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Young Man With A Horn (film)
''Young Man with a Horn'' is a 1950 American musical drama film starring Kirk Douglas, Lauren Bacall, Doris Day, Hoagy Carmichael, and Juano Hernandez. Directed by Michael Curtiz, it was based on the 1938 novel of the same name by Dorothy Baker inspired by the life of jazz cornetist Bix Beiderbecke. The film was produced by Jerry Wald, and its screenplay written by Carl Foreman and Edmund H. North. Plot Rick Martin is a young Midwestern orphan cared for by an indifferent elder sister, living in his own isolated world. He is first drawn to an inner-city mission for alcoholics and its piano-accompanied hymns. Seeking a more portable instrument, his eye catches a trumpet in the window of a pawn shop. He works as a pin setter in a bowling alley to save up enough money to buy it. Tutored by Black jazzman Art Hazzard (Juano Hernandez) Rick grows into an outstanding, intuitive jazz musician (played by Kirk Douglas). He lands a job playing for a large dance band, getting to know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Curtiz
Michael Curtiz ( ; born Manó Kaminer; since 1905 Mihály Kertész; hu, Kertész Mihály; December 24, 1886 April 10, 1962) was a Hungarian-American film director, recognized as one of the most prolific directors in history. He directed classic films from the silent era and numerous others during Hollywood's Classical Hollywood cinema, Golden Age, when the studio system was prevalent. Curtiz was already a well-known director in Europe when Warner Bros. invited him to Hollywood in 1926, when he was 39 years of age. He had already directed 64 films in Europe, and soon helped Warner Bros. become the fastest-growing movie studio. He directed 102 films during his Hollywood career, mostly at Warners, where he directed ten actors to Oscar nominations. James Cagney and Joan Crawford won their only Academy Awards under Curtiz's direction. He put Doris Day and John Garfield on screen for the first time, and he made stars of Errol Flynn, Olivia de Havilland, and Bette Davis. He himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harrison's Reports And Film Reviews
''Harrison's Reports and Film Reviews'' is the 15-volume reprint of the complete run of the weekly magazine ''Harrison's Reports'' from its founding in 1919 to its demise in 1962. Volumes 1 through 14 are facsimile reprints of the more than 2,000 weekly issues. The reprints were edited by D. Richard Baer and published 1992-1995 by Hollywood Film Archive. Film review index Volume 15 is an alphabetical index of the films reviews, approximately 17,000 in all. Films are also indexed by alternate titles and original foreign language titles. Over 99% of the reprints were reproduced from original issues, the rest from photocopies or microfilm blowups. The index volume includes a two-page narrative titled “A Brief History of these Reprints” about how all the issues were gathered. Volumes and years covered Volume summaries At the front of each volume is a one-page summary of the more important issues discussed in the editorials of that period. Original indexes reprinted ''Harrison's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Era
The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianists Fats Waller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry James
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized and was active again with his band from then until his death in 1983. He was especially known among musicians for his technical proficiency as well as his Tone (musical instrument), tone, and was influential on new trumpet players from the late 1930s into the 1940s. He was also an actor in a number of films that usually featured his band. Early life Harry James was born in Albany, Georgia, United States, the son of Everett Robert James, a bandleader in a traveling circus, the Mighty Haag Circus, and Myrtle Maybelle (Stewart), an acrobat and horseback rider. He started performing with the circus at an early age, first as a contortionist at age of four, then playing the snare drum in the band from about the age of six. It was at this age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands. Big bands started as accompaniment for dancing. In contrast to the typical jazz emphasis on improvisation, big bands relied on written compositions and arrangements. They gave a greater role to bandleaders, arrangers, and sections of instruments rather than soloists. Instruments Big bands generally have four sections: trumpets, trombones, saxophones, and a rhythm section of guitar, piano, double bass, and drums. The division in early big bands, from the 1920s to 1930s, was typically two or three trumpets, one or two trombones, three or four saxo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidekick
A sidekick is a slang expression for a close companion or colleague (not necessarily in fiction) who is, or is generally regarded as, subordinate to the one they accompany. Some well-known fictional sidekicks are Don Quixote's Sancho Panza, Sherlock Holmes' Doctor Watson, The Lone Ranger's Tonto, The Green Hornet's Kato, Shrek's Donkey and Puss in Boots, Mickey Mouse's Donald Duck and Goofy, Mario's Luigi and Yoshi, Sonic's Tails and Knuckles, Donkey Kong's Diddy Kong, Daffy Duck's Porky Pig, Captain America's Bucky and Batman's Robin. Origins The first recorded use of the term dates from 1896. It is believed to have originated in pickpocket slang of the late 19th century. The "kick" was the front pocket of a pair of trousers, believed to be the pocket safest from theft. Thus, by analogy, a "side-kick" was a person's closest companion.Morris, EvanWord Detective(December 20, 1999). One of the earliest recorded sidekicks may be Enkidu, who adopted a sidekick rol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Reed (actor)
Walter Reed (born Walter Reed Smith, February 10, 1916 – August 20, 2001) was an American stage, film and television actor. Biography Reed was born in 1916 in Fort Ward, Washington. Following a stint as a Broadway actor, Reed broke into films in 1941. He appeared in several features for RKO Radio Pictures, including the last two ''Mexican Spitfire'' comedies (in which Reed replaced Buddy Rogers as the Spitfire's husband). Perhaps his most memorable role was as the spineless wagon driver husband of Gail Russell in the western '' Seven Men from Now''. Reed also appeared in the very first Superman theatrical feature film ''Superman and the Mole Men'' in 1951. In 1951 Reed made two film serials for Republic Pictures; Reed strongly resembled former Republic leading man Ralph Byrd, enabling Republic to insert old action scenes of Byrd into the new Reed footage. Republic wanted to sign Reed for additional serials but Reed declined, preferring not to be typed as a serial star ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nestor Paiva
Nestor Paiva (June 30, 1905 – September 9, 1966) was an American actor of Portuguese descent. He is most famous for his recurring role of Teo Gonzales the innkeeper in Walt Disney's Spanish Western series ''Zorro'' and its feature film ''The Sign of Zorro'', as well as Lucas the boat captain in ''Creature from the Black Lagoon'' and its sequel ''Revenge of the Creature''. Early years Paiva attended the University of California. During his senior year, he directed a production, ''The Youngest'', after the previous director resigned because of sickness. Career In the early 1930s, Paiva was director of the Eight o'Clock Players troupe at KLX radio in Oakland, California. Paiva also appeared in network radio programs, including the 07/18/1953 episode of Gunsmoke entitled "Wild West". Nestor appeared in motion pictures and television from the 1930s to the 1960s including such TV programs as ''The Lone Ranger '', ''Zorro'', ''Get Smart'', ''Bonanza'', ''I Spy'', ''Family Affair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Beth Hughes
Mary Elizabeth Hughes (November 13, 1919 Katz, Ephraim (1979). ''The Film Encyclopedia: The Most Comprehensive Encyclopedia of World Cinema in a Single Volume''. Perigee Books. . P. 586. – August 27, 1995) was an American film, television, and stage actress best known for her roles in B movies. Early life and career Hughes was born in Alton, Illinois. Her parents, George Joseph Hughes and Mary Frances Hughes, separated when she was an infant and divorced in 1923. After the divorce, Hughes's mother moved with her only child to Washington, D.C. Hughes' grandmother, Flora Fosdick, was described as a "star of grand opera and drama hoplayed with Ethel Barrymore on the stage." As a child Hughes began acting in stage productions. While acting in a school play in the early 1930s, her performance caught the attention of Clifford Brown, a repertory theatre company owner, who offered her a part in a touring production of '' Alice in Wonderland''. While touring with another producti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Cowan
Jerome Palmer Cowan (October 6, 1897 – January 24, 1972) was an American stage, film, and television actor. Early years Cowan was born in New York City, the son of William Cowan, a confectioner of Scottish descent, and Julia Cowan, née Palmer. Stage At 18, Cowan joined a travelling stock company, shortly afterwards enlisting in the United States Navy during World War I. After the war he returned to the stage and became a vaudeville headliner, then gained success on the New York stage. His Broadway debut was in ''We've Got to Have Money'' (1923). His other Broadway credits include ''Frankie and Johnnie'' (1930), ''Just to Remind You'' (1931), ''Rendezvous'' (1932), ''The Little Black Book'' (1932), ''Marathon'' (1933), ''Both Your Houses'' (1933), ''As Thousands Cheer'' (1933), ''Ladies' Money'' (1934), ''Paths of Glory'' (1935), ''Boy Meets Girl'' (1935), '' My Three Angels'' (1953), ''Lunatics and Lovers'' (1954), '' Rumple'' (1957), and ''Say, Darling'' (1958). Film H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirk Douglas - Young Man With A Horn - El Station
Kirk is a Scottish and former Northern English word meaning "church". It is often used specifically of the Church of Scotland. Many place names and personal names are also derived from it. Basic meaning and etymology As a common noun, ''kirk'' (meaning 'church') is found in Scots, Scottish English, Ulster-Scots and some English dialects, attested as a noun from the 14th century onwards, but as an element in placenames much earlier. Both words, ''kirk'' and ''church'', derive from the Koine Greek κυριακόν (δωμα) (kyriakon (dōma)) meaning ''Lord's (house)'', which was borrowed into the Germanic languages in late antiquity, possibly in the course of the Gothic missions. (Only a connection with the idiosyncrasies of Gothic explains how a Greek neuter noun became a Germanic feminine). Whereas ''church'' displays Old English palatalisation, ''kirk'' is a loanword from Old Norse and thus retains the original mainland Germanic consonants. Compare cognates: Icelandic & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pin Setter
In bowling, a pinsetter or pinspotter is an automated mechanical device that sets bowling pins back in their original positions, returns bowling balls to the front of the alley, and clears fallen pins on the pin deck. Prior to the machine's invention, pinsetters were boys or young men (''pin boys'') hired at bowling alleys to manually reset pins and returned balls to the player. The first mechanical pinsetter was invented by Gottfried (Fred) Schmidt, who sold the patent in 1941 to AMF. Pinsetting machines have largely done away with pinsetting as a manual profession, although a small number of bowling alleys still use human pinsetters. While humans usually no longer set the pins, a pinchaser (or "pin monkey") is often stationed near the equipment to ensure it is clean and working properly, and to clear minor jams. Beginning in the 1970s, modern pinsetters were integrated with electronic scoring systems of varying sophistication. Many pinsetters have a manual reset button ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
