like slowcore, Midwest emo, slacker rock and space rock began. By this time ...
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