Yajin
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Yajin
Yajin (), also known as shijian er (), is a type of Chinese accessory which is placed at the lapels of Chinese clothing (robes and jackets); they would typically hanged down on the right side (sometimes at the front depending on the clothing closure) of the chest area in order to press on the clothing. The yajin appeared as early as the Tang dynasty and became popular in the Ming and Qing dynasties. There are various styles of yajin, including a dangling pendant-style (which is similar to jinbu or tassels in style) and a bracelet-style, known as (). Yajin can also be used as accessories on the cheongsam, where it is tied on the pankou knots. Construction and design Pendant-style yajin The pendant-style yajin may consist of string of beads, metal chains, and pendants (including precious stones, yupei-like materials, or metal filigree) which comes in various shapes such as flowers, animals, and auspicious motifs/ themes/ Chinese characters. It may also include tassels ...
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Yupei
Yupei () is a generic term for jade pendants. Yupei were popular even before Confucius was born. Jade culture is an important component of Chinese culture, reflecting both the material and spiritual culture. Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; it is also associated with positive qualities and aspects such as purity, excellence, and harmony.Jade is even more valued than gold in Chinese culture. The history of the art of jade carving in China to make ornaments, including dress ornaments, extends back to before 5000 BC. Ancient Chinese held even greater importance to ''yupei'' after it was regarded as a moral integrity by Confucius. Yupei could be used as belt or waist ornaments (such as ''jinbu'' 禁步) and as necklaces which appeared as early as the Liangzhu culture. Strings of jade pendant are also used to decorate headwear, such as the mianguan. Terminology Yupei () is composed of the Chinese character ''yu'' () which l ...
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Yupei
Yupei () is a generic term for jade pendants. Yupei were popular even before Confucius was born. Jade culture is an important component of Chinese culture, reflecting both the material and spiritual culture. Jade is deeply ingrained in Chinese culture and played a role in every aspect of social life; it is also associated with positive qualities and aspects such as purity, excellence, and harmony.Jade is even more valued than gold in Chinese culture. The history of the art of jade carving in China to make ornaments, including dress ornaments, extends back to before 5000 BC. Ancient Chinese held even greater importance to ''yupei'' after it was regarded as a moral integrity by Confucius. Yupei could be used as belt or waist ornaments (such as ''jinbu'' 禁步) and as necklaces which appeared as early as the Liangzhu culture. Strings of jade pendant are also used to decorate headwear, such as the mianguan. Terminology Yupei () is composed of the Chinese character ''yu'' () which l ...
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Qizhuang
(), also known as () and commonly referred as Manchu clothing in English, is the traditional clothing of the Manchu people. in the broad sense refers to the clothing system of the Manchu people, which includes their whole system of attire used for different occasions with varying degrees of formality. The term can also be used to refer to a type of informal dress worn by Manchu women known as , which is a one-piece long robe with no slits on either sides. In the Manchu tradition, the outerwear of both men and women includes a full-length robe with a jacket or a vest while short coats and trousers are worn as inner garments. The Manchu people have a history of about 400 years; however, their ancestors have a history of 4000 years. The development of , including the precursor of the cheongsam, is closely related to the development and the changes of the Manchu Nationality (and their ancestors) throughout centuries, potentially including the Yilou, Yilou people in the Warring St ...
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Norigae
() is a typical, traditional Korean accessory used in , which can be hung on (coat strings) of a woman's or on her . The functions as a decorative pendant and is both a good-luck charm hoped to bring something such as eternal youth, wealth or many sons (depending on its shape), as well as a fashion accessory. Usually, the ' from the parents' or in-laws' home was passed down to descendants. Terminology The word ' originally referred to “pretty and playful objects” or "favourite trinkets" signifying women's liking for the tassel charm regardless of social ranks. History Origins The exact origins of the is unknown, but the current knotting tassel known as ' can be traced back to the Joseon dynasty and was item worn exclusive to the Joseon. It is also difficult to pinpoint the exact time when the ' started to be widely used. Some sources state that the ' might have been a protective emblem called ' used in primitive shamanism and was worn initially worn by child ...
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Empress Dowager Ci'an
Empress Xiaozhenxian (12 August 1837 – 8 April 1881), of the Manchu Bordered Yellow Banner Niohuru clan, was a posthumous name bestowed to the wife and empress consort of Yizhu, the Xianfeng Emperor. She was Empress consort of Qing from 1852 until her husband's death in 1861, after which she was honoured as Empress Dowager Ci'an. As empress dowager and one of the most senior member of imperial family, she and Empress Dowager Cixi became co-regents during the reign of two young emperors: Zaichun, the Tongzhi Emperor and later Zaitian, the Guangxu Emperor. Although in principle, she had precedence over Cixi, Ci'an was in fact a self-effacing person and seldom intervened in politics, but she was the decision-maker in most family affairs. Instead, Empress Dowager Cixi was the decision-maker in most state affairs. A popular view of Empress Dowager Ci'an is that she was a highly respectable person, always quiet, never hot-tempered, and that she treated everybody very well and ...
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Fragrant Concubine
The Fragrant Concubine ( zh, c=香妃, w=Hsiang Fei, p=Xiāng Fēi; ug, ئىپارخان / / ) is a figure in Chinese legend who was taken as a consort by the Qianlong Emperor of the Qing dynasty in the 18th century. Although the stories about her are believed to be mythical, they may have been based on an actual concubine from western China who entered the imperial harem in 1760 and received the title " Imperial Consort Rong" ( zh, c=容妃, p=Róng Fēi, labels=no). Qing Dynasty and Uyghur tellings of the legend of the Fragrant Concubine diverge greatly and her experience represents a powerful symbol for both cultures. The story became very popular during the early 20th century and has since been adapted into several plays, films and books. Qing legend Although accounts vary as to some details, the basic story among Qing recounts the discovery by the Qianlong Emperor of a Kashgarian Muslim woman named Iparhan ("Musky Woman"), the granddaughter of Afaq Khoja, a local chieftain ...
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Story Of Yanxi Palace
''Story of Yanxi Palace'' () is a Chinese historical series recounting the struggles of a palace maid in the court of the Qianlong Emperor. It was created by Yu Zheng, with original screenplay written by Zhou Mo, and later developed into a novel by Xiao Lian Mao. Starring Wu Jinyan, Charmaine Sheh, Qin Lan, Nie Yuan, Tan Zhuo and Xu Kai, the series premiered on iQiyi from July 19, 2018 to August 26, 2018. During its run it was streamed more than 15 billion times. Distributed in more than 70 markets worldwide, ''Story of Yanxi Palace'' has become a huge hit, especially in Asia. It was the most Googled TV show in the world in 2018, despite Google being blocked in Mainland China. A spinoff and sequel to the series, the 6-episode ''Yanxi Palace: Princess Adventures'', aired on Netflix December 31, 2019. Synopsis During the Qing Dynasty, in 18th century Beijing, Wei Yingluo enters the court of the Qianlong Emperor, Aisin Gioro Hongli, as one of the palace embroiderers, in order ...
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Ruyi's Royal Love In The Palace
''Ruyi's Royal Love in the Palace'' (, lit. ''The Legend of Ruyi'') is a 2018 Chinese television series based on novel ''Hou Gong Ru Yi Zhuan'' by Liu Lianzi. Starring Zhou Xun and Wallace Huo, the series chronicles the relationship between Emperor Qianlong and Empress Nara. It is the sequel to the critically acclaimed drama ''Empresses in the Palace''. It aired on Tencent Video starting 20 August to 15 October 2018; during which it was streamed more than 18,9 billion times. It later went on national broadcast and aired simultaneously on Jiangsu Television and Dragon Television from 25 December 2018. Despite receiving mixed reviews from viewers about the plot and the characters, the series eventually won acclaim for its exquisite props, lavish sets and stellar cast and has a score of 7.5 points on Douban. Plot Step Empress Nara grew up as Lady Qingying, the niece of Empress Xiaojing, during the Yongzheng Emperor's reign and was future Qianlong Emperor's childhood friend; he was ...
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Nothing Gold Can Stay (TV Series)
''Nothing Gold Can Stay'' () is a 2017 Chinese television series directed by Ding Hei and starring Sun Li and Chen Xiao. The series aired on Dragon TV and Jiangsu TV from 30 August 2017 to 8 October 2017. Background The series is an original script based on the real-life story of Widow An Wu (安吴寡妇), who was known as the god-daughter of Empress Dowager Cixi. Synopsis Zhou Ying is sold to the powerful Shen family by her foster father, yet successfully escapes her childish and bratty master Shen Xingyi by sneaking into merchant Wu Pin's palanquin. After a failed business collaboration that resulted in Shen Yuesheng's (Xingyi's older brother) death, the Shen family suspects that Wu Pin was the culprit behind Yuesheng's death. Xingyi then injures Wu Pin by using a club to hit his forehead multiple times, causing Wu Pin to fall into a coma. After the bride-to-be's father has a last-minute change of heart, Zhou Ying is married to Wu Pin in an effort to dispel bad luck. Miraculous ...
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Chinese Television Drama
Chinese television dramas ( Simplified Chinese: 中国电视连续剧), sometimes colloquially known as C-dramas, are television dramas originating from China or the Greater China region. China produces more television dramas than any other country. The most popular genre of dramas in China is fantasy romance, with 47 of the 50 most watched dramas in the country in 2016 being in this genre. Chinese television dramas are popular and regularly broadcast throughout Asia; particularly in Vietnam, Malaysia, Singapore, Thailand, Indonesia, the Philippines, Sri Lanka and Cambodia. Characteristics Since the 1990s, historical serials have been the dominant genre on prime-time television. The trend peaked in the late 1990s and early 2000s, with many palace (also known as "Qing") dramas shown on television. Popular Chinese television dramas, such as Ashes of Love, Story of Yanxi Palace'', Nirvana in Fire'', ''The Journey of Flower'', '' Eternal Love'', ''The Princess Weiyoung'', ''Just ...
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Katharine Carl
Katharine Augusta Carl (February 12, 1865 – December 7, 1938) (sometimes spelled ''Katherine Carl'') was an American portrait painter and author. She made paintings of notable and royal people in the United States, Europe and Asia. She spent nine months in China in 1903 painting a portrait of the Empress Dowager Cixi for the St. Louis Exposition. On her return to America, she published a book about her experience, titled ''With the Empress Dowager of China''. Early life Katharine Augusta Carl was born in New Orleans, Louisiana on February 12, 1865, the daughter of Francis Augustus Carl, Ph.D., LL.D. and Mary Breadon Carl.Who's who in New York City and State'. L.R. Hamersly Company; 1911. p. 146. She had a brother named Francis A. Carl. Education Carl graduated with a Master of Arts from the Tennessee State Female College in 1882. She studied art under Gustave-Claude-Etienne Courtois and William-Adolphe Bouguereau in Paris, and then exhibited her works in the Paris sa ...
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Hubert Vos
Hubert Vos (February 15, 1855 – January 8, 1935) was a Dutch painter who was born Josephus Hubertus Vos in Maastricht. He studied at the Académie Royale des Beaux-Arts in Brussels and with Fernand Cormon in Paris. He exhibited widely in Paris, Amsterdam, Brussels, Dresden and Munich. From 1885 to 1892, he worked in England, where he exhibited at the Royal Academy between 1888 and 1891. He was a member of the Royal Society of British Artists. Career His second wife was Eleanor Kaikilani Coney, of Hawaiian, Chinese, and American descent. In 1898, he visited Hawaii, where he painted the local people. In that same year, Vos traveled to Korea, where he completed at least three paintings in duplicate. In each case, he left one copy in Korea and kept one copy. The paintings are a life-sized portrait of Emperor Gojong, a portrait of Min Sangho (1870–1933), and a landscape of Seoul. The copies left in Korea hung in the Deoksugung Palace until all except the landscape of Seoul, w ...
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