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In Nomine
In Nomine is a title given to a large number of pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. History This "most conspicuous single form in the early development of English consort music" originated in the early 16th century from a six-voice mass composed before 1530 by John Taverner on the plainchant ''Gloria Tibi Trinitas''. In the ''Benedictus'' section of this mass, the Latin phrase "in nomine Domini" was sung in a reduced, four-part counterpoint, with the plainchant melody in the meane part. At an early point, this attractive passage became popular as a short instrumental piece, though there is no evidence that Taverner himself was responsible for any of these arrangements. Over the next 150 years, English composers worked this melody into "In Nomine" pieces of ever greater stylistic range. ''In Nomine''s are typically consort pieces for four or five instruments, especially consorts of viols. One instrument plays t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Taverner
John Taverner ( – 18 October 1545) was an English composer and organist, regarded as one of the most important English composers of his era. He is best-known for ''Missa Gloria tibi Trinitas'' and ''The Western Wynde Mass'', and ''Missa Corona Spinea'' is also often viewed as a masterwork. Career Nothing is known of Taverner's activities before 1524. He appears to have come from the East Midlands, possibly being born in Tattershall, Lincolnshire, but there is no indication of his parentage. According to one of his own letters, he was related to the Yerburghs, a well-to-do Lincolnshire family. The earliest information is that in 1524, Taverner travelled from Tattershall to the Church of St Botolph in nearby Boston, as a guest singer. Two years later, in 1526, Taverner became the first Organist and Master of the Choristers at Christ Church, Oxford, appointed by Cardinal Thomas Wolsey. The college had been founded in 1525, by Cardinal Wolsey, and was then known as Cardinal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dowland
John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", " Now o now I needs must part" and " In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Career and compositions Very little is known of John Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin, but no corroborating evidence has ever been found either for that or for Thomas Fuller's claim that he was born in Westminster. There is, however, one very clear piece of evidence pointing to Dublin as his place of origin: he dedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiburg Im Breisgau
Freiburg im Breisgau (; abbreviated as Freiburg i. Br. or Freiburg i. B.; Low Alemannic German, Low Alemannic: ''Friburg im Brisgau''), commonly referred to as Freiburg, is an independent city in Baden-Württemberg, Germany. With a population of about 230,000 (as of 31 December 2018), Freiburg is the List of cities in Baden-Württemberg by population, fourth-largest city in Baden-Württemberg after Stuttgart, Mannheim, and Karlsruhe. The population of the Freiburg metropolitan area was 656,753 in 2018. In the Southern Germany, south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg (Freiburg), Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain. A famous old German university town, and Roman Catholic Archdiocese of Freiburg, archiepiscopal seat, Freiburg was incorporated in the early twelfth century and developed into a major commercial, intellectual, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Smalley
John Roger Smalley (26 July 1943 – 18 August 2015) was an Anglo-Australian composer, pianist and conductor. Professor Smalley was a senior honorary research fellow at the School of Music, University of Western Australia in Perth and honorary research associate at the University of Sydney. Biography Smalley was born in Swinton, Lancashire, England. He studied at the Royal College of Music in London with Antony Hopkins (piano), Peter Racine Fricker and John White (composer), John White (both composition). In addition, he studied with Alexander Goehr at Morley College, and attended Karlheinz Stockhausen's Cologne Course for New Music in 1965–66, as well as Pierre Boulez's Darmstädter Ferienkurse, Darmstadt summer course in 1965. As a young composer, he was awarded the 1965 Royal Philharmonic Society Prize for his orchestral work ''Gloria Tibi Trinitas''. Smalley was appointed in 1967 as the first Composer in Residence at King's College, Cambridge. In 1969 Smalley and his su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Maxwell Davies
Sir Peter Maxwell Davies (8 September 1934 – 14 March 2016) was an English composer and conductor, who in 2004 was made Master of the Queen's Music. As a student at both the University of Manchester and the Royal Manchester College of Music, Davies formed a group dedicated to contemporary music called the New Music Manchester with fellow students Harrison Birtwistle, Alexander Goehr, Elgar Howarth and John Ogdon. Davies’s compositions include eight works for the stage—from the monodrama ''Eight Songs for a Mad King'', which shocked the audience in 1969, to ''Kommilitonen!'', first performed in 2011—and ten symphonies, written between 1973 and 2013. As a conductor, Davies was artistic director of the Dartington International Summer School from 1979 to 1984 and associate conductor/composer with the Royal Philharmonic Orchestra from 1992 to 2002, holding the latter position with the BBC Philharmonic Orchestra as well. Early life and education Davies was born in Holly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schweigsame Frau
''Die schweigsame Frau'' (''The Silent Woman''), Op. 80, is a 1935 comic opera in three acts by Richard Strauss with libretto by Stefan Zweig after Ben Jonson's '' Epicoene, or the Silent Woman''. Composition history Since '' Elektra'' and ''Der Rosenkavalier'', with only the exception of ''Intermezzo'', all previous operas by Strauss were based on libretti by Hugo von Hofmannsthal, who died in 1929. Stefan Zweig, who was then a celebrated author, had never met Strauss, who was his senior by 17 years. In his autobiography '' The World of Yesterday'', Zweig describes how Strauss got in touch with him after Hofmannsthal's death to ask him to write a libretto for a new opera. Zweig chose a theme from Ben Jonson. Politics of the opera Strauss was seen as an important icon of German music by the Nazis, who had seized power in Germany in April 1933. Strauss himself was co-operating with the Nazis and became the president of the Reichsmusikkammer in November 1933. Zweig had gotten to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Lawes
William Lawes (April 160224 September 1645) was an English composer and musician. Life and career Lawes was born in Salisbury, Wiltshire and was baptised on 1 May 1602. He was the son of Thomas Lawes, a vicar choral at Salisbury Cathedral, and brother to Henry Lawes, a very successful composer in his own right. It is possible the young William was a member of the cathedral choir there. His patron, Edward Seymour, Earl of Hertford, apprenticed him to the composer John Coprario, which probably brought Lawes into contact with Charles, Prince of Wales at an early age. Both William and his elder brother Henry received court appointments after Charles succeeded to the British throne as Charles I. William was appointed as "musician in ordinary for lutes and voices" in 1635 but had been writing music for the court prior to this. Lawes spent all his adult life in Charles's employ. He composed secular music and songs for court masques (and doubtless played in them), as well as sacr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Tomkins
Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school. Life Tomkins was born in St David's in Pembrokeshire in 1572. His father, also Thomas, who had moved there in 1565 from the family home of Lostwithiel in Cornwall, was a vicar choral of St David's Cathedral and organist there. Three of Thomas junior's half-brothers, John, Giles and Robert, also became eminent musicians, but none quite attained the fame of Thomas. By 1594, but possibly as early as 1586, Thomas and his family had moved to Gloucester, where his father was employed as a minor canon at the cathedral. Thomas almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: ''To my ancient, and much reverenced Master, William Byrd'', and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orlando Gibbons
Orlando Gibbons ( bapt. 25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's ''oeuvre'' was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods. Gibbons was born into a musical family where his father was a wait, his brothers—Edward, Ellis and Ferdinand—were musicians and Orlando was expected to follow the tradition. It is not known under whom he studied, although it may have been with Edward or Byrd, but he almost certainly studied the keyboard in his youth. Irrespective of his education ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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