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William Lawes
William Lawes (April 160224 September 1645) was an English composer and musician. Life and career Lawes was born in Salisbury, Wiltshire and was baptised on 1 May 1602. He was the son of Thomas Lawes, a vicar choral at Salisbury Cathedral, and brother to Henry Lawes, a very successful composer in his own right. It is possible the young William was a member of the cathedral choir there. His patron, Edward Seymour, Earl of Hertford, apprenticed him to the composer John Coprario, which probably brought Lawes into contact with Charles, Prince of Wales at an early age. Both William and his elder brother Henry received court appointments after Charles succeeded to the British throne as Charles I. William was appointed as "musician in ordinary for lutes and voices" in 1635 but had been writing music for the court prior to this. Lawes spent all his adult life in Charles's employ. He composed secular music and songs for court masques (and doubtless played in them), as well as sacr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salisbury
Salisbury ( ) is a cathedral city in Wiltshire, England with a population of 41,820, at the confluence of the rivers Avon, Nadder and Bourne. The city is approximately from Southampton and from Bath. Salisbury is in the southeast of Wiltshire, near the edge of Salisbury Plain. Salisbury Cathedral was formerly north of the city at Old Sarum. The cathedral was relocated and a settlement grew up around it, which received a city charter in 1227 as . This continued to be its official name until 2009, when Salisbury City Council was established. Salisbury railway station is an interchange between the West of England Main Line and the Wessex Main Line. Stonehenge is a UNESCO World Heritage Site and is northwest of Salisbury. Name The name ''Salisbury'', which is first recorded around the year 900 as ''Searoburg'' ( dative ''Searobyrig''), is a partial translation of the Roman Celtic name ''Sorbiodūnum''. The Brittonic suffix ''-dūnon'', meaning "fortress" (in reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Round (music)
A round (also called a perpetual canon 'canon perpetuus''or infinite canon) is a musical composition, a limited type of canon, in which a minimum of three voices sing exactly the same melody at the unison (and may continue repeating it indefinitely), but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all parts, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th century Europe. One characteristic of rounds is that, "There is no fixed ending," in the sense that they may be repeated as many times as possible, although many do have "fixed" endings, often indicated by a fermata. "Row, Row, Row Your Boat" is a well-known children's round f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonathan Dunford
Jonathan Dunford (born 30 October 1959 in Trenton, New Jersey) is an American violist specialising in the baroque repertoire. Biography After studying the viol at the New England Conservatory of Music in Boston, Dunford was awarded a scholarship in 1980 for further training by Jordi Savall at the Schola Cantorum Basiliensis. He obtained his mastery of viola da gamba in 1987 in Boston then his State Diploma of Ancient Music in 1989 in France. Jonathan Dunford has been living in Paris since 1985, is married to the gambist Sylvia Abramowicz and taught at the Conservatoire de Strasbourg between 1990 and 1997 and also at the Conservatoire de Metz. He has been teaching at the Conservatory of Saint-Cloud since 2013. He has conducted extensive research at the Bibliothèque nationale de France on music for viola da gamba. In 2004, he was appointed workshop leader for viola da gamba for the data base "Philidor" at the Centre de musique baroque de Versailles. He has published numerou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Heringman
Jacob (; ; ar, يَعْقُوب, Yaʿqūb; gr, Ἰακώβ, Iakṓb), later given the name Israel, is regarded as a patriarch of the Israelites and is an important figure in Abrahamic religions, such as Judaism, Christianity, and Islam. Jacob first appears in the Book of Genesis, where he is described as the son of Isaac and Rebecca, and the grandson of Abraham, Sarah, and Bethuel. According to the biblical account, he was the second-born of Isaac's children, the elder being Jacob's fraternal twin brother, Esau. Jacob is said to have bought Esau's birthright and, with his mother's help, deceived his aging father to bless him instead of Esau. Later in the narrative, following a severe drought in his homeland of Canaan, Jacob and his descendants, with the help of his son Joseph (who had become a confidant of the pharaoh), moved to Egypt where Jacob died at the age of 147. He is supposed to have been buried in the Cave of Machpelah. Jacob had twelve sons through four women, his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Consort Of Viols
The Rose Consort of Viols is an English ensemble of viol players who perform mainly early consort music, including works by Orlando Gibbons, John Dowland, and Henry Purcell. They have performed around the world at many events, have appeared a number of times for the BBC, and have made a number of recordings, several of which have been made in collaboration with Red Byrd, a vocal group from Hyperion Records. The name was taken from a famous family of viol makers. Discography *''Elizabethan Christmas Anthems'' (with Red Byrd) (Saydisc, 1990) *''Born is the Babe: Renaissance Music for Christmas'' (Woodmansterne, 1990) *''Dowland: Lachrimae'' (Saydisc, 1992) *''Ah, Dear Heart'' (Woodmansterne, 1993) *'' Jenkins: All in a Garden Green'' (Naxos, 1993) *''William Byrd: Consort and Keyboard Music, Songs and Anthems'' (with Red Byrd) (Naxos, 1994) *''Thomas Tomkins: Consort Music for Viol and Voices; Keyboard Music'' (Naxos, 1995) *''William Lawes: Consort Music for Viols, Lutes and The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fretwork (music Group)
Fretwork is a consort of viols based in England, United Kingdom. Formed in 1986, the group initially consisted of six players, while it is currently five viols. Its repertoire consists primarily of music of the Renaissance period, in particular that of Elizabethan and Jacobean England, arrangements of the music of Johann Sebastian Bach, and contemporary music written for them. The group has toured all over the world, with tours of Japan and the United States, and three visits to Russia, the first in 1989, when it was still a part of the Soviet Union. They initiated a series of courses for voices and viols on the Greek island of Evvia with Michael Chance, and have also been invited twice to teach on the annual Conclave of the Viola da Gamba Society of America. It currently teaches each year in the first week of Dartington International Summer School. In addition to its performances of earlier music, Fretwork has been active in commissioning new works for viol consort. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theorbo
The theorbo is a plucked string instrument of the lute family, with an extended neck and a second pegbox. Like a lute, a theorbo has a curved-back sound box (a hollow box) with a wooden top, typically with a sound hole, and a neck extending out from the soundbox. As with the lute, the player plucks or strums the strings with one hand while "fretting" (pressing down) the strings with the other hand; pressing the strings in different places on the neck produces different pitches (notes), thus enabling the performer to play chords, basslines and melodies. It is related to the ''liuto attiorbato'', the French ', the archlute, the German baroque lute, and the '' angélique'' or ''angelica''. A theorbo differs from a regular lute in that the theorbo has a much longer neck which extends beyond the regular fingerboard/neck and a second pegbox at the end of the extended neck. (The pegboxes enable the lute to be tuned by turning the pegs to make the strings sound at higher or lower pitch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Nomine
In Nomine is a title given to a large number of pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. History This "most conspicuous single form in the early development of English consort music" originated in the early 16th century from a six-voice mass composed before 1530 by John Taverner on the plainchant ''Gloria Tibi Trinitas''. In the ''Benedictus'' section of this mass, the Latin phrase "in nomine Domini" was sung in a reduced, four-part counterpoint, with the plainchant melody in the meane part. At an early point, this attractive passage became popular as a short instrumental piece, though there is no evidence that Taverner himself was responsible for any of these arrangements. Over the next 150 years, English composers worked this melody into "In Nomine" pieces of ever greater stylistic range. ''In Nomine''s are typically consort pieces for four or five instruments, especially consorts of viols. One instrument plays t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divine Right Of Kings
In European Christianity, the divine right of kings, divine right, or God's mandation is a political and religious doctrine of political legitimacy of a monarchy. It stems from a specific metaphysical framework in which a monarch is, before birth, pre-ordained to inherit the crown. According to this theory of political legitimacy, the subjects of the crown have actively (and not merely passively) turned over the metaphysical selection of the king's soul – which will inhabit the body and rule them – to God. In this way, the "divine right" originates as a metaphysical act of humility and/or submission towards God. Divine right has been a key element of the legitimisation of many absolute monarchies. Significantly, the doctrine asserts that a monarch is not accountable to any earthly authority (such as a parliament) because their right to rule is derived from divine authority. Thus, the monarch is not subject to the will of the people, of the aristocracy, or of any other esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
