Yol Aularong
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Yol Aularong
Yol Aularong ( km, យស អូឡារាំង ; also romanized as Yos Olarang) was a Cambodian garage rock musician, and a leading figure in that country's rock scene of the 1960s and 70s. He is presumed to have been killed during the Cambodian genocide that took place under the Khmer Rouge between 1975 and 1979. Biography Yol Aularong was from a family of notable Cambodian musicians: singers Sieng Vanthy and Sieng Dy (aka Sieng Di) were his aunts, and classical violinist/composer Has Salan was his uncle. His father was a member of Cambodia's diplomatic corps and he spent some of his childhood in France. Embarking on a music career, he stood out from the typical Cambodian pop music of the time by focusing on self-expression and social commentary. His public persona was that of a "bad boy" who flirted, sang sarcastic songs about everyday life, and claimed not to care about money or fame. ''The Guardian'' called him "a certifiable maniac" and ''The New York Times'' describe ...
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Don't Think I've Forgotten
''Don't Think I've Forgotten: Cambodia’s Lost Rock and Roll'' is a 2014 documentary film, directed by John Pirozzi, about Cambodian rock music in the 1960s and 1970s, before the Khmer Rouge regime and Cambodian genocide. Production The idea for the film began when American filmmaker John Pirozzi was in Cambodia filming '' City of Ghosts''. He was given a copy of the album ''Cambodian Rocks'', a collection of untitled and uncredited music by artists presumed killed under the Khmer Rouge, and began researching the stories of the artists. Cambodian-born artist and sociology professor Linda Saphan acted as associate producer and lead researcher for the film. The film includes profiles of influential performers like Sinn Sisamouth, Ros Serey Sothea, Pen Ran, Baksey Cham Krong, Liev Tuk, Huoy Meas, Yol Aularong, Meas Samon, Pou Vannary, and several others (including Pen Ram, Pen Ran's sister), most of whom perished during the Khmer Rouge genocide, plus interviews with surviving ...
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LinDa Saphan
Linda Saphan (born 1975) is a Cambodian artist and social anthropologist. Born in Phnom Penh, she grew up in Canada and graduated in France. She has supported women artists from Cambodia, co-organizing the first Visual Arts Open festival celebrating Cambodian artists in 2005. Her recent art work had included textiles and embroidery. As an academic, she is currently Assistant Professor of Sociology at Paris Nanterre University. Biography Born in Phnom Penh in 1975, she and her mother fled to Canada in 1982 in order to escape the Khmer Rouge. Brought up in Montreal, she was made to feel an outsider as the only Asian and Protestant student in the high school she attended. In 2005, together with Sopheap Pich and Erin Gleeson, Saphan organized the Visual Arts Open festival and art exhibition at the New Art Gallery in Phnom Penh, presenting 19 contemporary artists. The exhibition was considered to represent an important turning point in the recent history of Cambodian art. It presented ...
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Sinn Sisamouth
Sinn Sisamouth; (c. 1932 – c. 1976) was a Cambodian singer-songwriter active from the 1950s to the 1970s. Widely considered the "King of Khmer Music", Sisamouth, along with Ros Serey Sothea, Pen Ran, Mao Sareth, and other Cambodian artists, was part of a thriving pop music scene in Phnom Penh that blended elements of Khmer traditional music with the sounds of rhythm and blues and rock and roll to develop a Cambodian rock sound. Sisamouth died during the Khmer Rouge regime under circumstances that are unclear. Biography Early life Sinn Sisamouth was born in Stung Treng Province, the son of Sinn Leang and mother Seb Bunlei. One or both of Sisamouth's parents were partially Lao.John Pirozzi and LinDa Saphan, liner notes, ''Don't Think I've Forgotten'', soundtrack, 2015.Jeff Cole, liner notes, ''Cambodia Rock Spectacular!'', 2011. Most sources list his year of birth as 1935, though some list 1932 or 1933. Sisamouth's father was a soldier during the Colonial Cambodia perio ...
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Music Of Cambodia
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement ...
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Off-Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ...
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Lauren Yee
Lauren Yee ( zh, 余秀菊) is an American playwright. Early life and education Yee was born and raised in San Francisco, California. She graduated from Lowell High School in 2003. Yee graduated from Yale University in 2007, majoring in English and Theatre Arts. She then attended University of California, San Diego's MFA playwriting program. Among Yee's biggest influences are her great-grandparents who migrated to America from China during the era when the Chinese Exclusion Act was in effect. To circumnavigate this they would migrate through Mexico across the Southern border to America and up to San Francisco. In addition, her father, Larry, inspired her to write two plays, these being "The Great Leap," and "King of the Yees." Both of these plays draw directly from her Chinese American History. Career Yee is a member of the Ma-Yi Writers’ Lab and a Playwrights’ Center Core Writer and has worked under commission from the Goodman Theatre, Lincoln Center, and Mixed Blood ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Gloria (Them Song)
"Gloria" is a rock song written by Northern Irish singer-songwriter Van Morrison, and originally recorded by Morrison's band Them in 1964. It was released as the B-side of "Baby, Please Don't Go". The song became a garage rock staple and a part of many rock bands' repertoires. Composition and recording According to Morrison, he wrote "Gloria" while performing with the Monarchs in Germany in the summer of 1963, at just about the time he turned 18 years old. He started to perform it at the Maritime Hotel when he returned to Belfast and joined up with the Gamblers to form the band Them. He would ad-lib lyrics as he performed, sometimes stretching the song to 15 or 20 minutes. After signing a contract with Dick Rowe and Decca, Them went to London for a recording session at Decca Three Studios in West Hampstead on 5 April 1964; "Gloria" was one of the seven songs recorded that day. Besides Morrison, present were Billy Harrison on guitar, Alan Henderson on bass guitar, Ronnie Millings ...
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Them (band)
Them were a rock group formed in Belfast, Northern Ireland, in April 1964, most prominently known for the rock standard "Gloria (Them song), Gloria" and launching singer Van Morrison's musical career. The original five-member band consisted of Morrison, Alan Henderson, Ronnie Milling, Billy Harrison and Eric Wrixon. Them scored two UK hits in 1965 with "Baby, Please Don't Go" (UK No. 10) and "Here Comes the Night" (UK No. 2; Ireland No. 2). The latter song and "Mystic Eyes" were top 40 hits in the US. Morrison quit the band in 1966 and went on to a successful career as a solo artist. Despite their relatively few hit singles, the Belfast group had considerable influence on other bands, such as the Doors. The band's 1964 recording of "Gloria (Them song), Gloria" was inducted into the Grammy Hall of Fame in 1999. It was rated at No.69 on Dave Marsh's 1989 book, ''The Heart of Rock and Soul, The 1001 Greatest Singles Ever'' and "Mystic Eyes" was rated at No.458. "Gloria" was liste ...
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Cover Song
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a copy o ...
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Romvong
''Romvong'' ( km, រាំវង់, also romanized as ''Rom Vong'' or ''Roam Vong''), ''Lamvong'' ( Lao: ລຳວົງ - lám wóŋ) or ''Ramwong'' ( th, รำวง; ; Tai Lue: ᩃ᪁ ᩴᩅ ᩫ ᩬ, ), ''Rambung'' ( ms, رمبوڠ, vi, lăm-vông) is a type of Southeast Asian dance where both females and males dance in a circle. It is a popular folk-dance in Xishuangbanna ( China), Cambodia, Laos, Malaysia and Thailand. It is a slow round dance continuously moving in a circular manner, and incorporates graceful hand movements and simple footwork. Both men and women participate in the same circle. The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominate Khmer, Lao, Malay and Thai cultures, romvong is also common among many other groups indigenous to Southeast Asia. In Cambodia, for example, Ramvong dance is also ...
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Surf Rock
Surf music (or surf rock, surf pop, or surf guitar) is a Music genre, genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern music, Middle Eastern and Mexican music, Mexican influences, a spring reverb, and rapid alternate guitar picking, picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and ...
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