The swing era (also frequently referred to as the big band era) was the period (1933–1947) when
big band
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s an ...
swing music
Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands ...
was the most popular music in the
United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territorie ...
. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ...
,
Jimmie Lunceford
James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era.
Early life
Lunceford was born on a farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mi ...
,
Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States.
He led his Kansas City Orchestra, the most important of the regional, blues-based orchest ...
,
Cab Calloway
Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist ...
,
Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, " ...
, and
Fletcher Henderson, and white bands from the 1920s led by the likes of
Jean Goldkette
John Jean Goldkette (March 18, 1893 – March 24, 1962) was a jazz pianist and bandleader.
Life
Goldkette was reportedly born on March 18, 1893 in Valenciennes, France,Russel B. Nye (1976). Music in the Twenties: The Jean Goldkette Orchestra ...
,
Russ Morgan
Russell Morgan (April 29, 1904 – August 7, 1969) was an American big band leader and arranger during the 1930s and 1940s. He was best known for being the one of the composers of the song "You're Nobody till Somebody Loves You", with Larry Stock ...
and
Isham Jones. An early milestone in the era was from "the King of Swing"
Benny Goodman's performance at the
Palomar Ballroom
The Palomar Ballroom, built in 1925, was a famous ballroom in Los Angeles, California, in the United States. It was destroyed by a fire on October 2, 1939.
Originally named the El Patio Ballroom and located on the east side of Vermont Avenue betw ...
in Los Angeles on August 21, 1935, bringing the music to the rest of the country.
The 1930s also became the era of other great soloists: the
tenor saxophonists Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ...
,
Ben Webster
Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist.
Career Early life and career
A native of Kansas City, Missouri, he studied violin, learned how to play blues on the piano from ...
and
Lester Young
Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
Coming to prominence while a member of Count Basie's orchestra, Young was one of the most i ...
; the alto saxophonists
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career ...
and
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano ...
; the drummers
Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader.
Early life
Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. ...
,
Gene Krupa
Eugene Bertram Krupa (January 15, 1909 – October 16, 1973), known as Gene Krupa, was an American jazz drummer, bandleader and composer who performed with energy and showmanship. His drum solo on Benny Goodman's 1937 recording of " Sing, Sing, ...
,
Jo Jones and
Sid Catlett
Sidney "Big Sid" Catlett (January 17, 1910 – March 25, 1951) was an American jazz drummer. Catlett was one of the most versatile drummers of his era, adapting with the changing music scene as bebop emerged.
Early life
Catlett was born in Eva ...
; the pianists
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz pi ...
and
Teddy Wilson
Theodore Shaw Wilson (November 24, 1912 – July 31, 1986) was an American jazz pianist. Described by critic Scott Yanow as "the definitive swing pianist", Wilson had a sophisticated, elegant style. His work was featured on the records of ma ...
; the trumpeters
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several era ...
,
Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from t ...
,
Bunny Berigan
Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era. His career and influence were shortened by alcoholism, and ended with his early demise at the ...
, and
Rex Stewart
Rex William Stewart Jr. (February 22, 1907 – September 7, 1967) was an American jazz cornetist who was a member of the Duke Ellington orchestra.
Career
As a boy he studied piano and violin; most of his career was spent on cornet. Stewart drop ...
.
Developments in dance orchestras and jazz music culminated in swing music during the early 1930s. It brought to fruition ideas originated with Louis Armstrong, Earl Hines, Fletcher Henderson, Duke Ellington, and Jean Goldkette. The swing era also was precipitated by spicing up familiar commercial, popular material with a Harlem-oriented flavor and selling it via a white band for a white musical/commercial audience.
In Benny Goodman's band, the most diversified styles flowed together: the ensemble style developed by Fletcher Henderson, who arranged for Goodman; the riff technique of Kansas City; and the precision and training of many white musicians. On the other hand, the easy melodic quality and clean intonation of Goodman's band made it possible to "sell" jazz to a mass audience.
The swing era brought to swing music
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several era ...
,
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop s ...
, and by 1938
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, in ...
. Armstrong, who had heavily influenced jazz as its greatest soloist in the 1920s when working with both small bands and larger ones, now appeared only with big swing bands. Other musicians who rose during this time include
Jimmy Dorsey
James Francis Dorsey (February 29, 1904 – June 12, 1957) was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards " I'm Glad There Is You (In This World of Ordinary Peop ...
, his brother
Tommy Dorsey
Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombo ...
,
Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Arm ...
,
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and the ...
, Goodman's future rival
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.
Widely regarded as "one of jazz's finest clarinetists", Shaw led ...
, and
Woody Herman
Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz clarinetist, saxophonist, singer, and big band leader. Leading groups called "The Herd", Herman came to prominence in the late 1930s and was active until his dea ...
, who departed the Isham Jones band in 1936 to start his own band. Several factors led to the demise of the swing era: the
1942–44 musicians' strike from August 1942 to November 1944 (The union that most jazz musicians belong to told its members not to record until the record companies agreed to pay them each time their music was played on the radio), the earlier ban of
ASCAP
The American Society of Composers, Authors, and Publishers (ASCAP) () is an American not-for-profit performance-rights organization (PRO) that collectively licenses the public performance rights of its members' musical works to venues, broadca ...
songs from radio stations,
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
which made it harder for bands to travel around as well as the "cabaret tax", which was as high as 30%, the rise of vocalist-centered pop and
R&B as the dominant forms of popular music, and the rising interest in
bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ...
among jazz musicians. Though some big bands survived through the late 1940s (Duke Ellington, Count Basie,
Stan Kenton
Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though K ...
,
Boyd Raeburn,
Woody Herman
Woodrow Charles Herman (May 16, 1913 – October 29, 1987) was an American jazz clarinetist, saxophonist, singer, and big band leader. Leading groups called "The Herd", Herman came to prominence in the late 1930s and was active until his dea ...
), most of their competitors were forced to disband, bringing the swing era to a close. Big-band jazz would experience a resurgence starting in the mid-1950s, but it would never attain the same popularity as it had during the swing era.
Musical elements
Beat
During the 1920s the older two-beat style of jazz was superseded by four-beat jazz, facilitated by replacement of the sousaphone with the string bass. Four beat rhythm was the foundation of the Chicago style jazz developed by Louis Armstrong and Earl Hines, and of the swing era rhythmic styles. The change in rhythm started first with solo pianists and small ensembles, then larger ensembles towards the end of the decade. Toward the end of the twenties the two-beat styles seemed all but exhausted. First in Chicago, then in Harlem and Kansas City, a new way of playing developed around 1928-29. Chicago musicians migrating to Harlem brought their rhythmic ideas with them. As is so often the case in jazz, there are confusing exceptions to this general outline. Jimmie Lunceford’s big band at the height of the Swing era employed a beat that was simultaneously 2/4 and 4/4. The
Bob Crosby Orchestra and the
Lionel Hampton Orchestra also featured two-beat rhythms long after four-beat rhythm became the standard.
Rhythm sections
In May 1935, the No. 1 record in the country was Jimmie Lunceford’s “Rhythm Is Our Business”. Released a few months before Benny Goodman triggered the national craze known as swing, the song offered a foretaste of the coming deluge. “Rhythm is our business/ Rhythm is what we sell,” Lunceford’s singer declared: “Rhythm is our business / Business sure is swell.”
If rhythm defined the swing bands, its foundation lay in the rhythm section: piano, guitar, bass, and drums.
In big bands, rhythm sections fused into a unified rhythmic front: supplying the beat and marking the harmonies. Each of the leading bands presented a distinct, well-designed rhythmic attack that complemented its particular style. The rhythm sections of Ellington, Basie, and Lunceford, for example, sounded nothing alike. Just as the soloists were champing at the bit of big-band constraints, rhythm players were developing techniques and ideas that demanded more attention than they usually received. In the 1930s, rhythm instruments made dramatic advances toward the foreground of jazz. In the process, they helped set the stage for bebop. In 1939, Duke Ellington discovered virtuoso young bassist
Jimmie Blanton and hired him into his Orchestra. Blanton revolutionized the bass as a featured instrument in the band, until he tragically left the band in late 1941 due to terminal tuberculosis.
Towards the end of the 1930s the roles of the piano, bass, and drums in the rhythm section changed significantly under the influence of the Count Basie Orchestra. Early swing drumming relied heavily on the bass and snare drums, with a secondary role for the high hat cymbal in timekeeping.
Jo Jones inverted that relationship, making the high hat the primary timekeeper and using the bass and snare drums for accents and lead-ins. Basie introduced a rhythmically sparse style of piano playing emphasizing accents, lead-ins, and fills. Both of those changes increased the importance of the bass and guitar in timekeeping, ably held by
Walter Page and
Freddie Green
Frederick William Green (March 31, 1911 – March 1, 1987) was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
Early life and education
Green was born in Charleston, South Car ...
. The lighter and sparser, yet more dynamic, sense of rhythm expressed by the Basie rhythm section lent greater freedom for the band's soloists and set a trend that would culminate in the rhythmic ideas of
bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumen ...
.
Instruments
To help bands adjust to the new groove, major changes were made in the rhythm section. While the bass drum continued to play a rock-solid four beat pulse, the tuba, commonly used in large dance bands of the 1920s, was replaced by the string bass. During the early years of recording, the tuba was able to project a clear, huffing sound. But the string bass had been replacing the tuba over the rhythmic devices available with it and many players, including Wellman Braud with Duke Ellington’s band, showed that the instrument had a special percussive flavor when the strings were given a pizzicato “slap” (plucked rather than bowed). Change came gradually in the late 1920s, once word had gotten around about how well the string bass worked; many tuba players realized that they’d better switch instruments or lose their jobs. With
Walter Page's bass replacing the tuba in
Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States.
He led his Kansas City Orchestra, the most important of the regional, blues-based orchest ...
's Kansas City Orchestra, the way was laid clear for the band to develop the kinetic style of swing it would show under the leadership of Count Basie.
The banjo, with its loud and raucous tone, was replaced with the guitar, which provided a more subtle and secure pulsation (chunk-chunk) in the foundation rhythm. As the saying went, the guitar was more felt than heard. Listeners felt the combined sound of bass, guitar, and drums as a sonic force that pushed through cavernous dance halls. “If you were on the first floor, and the dance hall was upstairs,” Count Basie remembered, “that was what you would hear, that steady rump, rump, rump, rump in that medium tempo.”
As often noted by commentators on jazz history, the Swing era saw the saxophone supersede in many ways the trumpet as the dominant jazz solo instrument. Swing arrangements often emphasized the reed section to carry the melody, with trumpets providing accents and highlights. For this reason the types of solo improvisations would change dramatically during the thirties. Trumpeter
Roy Eldridge
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from t ...
deviated from the more common Armstrong-influenced styles towards a style of improvisation resembling that of reed players, and in turn would be an early influence on bebop trumpet pioneer
Dizzy Gillespie
John Birks "Dizzy" Gillespie (; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improviser, building on the virtuosic style of Roy Eldridge but addi ...
.
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ...
and
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career ...
broke the barrier to early acceptance of the saxophone as a jazz instrument but it was the style of
Frankie Trumbauer
Orie Frank Trumbauer (May 30, 1901 – June 11, 1956) was an American jazz saxophonist of the 1920s and 1930s. His main instrument was the C-melody saxophone, a now-uncommon instrument between an alto and tenor saxophone in size and pitch. He a ...
on C melody sax, showcased in the recordings he did with
Bix Beiderbecke
Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.
Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical app ...
in 1927, that laid the groundwork for the style of saxophone playing that would make it a dominant influence on soloing styles.
Lester Young
Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
Coming to prominence while a member of Count Basie's orchestra, Young was one of the most i ...
, whose influence on saxophone playing became dominant towards the end of the 1930s, cited Trumbauer's linear, melodic approach to improvisation as his main inspiration for his own style.
The Fletcher Henderson Orchestra in 1927 consisted of two trumpets, two trombones, three reeds, piano, banjo, tuba, and drums. The Goodman band in 1935 had three trumpets, two trombones, the leader’s clarinet, two alto saxes, two tenor saxes, piano, guitar, bass, and drums, fourteen pieces in all, compared to Henderson’s eleven in the earlier days. The piano-guitar-bass-drums rhythm section had become standard and kept a steady and uncluttered beat that was very easy to follow. Goodman was quite skilled at setting the perfect dance tempo for each song while alternating wild “killer dillers” with slower ballads. In addition to Henderson and his younger brother Horace, Goodman employed top arrangers such as
Fletcher Henderson,
Jimmy Mundy
James Mundy (June 28, 1907 – April 24, 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie, and Earl Hines.
Mundy died of cancer in New York City at the age of 75 ...
,
Deane Kincaide
Robert Deane Kincaide (March 18, 1911 – August 14, 1992) was an American jazz reedman.
Kincaide was born in Houston, Texas, United States, but raised in Decatur, Illinois, and began playing professionally and working as an arranger in the early ...
,
Edgar Sampson
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of '' ead'' "rich, prosperous" and '' gar'' "spear").
Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, r ...
, and
Spud Murphy
Miko Stefanovic (August 19, 1908 – August 5, 2005), better known as Lyle 'Spud' Murphy, was an American jazz multi-instrumentalist, bandleader, and arranger.
Early life
Born Miko Stefanovic to Serbian émigré parents in Berlin, Germany, Murphy ...
who put the melody first but included rhythmic figures in their charts and wrote arrangements that built to a logical climax. Mundy and Sampson had previously done arranging for
Earl Hines
Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, " ...
and
Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader.
Early life
Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. ...
, respectively. In 1935, Goodman did not have many major soloists in his band. Unlike Duke Ellington, who went out of his way to hire unique individualists, and Count Basie, who came from a Kansas City tradition emphasizing soloists, Goodman was most concerned that his musicians read music perfectly, blended together naturally, and did not mind being subservient to the leader. It was the sound of the ensembles, the swinging rhythm section, and the leader’s fluent clarinet that proved to be irresistible to his young and eager listeners.
Arranging
To fit the new groove, dance-band arranging became more inventive. To some extent, this was a belated influence of Louis Armstrong, whose rhythms continued to be absorbed by soloists and arrangers through the 1930s. Arrangers learned to write elaborate lines for an entire section, harmonized in block chords, called soli. They were conversant with chromatic (complex) harmony and knew how to make the most of their flexible orchestra.
Arrangements could also arise spontaneously out of oral practice. But even in New York, where bands prided themselves on their musical literacy, musicians could take improvised riffs and harmonize them on the spot. The result, known as a head arrangement, was a flexible, unwritten arrangement created by the entire band. One musician compared it to child’s play—“a lot of kids playing in the mud, having a big time.”
Both kinds of arrangements, written and unwritten, could be heard in the hundreds of recordings made in the 1930s by Fletcher Henderson. For flashy pieces, Henderson relied on experienced arrangers, from his brother Horace to Don Redman and Benny Carter. But his biggest hits emerged from the bandstand. One was “Sugar Foot Stomp,” derived in the early 1920s from the King Oliver tune “Dippermouth Blues” and still in the repertory. By the 1930s, it had evolved into a thoroughly up-to-date dance tune, with a faster tempo to match the tastes of the dancers. Another hit was “King Porter Stomp,”
[Giddins, Gary and Scott DeVeaux. “The Swing Era.” In Jazz, 174-77. New York: W.W. Norton, 2009.] a ragtime piece by Jelly Roll Morton that became radically simplified, shedding its two-beat clumsiness and march/ragtime form as it went. Many of these pieces were ultimately written down by Henderson, who became his band’s chief arranger. His genius for rhythmic swing and melodic simplicity was so effective that his music became the standard for numerous swing arrangers. Henderson was fond of short, memorable riffs—simple, bluesy phrases—in call and response: saxophones responding to trumpets, for example. In some passages, he distorted the melody into ingenious new rhythmic shapes, often in staccato (detached) bursts that opened up space for the rhythm section. Henderson was shrewd and efficient. He wrote only a few choice choruses, leaving the remainder of the arrangement open for solos accompanied by discreet, long-held chords or short riffs. As each piece headed toward its climax, the band erupted in an ecstatic wail.
Songs from the swing era
The swing era produced many classic recordings. Some of those are:
* "
Begin the Beguine
"Begin the Beguine" is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard's ocean liner ''Franconia''. In October 1935, it was introduced by June Kni ...
", recorded by
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.
Widely regarded as "one of jazz's finest clarinetists", Shaw led ...
; written by
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film.
Born to ...
* "
Bei Mir Bist Du Schön" by the
Andrews Sisters with
Vic Schoen
Victor Schoen (March 26, 1916 – January 5, 2000) was an American bandleader, arranger, and composer whose career spanned from the 1930s until his death in 2000. He furnished music for some of the most successful persons in show business inclu ...
and his Orchestra
* "
Body and Soul" by
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first p ...
; music by
Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earli ...
and lyrics by
Frank Eyton
Frank Eyton (30 August 1894 – 11 November 1962) was an English popular music lyricist best known for co-writing the lyrics of Johnny Green's " Body and Soul" (1930) with Edward Heyman and Robert Sour. Frank Eyton biographyat Allmusic - retrieved ...
,
Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films.
Biogr ...
and
Robert Sour
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honou ...
* "
Blue Skies" by
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His co ...
(
Live at Carnegie Hall 1938)
* "
Chattanooga Choo Choo
"Chattanooga Choo Choo" is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie '' Sun Valley Serenade''. It was ...
" by
Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Arm ...
and His Orchestra; featured in the 1941 movie "
Sun Valley Serenade"
* "
Cherokee
The Cherokee (; chr, ᎠᏂᏴᏫᏯᎢ, translit=Aniyvwiyaʔi or Anigiduwagi, or chr, ᏣᎳᎩ, links=no, translit=Tsalagi) are one of the indigenous peoples of the Southeastern Woodlands of the United States. Prior to the 18th century, t ...
" by
Charlie Barnet
Charles Daly Barnet (October 26, 1913 – September 4, 1991) was an American jazz saxophonist, composer, and bandleader.
His major recordings were "Skyliner", " Cherokee", "The Wrong Idea", "Scotch and Soda", "In a Mizz", and "Southland Shuffl ...
; music and lyrics by
Ray Noble
Raymond Stanley Noble (17 December 1903 – 2 April 1978) was an English jazz and big band musician, who was a bandleader, composer and arranger, as well as a radio host, television and film comedian and actor; he also performed in the United ...
* "Daddy From Georgia Way", recorded by
Bob Chester
Bob Chester (March 20, 1908 – October 29, 1966) was an American jazz and pop music bandleader and tenor saxophonist.
He was born in Detroit, Michigan, United States. Chester's stepfather ran General Motors's Fisher Body Works. He began his ...
and His Orchestra on
Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on Janua ...
; lyrics and music by Daisy Lawton, a pen name for
Gloria Parker
Gloria Parker (née Rosenthal; August 20, 1921April 13, 2022) was an American musician and bandleader who had a radio show during the big band era. ''The Gloria Parker Show'' was broadcast nightly from 1950 to 1957, coast to coast on WABC. She ...
* "
For Dancers Only" by
Jimmy Lunceford
James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era.
Early life
Lunceford was born on a farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mi ...
* "
Goody Goody
"Goody Goody" is a 1936 popular music, popular song composed by Matty Malneck, with lyrics by Johnny Mercer.
First recording of the song was by Ted Wallace and His Swing Kings (vocal refrain by male trio) luebird, B-6252-B, 1936 The song is r ...
" by
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His co ...
and His Orchestra (with vocalist
Helen Ward)
* "Here Comes That Mood", recorded by
Vincent Lopez
Vincent Lopez (December 30, 1895 – September 20, 1975) was an American bandleader, actor, and pianist.
Early life and career
Vincent Lopez was born of Portuguese immigrant parents in Brooklyn, New York City, United States, Distinguished Am ...
; music and lyrics by
Gloria Parker
Gloria Parker (née Rosenthal; August 20, 1921April 13, 2022) was an American musician and bandleader who had a radio show during the big band era. ''The Gloria Parker Show'' was broadcast nightly from 1950 to 1957, coast to coast on WABC. She ...
* "
I Can't Get Started
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (with You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film '' Ziegfeld ...
" by
Bunny Berigan
Roland Bernard "Bunny" Berigan (November 2, 1908 – June 2, 1942) was an American jazz trumpeter and bandleader who rose to fame during the swing era. His career and influence were shortened by alcoholism, and ended with his early demise at the ...
* "In Santiago by the Sea" by
Gloria Parker
Gloria Parker (née Rosenthal; August 20, 1921April 13, 2022) was an American musician and bandleader who had a radio show during the big band era. ''The Gloria Parker Show'' was broadcast nightly from 1950 to 1957, coast to coast on WABC. She ...
and recorded by
Vincent Lopez
Vincent Lopez (December 30, 1895 – September 20, 1975) was an American bandleader, actor, and pianist.
Early life and career
Vincent Lopez was born of Portuguese immigrant parents in Brooklyn, New York City, United States, Distinguished Am ...
and His Orchestra
* "
In the Mood
"In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition "Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by E ...
" by
Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Arm ...
* "
It Don't Mean a Thing (If It Ain't Got That Swing)
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a pro ...
" by
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based ...
* "
Jersey Bounce
"Jersey Bounce" is a song written by Tiny Bradshaw, Eddie Johnson, and Bobby Plater with lyrics by Buddy Feyne who used the pseudonym Robert B. Wright.
Background
It hit No. 1 for four weeks in 1942 as an instrumental recorded by Benny Goodman ...
" by
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His co ...
* "
Jumpin' at the Woodside
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the ''Billboard'' charts and remained on them for four weeks. ...
" by
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and the ...
* "Leap Frog", the theme song of
Les Brown (bandleader)
Lester Raymond Brown (March 14, 1912 – January 4, 2001) was an American jazz musician who led the big band Les Brown and His Band of Renown for nearly seven decades from 1938 to 2000. Biography
Brown was born in Reinerton, Pennsylvania. He en ...
* "
Minnie the Moocher
"Minnie the Moocher" is a jazz- scat song first recorded in 1931 by Cab Calloway and His Orchestra, selling over a million copies. "Minnie the Moocher" is most famous for its nonsensical ad libbed (" scat") lyrics (for example, "Hi De Hi De Hi ...
" by
Cab Calloway
Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist ...
,
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose.
Personal
Mills was ...
, and Clarence Gaskill
* "
Moonlight Serenade
"Moonlight Serenade" is an American swing ballad composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when released in May 1939 as an instrumental arrangement, though it had been adopted and perfo ...
" by
Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Arm ...
* "
King Porter Stomp "King Porter Stomp" is a jazz standard by pianist Jelly Roll Morton, first recorded in 1923. The composition is considered to be important in the development of jazz.Magee, Jeffrey. "'King Porter Stomp' and the Jazz Tradition", p.46, ''Current Mus ...
" by
Fletcher Henderson
* "Nightmare" by
Artie Shaw
Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.
Widely regarded as "one of jazz's finest clarinetists", Shaw led ...
* "
Pennsylvania 6-5000
PEnnsylvania 6-5000 is a telephone number in New York City, written in the 2L+5N (two letters, five numbers) format that was common from about 1930 into the 1960s. The number is best known from the 1940 hit song " Pennsylvania 6-5000", a swing j ...
" by
Glenn Miller
Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the United States Arm ...
and His Orchestra
* "
Sentimental Journey" co-written by
Les Brown; vocal by
Doris Day
Doris Day (born Doris Mary Kappelhoff; April 3, 1922 – May 13, 2019) was an American actress, singer, and activist. She began her career as a big band singer in 1939, achieving commercial success in 1945 with two No. 1 recordings, " Sent ...
* "
Sing, Sing, Sing
"Sing, Sing, Sing (With a Swing)" is a 1936 song, with music and lyrics by Louis Prima, who first recorded it with the New Orleans Gang. Brunswick Records released it on February 28, 1936 on the 78rpm record format, with "It's Been So Long" as th ...
" by
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His co ...
* "
Song of India" by
Tommy Dorsey
Thomas Francis Dorsey Jr. (November 19, 1905 – November 26, 1956) was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombo ...
* "
Stardust", which has been recorded by everyone from Armstrong, to Miller to Shaw; music and lyrics by
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first ...
* "
Stompin' at the Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City.
History and composition
Although the song is credited to Benny Goodman, Chick Webb, Edgar ...
" by
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His co ...
* "Sugar Foot Stomp" by
Fletcher Henderson and
Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His co ...
* "Tonight Be Tender To Me", written by
Gloria Parker
Gloria Parker (née Rosenthal; August 20, 1921April 13, 2022) was an American musician and bandleader who had a radio show during the big band era. ''The Gloria Parker Show'' was broadcast nightly from 1950 to 1957, coast to coast on WABC. She ...
; recorded by
Una Mae Carlisle
Una Mae Carlisle (December 26, 1915 – November 7, 1956) was an American jazz singer, pianist, and songwriter.
Early life
Carlisle was born in Zanesville, Ohio, the daughter of Edward and Mellie Carlisle. She was of African and Native American ...
* "
Tuxedo Junction
"Tuxedo Junction" is a popular song written by Erskine Hawkins, Bill Johnson, and Julian Dash with lyrics by Buddy Feyne. The song was introduced by Erskine Hawkins & His Orchestra, a college dance band previously known as the Bama State Collegi ...
" by Erskine Hawkins
* "
Two O'Clock Jump" by
Harry James
Harry Haag James (March 15, 1916 – July 5, 1983) was an American musician who is best known as a trumpet-playing band leader who led a big band from 1939 to 1946. He broke up his band for a short period in 1947 but shortly after he reorganized ...
* "Where, I Wonder, Where?" and "What Would Happen To Me If Something Happened To You?" by
Isham Jones, and
Three X Sisters
The Three X Sisters were an American all-girl harmony singing trio initially known as The Hamilton Sisters and Fordyce. They were on stage singing together in New York City, on Broadway, as early as 1922 and formed their trio in 1924, which was com ...
(vocalists)
References
{{DEFAULTSORT:Swing Era
Swing music