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Young Woman In A Black Dress
The ''Young Woman in a Black Dress'' is an oil painting by Titian, dating to around 1520 and now held at the Kunsthistorisches Museum in Vienna. It was later misattributed to Palma il Vecchio, then to Giovanni Cariani, until Roberto Longhi reattributed it as by Titian, which is now the critical consensus. It depicts a woman half-length, facing the viewer, with her torso slightly twisted to give a sense of movement. One hand holds her black dress over her white shift, with a generous cleavage. The woman's physical type recurs in several other works by the artist, such as ''Flora'' and '' Woman with a Mirror'' - she may have been Titian's mistress, or simply a recurring model. See also * List of works by Titian This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. Lis ... Notes References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunsthistorisches Museum
The Kunsthistorisches Museum ( "Museum of Art History", often referred to as the "Museum of Fine Arts") is an art museum in Vienna, Austria. Housed in its festive palatial building on the Vienna Ring Road, it is crowned with an octagonal dome. The term ''Kunsthistorisches Museum'' applies to both the institution and the main building. It is the largest art museum in the country and one of the most important museums worldwide. Emperor Franz Joseph I of Austria-Hungary opened the facility around 1891 at the same time as the Natural History Museum, Vienna which has a similar design and is directly across Maria-Theresien-Platz. The two buildings were constructed between 1871 and 1891 according to plans by Gottfried Semper and Baron Karl von Hasenauer. The emperor commissioned the two Ringstraße museums to create a suitable home for the Habsburgs' formidable art collection and to make it accessible to the general public. The buildings are rectangular in shape, with symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Il Vecchio
Palma Vecchio (c. 1480 – 30 July 1528), born Jacopo Palma, also known as Jacopo Negretti, was a Venetian painter of the Italian High Renaissance. He is called Palma Vecchio in English and Palma il Vecchio in Italian ("Palma the Elder") to distinguish him from Palma il Giovane ("Palma the Younger"), his great-nephew, who was also a painter. Life Palma was born at Serina Alta near Bergamo, a dependency of the Republic of Venice, but his recorded career all took place in or near Venice. He is first recorded in Venice in 1510, but had probably already been there for some time. He was perhaps apprenticed to Andrea Previtali, who also came from Bergamo, and who returned there in 1511. Palma's earlier works show the influence of Giovanni Bellini, Previtali's master and by then the aged ''doyen'' of Venetian painting, but Palma came to follow the new style and subjects pioneered by Giorgione and Titian. After the deaths of Bellini and Giorgione, and the removal from Venice of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Cariani
Giovanni Cariani (c. 1490–1547), also known as Giovanni Busi or Il Cariani, was an Italian painter of the high-Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. Overview His father, also Giovanni Busi, was born in Fuipiano Al Brembo which is a hamlet of San Giovanni Bianco (Bergamo), and was appointed a local magistrate for the Venetian authorities. His son, also born in Fuipiano Al Brembo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his ''Sacra conversazione with a youthful donor''. While working in Bergamo (1517–1523), he likely overlapped with Lorenzo Lotto, who worked there from 1513-1525. ''Cariani and the Courtesans'' The 1987 BBC Two te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Longhi
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life and career Longhi was born in December 1890 in Alba in Piedmont. His parents were from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal ''L'Arte'' in 1914. Between 1913 and 1917, Longhi, primarily an essayist, published text in ''L'Arte'' and ''La Voce'' on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi. Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book ''Quesiti caravaggeschi'' uestions on Caravaggio(1928–34), was followed by ''Ultimi studi caravaggeschi'' atest Caravaggio studies(1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, ''Mostra di Caravaggio e dei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flora (Titian)
''Flora'' is an oil painting by Italian late Renaissance painter Titian, dated to around 1515 and now held at the Uffizi Gallery in Florence. History The work was reproduced in numerous 16th century etchings. Later, it followed an unclear series of changes of hands at Brussels and Vienna. In the 17th century, it was sold by the Spanish ambassador at Amsterdam to Archduke Leopold Wilhelm of Austria and was cited by Rembrandt in his '' Saskia Dressing as Flora '' of London and in two portraits in Dresden and New York. Later included in the Kunsthistorisches Museum of Vienna, it was one of the works exchanged with the Uffizi. In the 18th century, it was erroneously attributed to Palma the Elder. Description It portrays an idealized beautiful woman, a model established in the Venetian school by Titian's master Giorgione with his ''Laura''. Her left hand holds a pink-shaded mantle, and her right holds a handful of flowers and leaves. The woman was portrayed by Titian in numerous othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman With A Mirror
''Woman with a Mirror'' (french: La Femme au miroir) is a painting by Titian, dated to c. 1515 and now in the Musée du Louvre. History It is known to have been in the Gonzaga family's collection in Mantua from which it was bought by Charles I of England. After Charles' execution, it was sold off and purchased by Louis XIV of France for the Palace of Versailles. Several attempts have been made to identify the main female figure – these have included Titian's lover, Alfonso d'Este's lover Laura Dianti, or Federico Gonzaga's lover Isabella Boschetti. None of these theories fit the date ascribed to the painting through analysis of its style, which is 1512–15, when the courts of Mantua and Ferrara were first becoming interested in Titian. Dianti was painted by Titian in a portrait of 1523. She is probably just a model who appears in other paintings Corriere della Sera, 2 December 2010 – Supplemento "Eventi Mostre" – the same woman with frizzy reddish blonde hair app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Titian
This incomplete list of works by Titian contains representative portraits and mythological and religious works from a large oeuvre that spanned 70 years. (Titian left relatively few drawings.) Painting titles and dates often vary by source. List of works by year References {{Lists of paintings Lists of works of art, Titian Paintings by Titian, * Portraits by Titian, * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1520 Paintings
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Portraits By Titian
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Kunsthistorisches Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
