Shime-daiko
The is a small Japanese drum. It has a short but wide body with animal skin drumheads on both its upper and bottom sides. The hide is first stretched on metal hops, then stretched over the body. Similar to the tsuzumi and to African talking drums, both drum heads are bound together with cords so that the drum heads are bound by each other. Like the larger taiko drums, the shime-daiko is played with sticks called "bachi," while it's suspended on a stand. Being very taut, the shime-daiko has a higher pitch than that of normal taiko. Shime-daiko are used in various Japanese music ensembles, from nagauta, hayashi, taiko, to folk music, or min'yō , ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work ... ensembles. Etymology The word "shime-daiko" comes from a larger word "tsukeshime- ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Taiko
are a broad range of Japanese percussion instruments. In Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from communication, military action, theatrical accompaniment, religious ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shime Daiko Drum - Shime Taiko Trommel
is a town located in Kasuya District, Fukuoka Prefecture, Japan. As of April 1, 2017, the town has an estimated population of 45,307 and a density of 5,200 persons per km2. The total area is 8.70 km2. Although the town still has a railway station the line is no longer used, but has been converted into a cycle path A bike path is a bikeway separated from motorized traffic and dedicated to cycling or shared with pedestrians or other non-motorized users. In the US a bike path sometimes encompasses ''shared use paths'', "multi-use path", or "Class III bikewa .../ footpath. References External links *Shime official website Towns in Fukuoka Prefecture {{Fukuoka-geo-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tsuzumi
The or ''tsuzumi'' is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the pitch of the drum while playing, not unlike the African talking drum and the Indian Dhadd. There are two basic techniques when playing a tsuzumi; holding the cords slack and hitting the drumhead on the very center, or squeezing the cords and hitting the drumhead closer to where it meets the wooden body. The former produces softer ''pon'' and ''pu'' sounds, whereas the latter produces higher-pitched ''ta'' and ''chi'' sounds. Because the practice of hitting a drumhead on the very center may result in hindering the sound by causing vibration radiating on two opposite sides of the drumhead to cancel out with each other, the tsuzumi is tuned with tiny leather patches applied on th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bachi
''Bachi'' (, ; also ''batchi'') are straight, wooden sticks used on Japanese taiko drums, and also the plectrum (written ) for stringed instruments of Japanese origin such as the shamisen and ''biwa''. For percussion Drum bachi (, ) are made in a wide variety of sizes and materials, as appropriate to the drum it will be used to play. A typical bachi is about 22 mm (7/8 inches) in diameter, 400 mm (16 inches) long and made out of a hardwood such as oak. These would be suitable for a wide variety of playing styles. A bachi for playing a larger drum like the O-daiko would be bigger both in circumference and length. Similarly, smaller bachi are used for smaller drums. Distinctions between the characters and are not always made in technical terms, but can also literally refer to the white oak tree, or Quercus. Some other woods commonly used to make bachi are (Japanese names in parentheses): , , , , and . Magnolia is one of the lightest and softest woods, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nagauta
is a kind of traditional Japanese music played on the and used in kabuki theater, primarily to accompany dance and to provide reflective interludes. History It is uncertain when the was first integrated into kabuki, but it was sometime during the 17th century; Malm argues that it was probably before 1650. The first reference to as music appears in the second volume of (1703). However, there is no musical notation in this collection, meaning that it is only possible to make observations about lyrics, which tend to be longer than other texts. By the 18th century, the had become an established instrument in kabuki, when the basic forms and classifications of crystallized as a combination of different styles stemming from the music popular during the Edo period. is considered a subset of . Many of the "classic" repertoire was composed in the 19th century, which is the time of the best-known composers as well. Many pieces are based on Noh theater, partly due to the n ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hayashi (music)
A is a group of performers who provide musical accompaniment for Japanese ''Nō'' or ''kabuki'' theatre, ''yose'' () performances of '' rakugo'', or a festival. In ''Nō'', the ''hayashi'' sit along the rear of the stage, facing the audience and fully visible. A distinct and separate group of performers from the chorus, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small ''taiko'', set on a stand before him, with two drumsticks. To his right is the ''ōtsuzumi'' hip drum, followed by the ''kotsuzumi'' shoulder drum, and the Noh flute (''nōkan'' or simply '' fue''). In ''kabuki'', a number of shamisen players are added, along with, depending on the play, ''taiko'' drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. The kabuki ''hayashi'' is generally located in a small room just off-stage, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Min'yō
, ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work or for specific jobs. Other ''min'yō'' function simply as entertainment, as dance accompaniment, or as a components of religious rituals. ''Min'yō'' are also distinct depending on the area of Japan, with each area boasting its own favorite songs and styles. The songs found in the far northern island of Hokkaidō and sung by the Ainu people are usually excluded from the category of min'yō. In the far south, (especially Okinawa) distinct genres of min'yō, differing in scale structure, language and textual forms, have developed as well. Instruments Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically). Some songs exhibit the same sort of "call and response" chant often ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Membranophones
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Sachs, material, shape, skin(s), skin fastening, playing positions, and manner of playing. Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Me ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |