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Xicalcoliuhqui Chimalli
Xicalcoliuhqui (also referred to as a "step fret" or "stepped fret" design and ''greca'' in Spanish) is a common motif in Mesoamerican art. It is composed of three or more steps connected to a hook or spiral, reminiscent of a "greek-key" meander. Pre-Columbian examples may be found on everything from jewelry, masks, ceramics, sculpture, textiles and featherwork to painted murals, codices and architectural elements of buildings. The motif has been in continual use from the pre-Columbian era to the present. Connotations The word ''xicalcoliuhqui'' () means "twisted gourd" (''xical''- "gourdbowl" and ''coliuhqui'' "twisted") in Nahuatl. The motif is associated with many ideas, and is variously thought to depict water, waves, clouds, lightning, a serpent or serpent-deity like the mythological fire or feathered serpents, as well as more philosophical ideas like cyclical movement, or the life-giving connection between the light of the sun and the earth, and it may have been a protec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-05oaxaca077
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-Columbian Art
Pre-Columbian art refers to the visual arts of indigenous peoples of the Caribbean, North, Central, and South Americas from at least 13,000 BCE to the European conquests starting in the late 15th and early 16th centuries. The Pre-Columbian era continued for a time after these in many places, or had a transitional phase afterwards. Many types of perishable artifacts that were no doubt once very common, such as woven textiles, typically have not been preserved, but Precolumbian monumental sculpture, metalwork in gold, pottery, and painting on ceramics, walls, and rocks have survived more frequently. The first Pre-Columbian art to be widely known in modern times was that of the empires flourishing at the time of European conquest, the Inca and Aztec, some of which was taken back to Europe intact. Gradually art of earlier civilizations that had already collapsed, especially Maya art and Olmec art, became widely known, mostly for their large stone sculpture. Many Pre-Columbian cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesoamerican Art
Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica. Within this region pre-Columbian societies flourished for more than 3,000 years before the Spanish colonization of the Americas. Mesoamerica was the site of two of the most profound historical transformations in world history: primary urban generation, and the formation of New World cultures out of the long encounters among indigenous, European, African and Asian cultures. In the 16th century, Eurasian diseases such as smallpox and measles, which were endemic among the colonists but new to North America, caused the deaths of upwards of 90% of the indigenous people, resulting in great losses to their societies and cultures. Mesoamerica is one of the five areas in the world where ancient civilization arose independently (see cradle of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xicalcoliuhqui Chimalli
Xicalcoliuhqui (also referred to as a "step fret" or "stepped fret" design and ''greca'' in Spanish) is a common motif in Mesoamerican art. It is composed of three or more steps connected to a hook or spiral, reminiscent of a "greek-key" meander. Pre-Columbian examples may be found on everything from jewelry, masks, ceramics, sculpture, textiles and featherwork to painted murals, codices and architectural elements of buildings. The motif has been in continual use from the pre-Columbian era to the present. Connotations The word ''xicalcoliuhqui'' () means "twisted gourd" (''xical''- "gourdbowl" and ''coliuhqui'' "twisted") in Nahuatl. The motif is associated with many ideas, and is variously thought to depict water, waves, clouds, lightning, a serpent or serpent-deity like the mythological fire or feathered serpents, as well as more philosophical ideas like cyclical movement, or the life-giving connection between the light of the sun and the earth, and it may have been a protec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Magliabechiano (folio 06r)
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the ''Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl).'' The Codex Magliabechiano is based on an earlier unknown codex, which is assumed to have been the prototype for the Magliabechiano Group. It is named after Antonio Magliabechi, a 17th-century Italian manuscript collector, and is held in the Biblioteca Nazionale Centrale, Florence, Italy. It was created on European paper, with drawings and Spanish language text on both sides of each page. The Codex Magliabechiano is primarily a religious document. Various deities, indigenous religious rites, costumes, and cosmological beliefs are depicted. Its 92 pages are almost a glossary of cosmological and religious elements. The 52-year cycle is depicted, as well as the 20 day-names of the '' tonalpohuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escudo De Yanhuitlán
The escudo (Portuguese: 'shield') is a unit of currency historically used in Portugal and its colonies in South America, Asia, and Africa. It was originally worth 16 silver . The Cape Verdean escudo and the former Portuguese escudo (PTE), each subdivided into 100 , are named after the historical currency. Its symbol is the , a letter S with two vertical bars superimposed used between the units and the subdivision (for example, ). Other currencies named "escudo" Circulating *Cape Verdean escudo Obsolete *Angolan escudo *Chilean escudo *French écu *Mozambican escudo *Portuguese escudo *Portuguese Guinean escudo *Portuguese Indian escudo *Portuguese Timorese escudo *São Tomé and Príncipe escudo *Spanish escudo The escudo was either of two distinct Spanish currency denominations. Gold escudo The first escudo was a gold coin introduced in 1535/1537, with coins denominated in escudos issued until 1833. It was initially worth 16 '' reales''. When differ ... References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitla
Mitla is the second-most important archeological site in the state of Oaxaca in Mexico, and the most important of the Zapotec culture. The site is located 44 km from the city of Oaxaca, in the upper end of the Tlacolula Valley, one of the three cold, high valleys that form the Central Valleys Region of the state. At an elevation of 4,855 ft (1,480 m), surrounded by the mountains of the Sierra Madre del Sur, the archeological site is within the modern municipality of San Pablo Villa de Mitla. It is 24 mi (38 km) southeast of Oaxaca city. While Monte Albán was the most important politically of the Zapotec centers, Mitla became the main religious one in a later period as the area became dominated by the Mixtec. The name Mitla is derived from the Nahuatl name Mictlán, meaning the "place of the dead" or "underworld." Its Zapotec name is ''Lyobaa'', which means “place of rest.” The name Mictlán was Hispanicized or transliterated to Mitla by the Spanish colo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Tajín
El Tajín is a pre-Columbian archeological site in southern Mexico and is one of the largest and most important cities of the Mesoamerican chronology, Classic era of Mesoamerica. A part of the Classic Veracruz culture, El Tajín flourished from 600 to 1200 CE and during this time numerous temples, palaces, Mesoamerican ballcourt, ballcourts, and pyramids were built. From the time the city fell, in 1230, to 1785, no European seems to have known of its existence, until a government inspector chanced upon the Pyramid of the Niches. El Tajín, named after the Totonac rain god, was named a World Heritage site in 1992, due to its cultural importance and its architecture. This architecture includes the use of decorative niches and cement in forms unknown in the rest of Mesoamerica. Its best-known monument is the Pyramid of the Niches, but other important monuments include the Arroyo Group, the North and South Ballcourts and the palaces of Tajín Chico. In total there have been 20 ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Codex Mendoza
The Codex Mendoza is an Aztec codex, believed to have been created around the year 1541. It contains a history of both the Aztec rulers and their conquests as well as a description of the daily life of pre-conquest Aztec society. The codex is written in the Nahuatl language using traditional Aztec pictograms with a translation and explanation of the text provided in Spanish. It is named after Don Antonio de Mendoza (1495-1552), the viceroy of New Spain, who supervised its creation and who was a leading patron of native artists. Mendoza knew that the ravages of the conquest had destroyed multiple native artifacts, and that the craft traditions that generated them had been effaced. When the Spanish crown ordered Mendoza to provide evidence of the Aztec political and tribute system, he invited skilled artists and scribes who were being schooled at the Franciscan college in Tlatelolco to gather in a workshop under the supervision of Spanish priests where they could recreate the docu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesoamerica
Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica. Within this region pre-Columbian societies flourished for more than 3,000 years before the Spanish colonization of the Americas. Mesoamerica was the site of two of the most profound historical transformations in world history: primary urban generation, and the formation of New World cultures out of the long encounters among indigenous, European, African and Asian cultures. In the 16th century, Eurasian diseases such as smallpox and measles, which were endemic among the colonists but new to North America, caused the deaths of upwards of 90% of the indigenous people, resulting in great losses to their societies and cultures. Mesoamerica is one of the five areas in the world where ancient civilization arose independently (see cradle of civ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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