William Ratcliff (Cui)
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William Ratcliff (Cui)
''William Ratcliff'' (''Вилльям Ратклифф'' or ''Вильям Ратклиф'' in Cyrillic; ''Vill'jam Ratkliff'' or ''Vil'jam Ratklif'' in transliteration) is an opera in three acts, composed by César Cui during 1861–1868; it was premiered on 14 February 1869 (Old Style) at the Mariinsky Theatre in Saint Petersburg under the conductorship of Eduard Nápravník. Although it was revived in Moscow in 1900 under Mikhail Ippolitov-Ivanov, it never became part of the standard operatic repertoire either in Russia or in the West. Nevertheless, this opera has considerable significance in the history of Russian art music, not only for the fact that it was the first opera by a member of The Five to reach the stage, but also for musical features that suggest experimentation and interrelationships among The Five. Libretto The subject for the opera was suggested to the composer by Mily Balakirev, who also orchestrated certain passages of the opera, as did Nikolai Rimsky-Ko ...
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Cesar Cui
Cesar, César or Cèsar may refer to: Arts, entertainment, and media * ''César'' (film), a 1936 film directed by Marcel Pagnol * ''César'' (play), a play by Marcel Pagnolt * César Award, a French film award Places * Cesar, Portugal * Cesar River, a river within the Magdalena Basin of Colombia * Cesar River, Chile * Cesar Department, Colombia Other uses * César (grape), an ancient red wine grape from northern Burgundy * French ship ''César'' (1768), ship of the line, destroyed 1782 * Recife Center for Advanced Studies and Systems (C.E.S.A.R), in Brazil * Cesar, a brand of dog food manufactured by Mars, Incorporated People with the given name * César (footballer, born May 1979), César Vinicio Cervo de Luca, Brazilian football centre-back * César (footballer, born July 1979), Clederson César de Souza, Brazilian football winger * César Alierta (born 1945), Spanish businessman * César Augusto Soares dos Reis Ribela (born 1995), Brazilian footballer * César ...
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Viktor Krylov (playwright)
Viktor Alexandrovich Krylov (russian: Виктор Александрович Крылов, 2 February 1838 — 13 March 1908) was a Russian playwright (who occasionally used the pen name Viktor Alexandrov), theatre critic, librettist, Imperial Theatres official and one of the major contributors to the Brockhaus and Efron Encyclopedic Dictionary.Krylov's biography
in the Soviet Literary Encyclopedia.


Biography

Born in to a lawyer, Krylov studied at the Moscow Engineering College, where he became friends with fellow student and budding composer . Krylov started ou ...
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Pater Noster
The Lord's Prayer, also called the Our Father or Pater Noster, is a central Christian prayer which Jesus taught as the way to pray. Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gospel of Matthew, and a shorter form in the Gospel of Luke when "one of his disciples said to him, 'Lord, teach us to pray, as John taught his disciples. Regarding the presence of the two versions, some have suggested that both were original, the Matthean version spoken by Jesus early in his ministry in Galilee, and the Lucan version one year later, "very likely in Judea". The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. Matthew's account alone includes the "Your will be done" and the "Rescue us from the evil one" (or "Deliver us from evil") petitions. Both original Greek texts contain the adjective ''epiousios'', which does not appear in any other classical or Koine Greek ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Scotland
Scotland (, ) is a country that is part of the United Kingdom. Covering the northern third of the island of Great Britain, mainland Scotland has a border with England to the southeast and is otherwise surrounded by the Atlantic Ocean to the north and west, the North Sea to the northeast and east, and the Irish Sea to the south. It also contains more than 790 islands, principally in the archipelagos of the Hebrides and the Northern Isles. Most of the population, including the capital Edinburgh, is concentrated in the Central Belt—the plain between the Scottish Highlands and the Southern Uplands—in the Scottish Lowlands. Scotland is divided into 32 administrative subdivisions or local authorities, known as council areas. Glasgow City is the largest council area in terms of population, with Highland being the largest in terms of area. Limited self-governing power, covering matters such as education, social services and roads and transportation, is devolved from the Scott ...
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Guglielmo Ratcliff
''Guglielmo Ratcliff'' is a tragic opera in four acts by Pietro Mascagni to an Italian libretto by Andrea Maffei, translated from the German play ''Wilhelm Ratcliff'' (1822) by Heinrich Heine. Mascagni had substantially finished the composition of ''Ratcliff'' before the success of his first opera, ''Cavalleria rusticana''. After the composition and performance of further operas ''L'amico Fritz'' in 1891 and ''I Rantzau'' in 1893, ''Ratcliff'' eventually premiered on 16 February 1895 at the Teatro alla Scala in Milan and has been revived a number of times since, including a concert performance in 2003 at the Alice Tully Hall in New York and a staged performance at Wexford Festival Opera in 2015, conducted by Francesco Cilluffo. Mascagni often wrote that ''Ratcliff'' was his best opera. However, it has not entered the standard operatic repertoire, in part because the title role is one of the most taxing tenor parts ever written. It is especially known for its act 3 ''Intermezzo'', ...
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