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Yan Wenliang
Yan Wenliang (; 20 July 1893 – 1 May 1988) was a Chinese painter and educator, who is regarded as one of the fathers of Chinese oil painting and an important art educator of his time. Born in Suzhou, Jiangsu province, Yan began studying painting in 1909, founded the Suzhou Art Academy along with Zhu Shijie in 1922 and went to Paris in 1929, enrolling in the L'Ecole Superieure Nationale des Beaux Arts, making him, along with Xu Beihong and Sanyu, one of the earliest Chinese artists to study abroad in France. He was one of the four pioneers of Chinese modern art who earned the title of " The Four Great Academy Presidents". Career Early life Yan Wenliang founded the Suzhou Art Academy with his friend Zhu Shijie in 1922. Yan studied painting in Paris between 1929 and 1931, alongside other Chinese painters such as Fang Ganmin, his travels coinciding with those of Liu Haisu, and painted in the Impressionist style. While in Europe, Yan assembled a collection of plaster casts of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shanghai
Shanghai (; , , Standard Mandarin pronunciation: ) is one of the four direct-administered municipalities of the People's Republic of China (PRC). The city is located on the southern estuary of the Yangtze River, with the Huangpu River flowing through it. With a population of 24.89 million as of 2021, Shanghai is the most populous urban area in China with 39,300,000 inhabitants living in the Shanghai metropolitan area, the second most populous city proper in the world (after Chongqing) and the only city in East Asia with a GDP greater than its corresponding capital. Shanghai ranks second among the administrative divisions of Mainland China in human development index (after Beijing). As of 2018, the Greater Shanghai metropolitan area was estimated to produce a gross metropolitan product (nominal) of nearly 9.1 trillion RMB ($1.33 trillion), exceeding that of Mexico with GDP of $1.22 trillion, the 15th largest in the world. Shanghai is one of the world's major centers for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Painting
The history of Western painting represents a continuous, though disrupted, tradition from antiquity until the present time. Until the mid-19th century it was primarily concerned with representational and Classical modes of production, after which time more modern, abstract and conceptual forms gained favor. Initially serving imperial, private, civic, and religious patronage, Western painting later found audiences in the aristocracy and the middle class. From the Middle Ages through the Renaissance painters worked for the church and a wealthy aristocracy. Beginning with the Baroque era artists received private commissions from a more educated and prosperous middle class. The idea of "art for art's sake" began to find expression in the work of the Romantic painters like Francisco de Goya, John Constable, and J. M. W. Turner. During the 19th century commercial galleries became established and continued to provide patronage in the 20th century. Western painting reached its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pang Xunqin
Pang Xunqin (Chinese: 庞薰琹; June 20, 1906 – March 18, 1985) was a Chinese painter and teacher who, after studying in Paris, moved back to China and gave "traditional decoration art a modern context." Pang was also a co-founding member of the Storm Society, which aimed to bring a Parisian-style art world to China. He was greatly inspired by the French Art Nouveau movement. Early life Pang was born in Jiangsu to a landlord family. Demonstrating an inclination towards color and design at a young age, he started learning about the traditional Chinese painting of flowers at eleven. He studied medicine in Shanghai from 1921 to 1924 after being told by a foreign priest that the Chinese could never become great artists.Peng, Lü (2009). ''A history of art in 20th-Century China''. Milano: Charta. pp. 302–306. . . In September 1925, Pang moved to Paris to study oil painting at the Académie Julian at the age of 19, following fellow patriots such as Xu Beihong. At the time, Paris w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lin Fengmian
Lin Fengmian (; November 22, 1900 – August 12, 1991), originally Lin Fengming (), was a Chinese painter and is considered a pioneer of modern Chinese painting for blending Chinese and Western styles, he was one of the earliest Chinese painters to study in Europe. He was also an important innovator in the area of Chinese art education. He was one of the pioneers of Chinese modern art, who earned the title of " The Four Great Academy Presidents". Biography Born in Ge Gong Ling village which is located in Meijiang District, Xiyang Baigong Township, in the suburbs of today's Meizhou municipality in Guangdong province, China. His father was a painter and Lin displayed an early fascination for arts and excelled at it. As part of the young Chinese elite, Lin participated in the Diligent Work-Frugal Study Program and went to France. He travelled to Paris with Chinese architect Liu Jipiao and artist Lin Wenzheng and he connected with Chinese artists living in Paris, such as Xu Beihong. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Art Museum Of China
The National Art Museum of China (NAMOC, ) is located at 1 Wusi Ave, Dongcheng District, Beijing, People's Republic of China. It is one of the largest art museums in China, and is funded by the Ministry of Culture. The construction of the museum started in 1958, and concluded in 1962. It has a total land area of . The museum was renovated between May 2004 and January 2005, and has been given an additional area of . Collection Its permanent collection includes both ancient and contemporary Chinese artworks as well as notable Western artworks. Although the museum contains collection of imperial Chinese art, its main mission is to serve as a national level art museum dedicated to displaying, collecting and researching the modern and contemporary artistic works of China. It has a main building of four stories, the first three being display areas. There are 21 exhibition halls at the museum. Its collections are divided into specific categories of: *traditional Chinese painting, *o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Revolution
The Cultural Revolution, formally known as the Great Proletarian Cultural Revolution, was a sociopolitical movement in the People's Republic of China (PRC) launched by Mao Zedong in 1966, and lasting until his death in 1976. Its stated goal was to preserve Chinese communism by purging remnants of capitalist and traditional elements from Chinese society. The Revolution marked the effective commanding return of Mao –who was still the Chairman of the Chinese Communist Party (CCP)– to the centre of power, after a period of self-abstention and ceding to less radical leadership in the aftermath of the Mao-led Great Leap Forward debacle and the Great Chinese Famine (1959–1961). The Revolution failed to achieve its main goals. Launching the movement in May 1966 with the help of the Cultural Revolution Group, Mao charged that bourgeois elements had infiltrated the government and society with the aim of restoring capitalism. Mao called on young people to "bombard the headqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Guards
Red Guards () were a mass student-led paramilitary social movement mobilized and guided by Chairman Mao Zedong in 1966 through 1967, during the first phase of the Cultural Revolution, which he had instituted.Teiwes According to a Red Guard leader, the movement's aims were as follows: Despite being met with resistance early on, the Red Guards received personal support from Mao, and the movement rapidly grew. The movement in Beijing culminated during the "Red August" of 1966, which later spread to other areas in mainland China. Mao made use of the group as propaganda and to accomplish goals such as seizing power and destroying symbols of China's pre-communist past ("Four Olds"), including ancient artifacts and gravesites of notable Chinese figures. Moreover, the government was very permissive of the Red Guards, and even allowed the Red Guards to inflict bodily harm on people viewed as dissidents. The movement quickly grew out of control, frequently coming into conflict with aut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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