Yataibayashi
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Yataibayashi
is a traditional taiko piece inspired by an annual festival in Chichibu, Japan. The piece been performed by many taiko ensembles, and became well-known through dramatic variations of the piece developed by Ondekoza and Kodo. ''Yatai-bayashi'' has been recognized as a piece that requires great physical endurance. History ''Yatai-bayashi'' actually began as a somewhat different piece called , which is intended for a festival performance, rather than a stage performance. ''Chichibu Yatai-bayashi'' is normally played during a festival in Chichibu, Japan that occurs annually from December 3–4. More recently however, this particular arrangement has also been adopted for local performances on stage. In 1972, members of the taiko group Ondekoza spent only one week in Chichibu in order to learn the piece from festival participants and adapt it for their future performances. In addition to the short time they had to learn the piece, there was difficulty in how folk music of this ...
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Decrescendo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ...
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Percussion Performance Techniques
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbal ...
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Japanese Traditional Music
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Round (music)
A round (also called a perpetual canon 'canon perpetuus''or infinite canon) is a musical composition, a limited type of canon, in which a minimum of three voices sing exactly the same melody at the unison (and may continue repeating it indefinitely), but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all parts, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th century Europe. One characteristic of rounds is that, "There is no fixed ending," in the sense that they may be repeated as many times as possible, although many do have "fixed" endings, often indicated by a fermata. "Row, Row, Row Your Boat" is a well-known children's round f ...
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Kane (musical Instrument)
The is a type of dish-shaped bell from Japan. The is often found in traditional Japanese music or Min'yō. Although sometimes suspended from a bar, it is more common for a musician to hold the bell in place with one hand beat it with the other using a special mallet, often made from bone. The ''kane'' makes three distinct sounds: ''chon'' - hitting the middle; ''chi'' - hitting the inside edge; and ''ki'' - reversing the stroke. This kind of onomatopoeic mnemonic or ''shouga'' is common in Japanese music. There are several sizes of ''kane'', such as the ''atarigane'' or the ''surigane''. ''Kane'' are also used in Buddhist or Shinto ceremonies. In temples, they may be used to signify time or alert people to certain events. See also *Bonshō , also known as or are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer and to demarcate periods of time. Rather than containing a clapper, are struck from the outside, using either a hand ...
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Taiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ce ...
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Shime-daiko
The is a small Japanese drum. It has a short but wide body with animal skin drumheads on both its upper and bottom sides. The hide is first stretched on metal hops, then stretched over the body. Similar to the tsuzumi and to African talking drums, both drum heads are bound together with cords so that the drum heads are bound by each other. Like the larger taiko drums, the shime-daiko is played with sticks called "bachi," while it's suspended on a stand. Being very taut, the shime-daiko has a higher pitch than that of normal taiko. Shime-daiko are used in various Japanese music ensembles, from nagauta, hayashi, taiko, to folk music, or min'yō , ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work ... ensembles. Etymology The word "shime-daiko" comes from a larger word "tsukeshime- ...
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Crescendo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ...
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Eitetsu Hayashi
(born February 2, 1952) is an acclaimed Japanese musician best known for his solo performance work in taiko. Hayashi joined the group Ondekoza at an early age. Later, after parting from group, helped found the taiko group Kodo, though he quickly left to begin a solo career. Hayashi has performed in notable venues such as Carnegie Hall in 1984 and was the first featured taiko performer at the institution. He is also the recipient of multiple awards recognizing the cultural value of his work. History Early life Hayashi was born on 2 February 1952 in a mountainous town called Tōjō in Hiroshima Prefecture and grew up in a Buddhist temple, where his father was a monk in the local Shingon sect. Hayashi was the youngest of eight children. Hayashi reported that in his youth, he listened to The Beatles and was playing drums in a western-style band. He also wanted to be a graphic designer, but gave up on these aspirations upon not being accepted to the Tokyo Arts University. Ondekoza ...
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Kodo - Yatai1
__NOTOC__ Kodo may refer to: Japan * ''Kōdō'' (香道), ceremonial appreciation of incense * Nippon Kodo (日本香堂), an incense company * Kodō (taiko group) (鼓童), a ''taiko'' drumming group * Kodo-kai (弘道会), a yakuza criminal organization * The ''imperial way'' (皇道), a propaganda concept related to hakkō ichiu * Imperial Way Faction (''Kōdō-ha'' 皇道派), a totalitarian faction within the Imperial Japanese Army * ''Kumano Kodō'' (熊野古道), a series of pilgrimage routes People * Kodo Nishimura (西村 宏堂), Buddhist monk and makeup artist * Kodō Nomura (野村 胡堂), novelist and music critic * Kōdō Sawaki (沢木 興道), Sōtō Zen teacher * Junya Kodo (鼓童 淳也), mixed martial artist * Kokuten Kōdō (高堂 国典), actor Other * ''Paspalum scrobiculatum'', a type of millet grown primarily in Nepal * ''Eleusine coracana'', or finger millet, grown across Africa and Asia * Kodo, Iran, a village in Fars Province, Iran See also * Kōdo ...
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ...
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