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Orlando Gibbons
Orlando Gibbons ( bapt. 25 December 1583 – 5 June 1625) was an English composer and keyboard player who was one of the last masters of the English Virginalist School and English Madrigal School. The best known member of a musical family dynasty, by the 1610s he was the leading composer and organist in England, with a career cut short by his sudden death in 1625. As a result, Gibbons's ''oeuvre'' was not as large as that of his contemporaries, like the elder William Byrd, but he made considerable contributions to many genres of his time. He is often seen as a transitional figure from the Renaissance to the Baroque periods. Gibbons was born into a musical family where his father was a wait, his brothers—Edward, Ellis and Ferdinand—were musicians and Orlando was expected to follow the tradition. It is not known under whom he studied, although it may have been with Edward or Byrd, but he almost certainly studied the keyboard in his youth. Irrespective of his education ...
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List Of Compositions By Orlando Gibbons
The compositions of Orlando Gibbons (1583–1625) include works in virtually every genre of the Elizabethan and Jacobean eras. Due to his sudden and early death, Gibbons' output was not as large as that of his older contemporary William Byrd, but he still managed to produce various secular and sacred polyphonic vocal works, including consort songs, services, more than 40 full anthems and verse anthems, a set of 20 madrigals as well as at least 20 keyboard works and various instrumental ensemble pieces including nearly 30 fantasies for viols. He is well known for the 5-part verse anthem ''This Is the Record of John'', the 8-part full anthem ''O Clap Your Hands Together'', 2 settings of Evensong and what is often thought to be the best known English madrigal: '' The Silver Swan''. List of compositions Sacred Vocal works Services * Incomplete or lost work =Adaptations= Full Anthems * Incomplete or lost work =Doubtful Attributions= Verse Anthems * Incomplete or lost work ...
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The Silver Swan (madrigal)
"The Silver Swan" is the most famous madrigal by Orlando Gibbons. It is scored for 5 voices (in most sources, soprano (S), alto (A), tenor (T), baritone (Bar) and bass (B), although some specify SSATB instead) and presents the legend that swans are largely silent in life (or at least unmusical), and sing beautifully only just before their deaths (see swan song). History and text The song was first published in Gibbons's ''First Set of Madrigals and Motets of 5 parts'' (1612). Gibbons dedicated this collection to his patron, Sir Christopher Hatton (1581–1619). It was normal at this time for composers to seek aristocratic patronage, and for example Hatton's brother-in-law Henry Fanshawe had a set of madrigals dedicated to him the following year by his composer in residence John Ward. By Gibbons' own account, he used Hatton's London house as a place to compose. Hatton appears to have selected the texts used in the collection: the authors of only some of t ...
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WikiProject Composers
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within Wikimedia project, sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by ''Smithsonian Magazine, Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organization ...
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Bachelor Of Music
Bachelor of Music (BM or BMus) is an academic degree awarded by a college, university, or conservatory upon completion of a program of study in music. In the United States, it is a professional degree, and the majority of work consists of prescribed music courses and study in applied music, usually requiring proficiency in an instrument, voice, or conducting. In Canada, the B.M. is often considered an undergraduate degree. Programs typically last from three to four and a half years. The degree may be awarded for performance, music education, composition, music theory, musicology / music history (musicology degrees may be a Bachelor of Arts (B.A.) rather than a B.M.) music technology, music therapy, sacred music, music business/music industry, entertainment, music production or jazz studies. Since the 2010s, some universities have begun offering degrees in Music Composition with Technology, which include traditional theory and musicology courses and sound recording and compositio ...
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Christopher Gibbons
Christopher Gibbons ( bapt. 22 August 1615 – 20 October 1676) was an English composer and organist of the Baroque period. He was the second son, and first surviving child of the composer Orlando Gibbons. Life and career Background Christopher Gibbons was born into an already very musical family, established by his grandfather, William, who was head of the town waits in Oxford and Cambridge. Christopher Gibbons' uncles Edward, Ellis and Ferdinand furthered their family's reputation as successful musicians themselves, with Ellis and Edward becoming composers and the latter receiving a Bachelor of Music from Cambridge and serving as the master of the Choir of King's College, Cambridge. The family's legacy was cemented by Christopher's father, Orlando who became by far the most famous and successful composers and musicians of the family. Early life Christopher Gibbons was born to Orlando and Elizabeth () in Westminster where he was baptized on 22 August 1615 at St Margaret ...
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List Of English Baroque Composers
This is a list of English composers from the Baroque period in alphabetical order: * Charles Avison (1709–1770) * John Banister (c. 1624/1630–1679) * John Baston (''fl.'' 1708–1739) * John Blow (1649–1708) * William Boyce (1711-1779) * Thomas Brewer (1611–c. 1660) * Richard Browne (fl 1614–1629) * Richard Browne (c.1630–1664) * Richard Browne (d. 1710) * Albertus Bryne (1621–1668) * Richard Carter (fl 1728–1757) * William Child (1606–1697) * Jeremiah Clarke (1674–1707) * Thomas Clayton (1673–1725) * Henry Cooke (1615–1672) * William Corbett (1680–1748) * William Croft (1678–1727) * Richard Davis (died 1688) * Giovanni Battista Draghi (c. 1640–1708) * Henry Eccles (1670–1742) * John Eccles (1668–1735) * John Galliard (1687–1749) * John Gamble (''fl.'' from 1641, died 1687) * Christopher Gibbons (1615–1676) * Maurice Greene (1696–1755) * George Frideric Handel (1685–1759)Not born in England, but permanently settled there. ...
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Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ...
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Westminster Abbey
Westminster Abbey, formally titled the Collegiate Church of Saint Peter at Westminster, is an historic, mainly Gothic church in the City of Westminster, London, England, just to the west of the Palace of Westminster. It is one of the United Kingdom's most notable religious buildings and since Edward the Confessor, a burial site for English and, later, British monarchs. Since the coronation of William the Conqueror in 1066, all coronations of English and British monarchs have occurred in Westminster Abbey. Sixteen royal weddings have occurred at the abbey since 1100. According to a tradition first reported by Sulcard in about 1080, a church was founded at the site (then known as Thorney Island) in the seventh century, at the time of Mellitus, Bishop of London. Construction of the present church began in 1245 on the orders of Henry III. The church was originally part of a Catholic Benedictine abbey, which was dissolved in 1539. It then served as the cathedral of the Dioce ...
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List Of Westminster Abbey Organists
This is a list of Westminster Abbey organists. The Collegiate Church of St Peter at Westminster, popularly known as "Westminster Abbey", is a large, mainly Gothic abbey church, in the City of Westminster, London, United Kingdom, located just to the west of the Palace of Westminster. It is the traditional site for the Coronation of the British monarch and many former kings and queens are buried there. Organists *1559 John Taylour *1570 Robert White *1574 Henry Leeve *1585 Edmund Hooper *1621 John Parsons *1623 Orlando Gibbons *1625-1644 Richard Portman *1660 Christopher Gibbons *1666 Albertus Bryne *1668 John Blow *1679 Henry Purcell *1695 John Blow (re-appointed) *1708 William Croft *1727 John Robinson *1762 Benjamin Cooke *1793 Samuel Arnold *1803 Robert Cooke *1814 George Ebenezer Williams *1819 Thomas Greatorex *1831 James Turle *1882 Sir Frederick Bridge, CVO *1918 Sir Sydney Nicholson, MVO *1928 Sir Ernest Bullock, CVO *1941-1945 Osborne Harold Peasgood CVO (Acting) *1 ...
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Evening Prayer (Anglican)
Evensong is a church service traditionally held near sunset focused on singing psalms and other biblical canticles. In origin, it is identical to the canonical hour of vespers. Old English speakers translated the Latin word as , which became 'evensong' in modern English. Typically used in reference to the Anglican daily office's evening liturgy, it can also refer to the pre-Reformation form of vespers or services of evening prayer from other denominations, particularly within the Anglican Use of the Catholic Church. Structure From Late Antiquity onwards, the office of vespers normally included psalms, the , a hymn, and other prayers. By the Early Middle Ages, it became common for secular clergy to combine vespers and compline. By the sixteenth century, worshippers in western Europe conceived 'evensong' as vespers and compline performed without break. Modern Eastern Orthodox services advertised as 'vespers' often similarly conclude with compline, especially as part of the al ...
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This Is The Record Of John
"This Is the Record of John" is a verse anthem written by the English composer Orlando Gibbons (1583—1625). It is based on a text from the Gospel of John in the ''Geneva Bible'' and is a characteristic Anglican-style composition of its time. "John" (whose record is being told) refers to John the Baptist. The piece is divided into three sections, each beginning with a verse for solo contratenor (more like a modern tenor, but often now sung by a countertenor) followed by a full section ( consort of voices), echoing words of the verse. The singers are usually accompanied by organ: a viol consort is another possibility, although it is debatable how frequently viols would have been used in Jacobean services. accessed via JSTOR, subscription required History This 'verse-anthem' was written at the request of William Laud, who was president of St John's College, Oxford, from 1611 to 1621; the St John to whom college is dedicated is John the Baptist. It was written for the college ch ...
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Parthenia (music)
''Parthenia or the Maydenhead of the first musicke that ever was printed for the Virginalls'' was, as the title states, the first printed collection of music for keyboard in England. 'Virginals' was a generic word at the time that covered all plucked keyboard instruments – the harpsichord, muselaar and virginals, but most of the pieces are also suited for the clavichord and chamber organ. Though the date is uncertain, it was probably published around 1612. The 21 pieces included are ascribed to William Byrd, John Bull, and Orlando Gibbons, in three sections. The title ''Parthenia'' comes from the Greek ''parthenos'' meaning "maiden" or "virgin." The music is written for the Virginals, the etymology of which is unknown, but may either refer to the young girls who are often shown playing it, or from the Latin ''virga'', which means "stick" or "wand", possibly referring to part of the mechanism that plucks a string in the harpsichord family of instruments. The "Maydenhead" refer ...
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