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Willette
Adolphe Léon Willette (30 July 1857, Châlons-sur-Marne4 February 1926, Paris) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an " anti-semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Biography Willette studied for four years at the École des Beaux-Arts under Alexandre Cabanel. His graphical work ranged from dainty triviality or political satire: he made Pierrot an imaginary hero of France, and established Mimi Pinson as frail, lovable, and essentially good-hearted. He could also be bitter and fierce, a partisan of political ideas. The guillotine and the figure of Death appear in his caricatures. At the time of the Dreyfus affair he was an ''anti-dreyfusard''; with Jean-Louis Forain, he moved to the political right. Works The artist was a prolific contributor to the French illustrated press under the pseudonyms "Cémoi", "Pierr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierrot
Pierrot ( , , ) is a stock character of pantomime and '' commedia dell'arte'', whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of ''Pierre'' (Peter), via the suffix '' -ot.'' His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from being a buffoon to an avatar of the disenfranchised. Many cultural movements found him amenable to their re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chat Noir
Le Chat Noir (; French for "The Black Cat") was a nineteenth-century entertainment establishment, in the bohemian Montmartre district of Paris. It was opened on 18 November 1881 at 84 Boulevard de Rochechouart by the impresario Rodolphe Salis, and closed in 1897 not long after Salis' death. ''Le Chat Noir'' is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg (''Stray Dog Café'') to Barcelona ('' Els Quatre Gats'') to London's '' Cave of the Golden Calf''. In its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. From 1882 to 1895 the cabaret published a weekly magazine with the same name, featuring literary writings, news from the cabaret and Montmartre, poetry, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Maîtres De L'Affiche
''Maîtres de l'Affiche'' (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Chéret, the father of poster art. Publishing history The varied selection of prints were sold in packages of four and delivered monthly to subscribers. On sixteen occasions during the selling period between December 1895 through November 1900, the monthly package included a bonus of a specially created lithograph. A complete set, in five volumes, was sold in 2014 for US$43,450. Selected posters All the poster, in alphabetical order, can be seen on the Commons page: Les Maîtres de l'Affiche. Image:Jules Chéret-Fete des Fleurs.jpg, Jules Chéret: ''Fête des Fleurs'' in Bagnères-de-Luchon Image:Alice Russell Glenny-Women's Edition.jpg, Alice Russell Glenny (American, 1858 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antisemitism
Antisemitism (also spelled anti-semitism or anti-Semitism) is hostility to, prejudice towards, or discrimination against Jews. A person who holds such positions is called an antisemite. Antisemitism is considered to be a form of racism. Antisemitism has historically been manifested in many ways, ranging from expressions of hatred of or discrimination against individual Jews to organized pogroms by mobs, police forces, or genocide. Although the term did not come into common usage until the 19th century, it is also applied to previous and later anti-Jewish incidents. Notable instances of persecution include the Rhineland massacres preceding the First Crusade in 1096, the Edict of Expulsion from England in 1290, the 1348–1351 persecution of Jews during the Black Death, the massacres of Spanish Jews in 1391, the persecutions of the Spanish Inquisition, the expulsion from Spain in 1492, the Cossack massacres in Ukraine from 1648 to 1657, various anti-Jewish pogroms in the Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cigale
La Cigale (; English: ''The Cicada'') is a theatre located at 120, boulevard de Rochechouart near Place Pigalle, in the 18th arrondissement of Paris. The theatre is part of a complex connected to the Le Trabendo concert venue and the Boule Noire. The hall can accommodate 1,389 people standing or 954 seated. The orchestra floor has a scalable platform that can tilt and rise using a hydraulic system. The Inrockuptibles music festival took place at La Cigale for over twenty years. La Cigale also hosts the Factory Festival. History * 1887: La Cigale was built on the site of the former ''Boule Noire'' cabaret, which was demolished to make room for the new theatre. When it was first built, La Cigale had room for approximately1,000 people and featured theatrical reviews. * 1894: The theatre was enlarged and remodeled by architect Henry Grandpierre, and ceiling paintings were added by Adolphe Leon Willette. During this period, La Cigale featured performances by Mistinguett, Maurice C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poilu
Poilu (; ) is an informal term for a late 18th century–early 20th century French infantryman, meaning, literally, ''the hairy one''. It is still widely used as a term of endearment for the French infantry of World War I. The word carries the sense of the infantryman's typically rustic, agricultural background, and derives from the bushy moustaches and other facial hair affected by many French soldiers after the outbreak of the war as a sign of masculinity. The poilu was particularly known for his love of pinard, his ration of cheap wine. The image of the dogged, bearded French soldier was widely used in propaganda and war memorials. The stereotype of the Poilu was of bravery and endurance, but not always of unquestioning obedience. At the disastrous Chemin des Dames offensive of 1917 under General Robert Nivelle, they were said to have gone into no man's land making baa'ing noises—a collective bit of gallows humour signalling the idea that they were being sent as lambs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moulin Rouge
Moulin Rouge (, ; ) is a cabaret in Paris, on Boulevard de Clichy, at Place Blanche, the intersection of, and terminus of Rue Blanche. In 1889, the Moulin Rouge was co-founded by Charles Zidler and Joseph Oller, who also owned the Olympia (Paris), Paris Olympia. The original venue was destroyed by fire in 1915. Moulin Rouge is southwest of Montmartre, in the Paris district of Quartier Pigalle, Pigalle on Boulevard de Clichy in the 18ème arrondissement, Paris, 18th ''arrondissement'', it has a red windmill on its roof. The closest métro station is Blanche (Paris Métro), Blanche. Moulin Rouge is best known as the birthplace of the modern form of the can-can dance. Originally introduced as a seductive dance by the courtesans who operated from the site, the can-can dance revue evolved into a form of entertainment of its own and led to the introduction of cabarets across Europe. Today, the Moulin Rouge is a tourist attraction, offering predominantly musical dance entertainment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Cabanel
Alexandre Cabanel (; 28 September 1823 – 23 January 1889) was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to ''Diccionario Enciclopedico Salvat'', Cabanel is the best representative of ''L'art pompier'', and was Napoleon III's preferred painter. Biography Cabanel entered the École des Beaux-Arts in Paris at the age of seventeen, and studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of 22. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death. He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon Des Cent
''Salon des Cent'' ("Salon of the One Hundred") was a commercial art exhibition in Paris, based at 31 Rue Bonaparte. The ''Salon'' sold color posters, prints and reproductions of artwork to the general public at reasonable prices. It was established in February 1894 by Léon Deschamps, founder of ''La Plume'' ("The Pen") an avant garde literary and artistic magazine. It became known for its exhibitions showcasing the works of contemporary graphical artists. The salon held exhibitions until 1900. Many of the posters advertising ''Salon des Cent'' exhibitions have themselves become collectors' items. La Plume ''La Plume'' was an artistic and literary journal founded by Léon Deschamps in 1889, at first located on 36 Boulevard Arago. Articles in ''La Plume'' covered a broad range of subjects ranging from realism, socialism and anarchism to Catholic mysticism and the aristocracy. The journal moved to 31 Rue Bonaparte in July 1891, where the spacious new offices gave room to mount ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolphe Salis
Louis Rodolphe Salis (29 May 1851 – 20 March 1897) was the creator, host and owner of the Le Chat Noir ("The Black Cat") cabaret (known briefly in 1881 at its beginning as "Cabaret Artistique"). With this establishment Salis is remembered as the creator of the modern cabaret: a nightclub where the patrons could sit at tables with alcoholic drinks and enjoy variety acts on a stage, introduced by a master of ceremonies who interacted with the audience. Biography The son of a distiller in Châtellerault, Salis came to Paris in 1872, after leaving the regiment in which he had undertaken military service. He moved into the Hotel de Rome on Rue de Seine, in the Latin Quarter. He founded "L'école vibrante" (The Vibrant School), soon renamed the "L'école iriso-subversive de Chicago" (The Chicago Iriso-Subversive School) in order to draw attention to his artistic group. In fact he was earning a living by making stations of the cross and other religious objects, that he and his friend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Willette 1913
''Adolphe'' is a classic French novel by Benjamin Constant, first published in 1816. It tells the story of an alienated young man, Adolphe, who falls in love with an older woman, Ellénore, the Polish mistress of the Comte de P***. Their illicit relationship serves to isolate them from their friends and from society at large. The book eschews all conventional descriptions of exteriors for the sake of detailed accounts of feelings and states of mind. Constant began the novel on 30 October 1806, and completed it some time before 1810. While still working on it he read drafts to individual acquaintances and to small audiences, and after its first publication in London and Paris in June 1816 it went through three further editions: in July 1816 (new preface), July 1824 in Paris (restorations to Ch. 8, third preface), and in 1828. Many variants appear, mostly alterations to Constant's somewhat archaic spelling and punctuation. Plot summary Adolphe, the narrator, is the son of a go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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