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Yike
''Yike'' ( km, យីកេ, pronounced ) is a prominent form of Cambodian musical theater, along with Bassac theater and Niyeai. "Lakhon Yike" (Khmer:ល្ខោន យីកេ, literally Yike theater) incorporates singing and dancing and "an ensemble of both traditional and modern instruments." ''Yike'' is believed to originate from Champa, and was imported to Cambodia in the Funan period. ''Yike'' is performed in nearly every province of Cambodia and by the Khmer Krom communities in southern Vietnam. The Khmer Krom use the term ''yike'', similar to the rest of the Khmer communities, and the term, ''yuke'', which is used to refer to the dance theatre also known as Lakhon Bassac. Performances Performances of the ''yike'' are often commenced with a dance performance called ''robam yike hom rong,'' which is used for invocation. For most of the performance, a dancing style similar to '' rom kbach'' is lightly incorporated. The stories are often of various Jatakas or tales ...
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Skor Yike
The skor yike (Khmer: ស្គរយីកេ) is a family of Cambodian frame drums used in Yike theater. There are as many as 13 different sizes, including the largest, the skor mei (approximately 2 feet across, 25 centimeters/9 inches deep). In the Yike drama, the skor mei starts and ends the music. In a Yike play, there may be from 2 to 13 drums. The largest skor mei drum begins, all perform, and then the instruments fall away until only the skor mei is still playing. See also *Music of Cambodia The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid We ... References External linksPhoto of a large skor yike.Video, first few minutes of Lakon Yike (Yike Opera). Music and Yike drums start at 50 seconds. Hand drums Cambodian musical instruments {{Membranophone-instrument- ...
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Jikey
''Jikey'' or ''Yikey'' ( Yawi: ; km, យីកេ, ; th, ลิเก, likey, ) is a form of traditional religious dance originated from India and commonly practiced by communities in several Southeast Asian countries such as Cambodia, Malaysia, Thailand, and Vietnam. Specifically, there are two major types of ''Jikey'' in Thailand, the one in central region tend to have more Buddhist characteristic adopted its original Indian form, meanwhile in the southern region it bear more Islamic characteristic as it is heavily influenced by the Persian and Arabs-derived culture which characterized by the usage of Middle Eastern musical instruments such as the tambourine, etc. Since 2015, Cambodia has submitted ''Jikey'' (យីកេ) as one of its Intangible Cultural Heritages to the UNESCO (United Nations Educational, Scientific and Cultural Organization). Performance The main elements of Jikey are improvised dialogue, music and dance, and local legends formed the main repertoir ...
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Dance Of Cambodia
Dance in Cambodia ( km, របាំ ''robam'') consists of three main categories: classical dance of the royal court, folk dance which portrays cultural traditions, and social dances performed in social gatherings. Classical dance Cambodia's premier performing art form is Khmer classical dance, or ''Robam Preah Reach Trop'', a highly stylized dance form originating from the royal courts. Originally performed and maintained by attendants of the royal palaces, Khmer classical dance was introduced to the general public in the mid-20th century and became widely celebrated as iconic of Cambodian culture, often performed during public events, holidays, and for tourists visiting Cambodia. Performances feature elaborately costumed dancers performing slow and figurative gestures to the musical accompaniment of a pinpeat ensemble. The classical repertoire includes dances of tribute or invocation and the enactment of traditional stories and epic poems such as the ''Ramayana''. Two ...
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Theatre Of Cambodia
Theatre of Cambodia known as ''Lakhon'' ( km, ល្ខោន) is composed of many different genres. There are three main categories: classical, folk, and modern. Many forms of theatre in Cambodia incorporates dance movement into performances and are referred to as dance dramas. Classical *''Lakhon Preah Reach Trop'' ( km, ល្ខោនព្រះរាជទ្រព្យ, also known as the ''Royal Ballet of Cambodia'') is the main form of classical dance drama performed in Cambodia. It is also referred to as ''Lakhon luong'' and ''Lakhon Kbach Boran Khmer'' in Cambodia. This dance drama is the most refined of all theatre in Cambodia and was particularly patronized by royalty. It is heavily stylized with gestures and postures meant to entrance the viewer. *''Lakhon Khol'' ( km, ល្ខោនខោល, ''Masked Drama Dance'') is a ''masked dance drama'' featuring male performers. The repertoire consists solely of material from Reamker. The choreography is styled similarly ...
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Champa
Champa (Cham: ꨌꩌꨛꨩ; km, ចាម្ប៉ា; vi, Chiêm Thành or ) were a collection of independent Cham polities that extended across the coast of what is contemporary central and southern Vietnam from approximately the 2nd century AD until 1832, when it was annexed by the Vietnamese Empire under its emperor Minh Mạng. The kingdom was known variously as ''Nagaracampa'' ( sa, नगरचम्पः), ''Champa'' (ꨌꩌꨛꨩ) in modern Cham, and ''Châmpa'' () in the Khmer inscriptions, ''Chiêm Thành'' in Vietnamese and ''Zhànchéng'' (Mandarin: 占城) in Chinese records. The Kingdoms of Champa and the Chams contribute profound and direct impacts to the history of Vietnam, Southeast Asia, as well as their present day. Early Champa, evolved from local seafaring Austronesian Chamic Sa Huỳnh culture off the coast of modern-day Vietnam. The emergence of Champa at the late 2nd century AD shows testimony of early Southeast Asian statecrafting and crucial ...
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Funan
Funan (; km, ហ៊្វូណន, ; vi, Phù Nam, Chữ Hán: ) was the name given by Chinese cartographers, geographers and writers to an ancient Indianized state—or, rather a loose network of states ''(Mandala)''—located in mainland Southeast Asia centered on the Mekong Delta that existed from the first to sixth century CE. The name is found in Chinese historical texts describing the kingdom, and the most extensive descriptions are largely based on the report of two Chinese diplomats, Kang Tai and Zhu Ying, representing the Eastern Wu dynasty who sojourned in Funan in the mid-3rd century CE.Higham, C., 2001, The Civilization of Angkor, London: Weidenfeld & Nicolson, Funan is known in the modern languages of the region as ''Vnum'' (Old Khmer: ), Nokor Phnom ( km, នគរភ្នំ, , ), ( th, ฟูนาน), and (Vietnamese). However, the name ''Funan'' is not found in any texts of local origin from the period, and it is not known what name the people o ...
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Khmer Krom
The ''Khmer Krom'' ( km, ជនជាតិខ្មែរក្រោម, , , lit. 'Lower Khmers' or 'Southern Khmers'; vi, người Khơ-me Crộm, người Khmer Nam Bộ, người Khmer Việt Nam, người Việt gốc Miên (used before 1975)) are ethnically Khmer people living in or from the region of Tây Nam Bộ, the south western part of Vietnam. In Vietnam, they are recognized as one of Vietnam's fifty-three ethnic minorities: vi, Người Khmer and (both literally meaning 'Khmer People'). In Khmer, ''Krom'' (, ) means 'low' or 'below'. It is added to differentiate from the Khmers in Cambodia. Most ''Khmer Krom'' live in ''Tây Nam Bộ'', the southern lowland region of historical Cambodia covering an area of around modern day Ho Chi Minh City and the Mekong Delta, which used to be the southeasternmost territory of the Khmer Empire until its incorporation into Vietnam under the Nguyễn lords in the early 18th century. This marks the final stage of the Vietname ...
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Invocation
An invocation (from the Latin verb ''invocare'' "to call on, invoke, to give") may take the form of: *Supplication, prayer or spell. *A form of possession. *Command or conjuration. *Self-identification with certain spirits. These forms are described below, but are not mutually exclusive. See also Theurgy. Supplication or prayer As a supplication or prayer, an invocation implies calling upon God, a god, goddess, or person. When a person calls upon God, a god, or goddess to ask for something (protection, a favour, or his/her spiritual presence in a ceremony) or simply for worship, this can be done in a pre-established form or with the invoker's own words or actions. An example of a pre-established text for an invocation is the Lord's Prayer. All religions in general use invoking prayers, liturgies, or hymns; see for example the mantras in Hinduism and Buddhism, the Egyptian ''Coming Out by Day'' (aka ''Book of the Dead''), the Orphic Hymns and the many texts, still prese ...
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Jatakas
The Jātakas (meaning "Birth Story", "related to a birth") are a voluminous body of literature native to India which mainly concern the previous births of Gautama Buddha in both human and animal form. According to Peter Skilling, this genre is "one of the oldest classes of Buddhist literature."Skilling, Peter (2010). ''Buddhism and Buddhist Literature of South-East Asia,'' pp. 161-162. Some of these works are also considered great works of literature in their own right. In these stories, the future Buddha may appear as a king, an Caste system in India, outcast, a Deva (Buddhism), deva, an animal—but, in whatever form, he exhibits some virtue that the tale thereby inculcates. Often, Jātaka tales include an extensive cast of characters who interact and get into various kinds of trouble - whereupon the Buddha character intervenes to resolve all the problems and bring about a happy ending. The Jātaka genre is based on the idea that the Buddha was able to recollect all his past ...
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Gautama Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana, that is, freedom from ignorance, craving, rebirth, and suffering. His teachings are summarized in the Noble Eightfold Path, a training of the mind that includes meditation and instruction in Buddhist ethics such as right effort, mindfulness, and '' jhana''. He di ...
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