White Trash (other)
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White Trash (other)
White trash is an American pejorative term for poor white people, especially in rural areas. White trash may also refer to: * ''White Trash'' (film), American title of Luis Buñuel's film ''The Young One'' (1960) Books * ''White Trash'' (novel), John King (2002) * ''White Trash'', a novel by Alexandra Allred (2016) * ''White Trash: Moronic Inferno'', a comic by Gordon Rennie * ''White Trash: The 400-Year Untold History of Class in America'', a book by historian Nancy Isenberg Music Bands * White Trash (Scottish band), a British pop group * White Trash (American band), an American funk metal band * Edgar Winter's White Trash, an American R&B band Songs * "White Trash", a 1983 song by the Argentine band Sumo * "White Trash", a song by Orchestral Manoeuvres in the Dark from their 1984 album ''Junk Culture'' * "White Trash", a 1995 song by Southern Culture on the Skids * "White Trash", a song on the Junior Senior album '' D-D-Don't Stop the Beat'' * "White Trash", the debut sing ...
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White Trash
White trash is a derogatory racial and class-related slur used in American English to refer to poor white people, especially in the rural southern United States. The label signifies a social class inside the white population and especially a degraded standard of living. It is used as a way to separate the "noble and hardworking" "good poor" from the lazy, "undisciplined, ungrateful and disgusting" "bad poor". Use of the term provides for middle- and upper-class whites a means of distancing themselves from the poverty and powerlessness of poor whites, who cannot enjoy those privileges. The term has been adopted for people living on the fringes of the social order, who are seen as dangerous because they may be criminal, unpredictable, and without respect for political, legal, or moral authority. While the term is mostly used pejoratively by urban and middle-class whites as a class signifier, some white entertainers self-identify as "white trash", considering it a badge of honor ...
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Southern Culture On The Skids
Southern Culture on the Skids, also sometimes known as SCOTS, is an American rock band from Chapel Hill, North Carolina. Originally a straightforward roots rock band, they became known as a tongue-in-cheek "party band" with an exaggerated "white trash" image and humourous lyrics inspired by the culture of the Southern United States. The band released their debut EP ''Voodoo Beach Party'' in 1984, followed by their self-titled debut album the following year, influenced by blues, psychobilly and rock and roll. After these early releases, the band's line-up shifted due to a perceived lack in direction, and the band reemerged with a new, hard to classify sound, which encompassed Southern rock, swamp rock and surf music. Later, they added pedal steel guitar and accordion to their instrumentation and shifted their sound to country music. Biography Guitarist and founding member Rick Miller grew up dividing his time between his father's home and business in Henderson, North Carolina an ...
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White Trash With Money
''White Trash with Money'' is the tenth studio album by American country music artist Toby Keith. It was released on April 11, 2006 by Show Dog Nashville. This was Keith's first album for the label after DreamWorks Records went out of business. The album was distributed by Universal Music Group Nashville, the owner of Keith's catalog up to that point. The album shipped platinum, meaning one million or more units were distributed to outlets ahead of its release. It features 12 tracks, including 3 "Bus songs". Keith wrote or co-wrote all of the songs; co-writing credits go to his longtime writing partner, his friend Scotty Emerick, with several tracks also being co-written by Dean Dillon. Keith co-produced the album with Lari White. Three singles were released from it: "Get Drunk and Be Somebody", "A Little Too Late" and "Crash Here Tonight", which reached #3, #2, and #15, respectively, on the Hot Country Songs charts, making this the first studio album of Keith's career since 1997's ...
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Bayou (film)
''Bayou'' is a 1957 motion picture directed by Harold Daniels. The drama is set in the Louisiana bayou region. Produced by American National Films, it was also shot in Barataria Bay, Louisiana, and most of the characters are Cajun residents of a rural fishing village. ''Bayou'' features one of the few lead roles by noted character actor Timothy Carey. Plot Martin Davis, a young Yankee architect, comes to New Orleans from the North to compete against a local man for the job of designing a new civic auditorium. On a visit to a carnival in the Cajun country of southern Louisiana, Martin meets Marie, a seventeen-year-old Cajun girl who works as a crabber in the bayou in order to support herself and her partly senile, alcoholic father Herbert. Marie has aroused the lust of the local storekeeper, Ulysses, a sadistic, illiterate bully who has attempted to rape her. After helping Marie to recover money stolen from her, Martin asks her to be his guide for the carnival activities. In order ...
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Poor White Trash
''Poor White Trash'' is a crime-comedy film directed by Michael Addis. The film was released on June 16, 2000, and was distributed jointly by Hollywood Independents and the Xenon Group. The film stars an ensemble cast of actors, including Jaime Pressly and others, most of them before they became famous. Plot Mike Bronco believes a degree from Southern Illinois University Carbondale is a ticket out of life in a trailer park. He is determined to rise above his humble southern Illinois roots and broken home to become a clinical family therapist. His best friend, Lynard "Lennie" Lake, has a simpler vision for the future. He is a firecracker enthusiast whose notion of the American dream is trucking school. One day, fun-loving Lennie convinces the serious-minded Mike to shoplift "Near Beer" and enjoy a carefree afternoon of kicking back. The seemingly harmless exploit snowballs into an exploding Vega (an ill-conceived distraction), injuring store owner Ken Kenworthy and enraging his a ...
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How Could Hell Be Any Worse?
''How Could Hell Be Any Worse?'' is the debut studio album by American punk rock band Bad Religion, released on January 19, 1982 by Epitaph Records. Released almost a year after their self-titled EP, it was financed by a $3,000 loan by guitarist Brett Gurewitz's father. Its success surprised the band when it sold 10,000 copies in under a year. ''How Could Hell Be Any Worse?'' was recorded over two time periods at Track Record Studios in North Hollywood, California, during October–November 1980 and again in January 1981. After the original recording sessions, drummer Jay Ziskrout left Bad Religion and was replaced by his friend and the band's roadie Pete Finestone, who was brought in to complete the rest of the album. Though not yet credited as a member of the band, future guitarist Greg Hetson, who was in Circle Jerks during this time, provided a guitar solo on "Part III". ''How Could Hell Be Any Worse?'' was also Bad Religion's last album featuring Jay Bentley on bass for six ...
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Funker Vogt
Funker Vogt () is a German electronic-industrial music project with an aggressive style, formed by vocalist Jens Kästel and programmer Gerrit Thomas in 1995. Other members of the band are keyboardist/manager Björn Böttcher, live guitarist Frank Schweigert and lyricist Kai Schmidt. The name of the band translates from German to English as "Radio Operator Vogt", this being the surname of a friend of the band who was a military radio operator.John Bush, '' Funker Vogt biography', AllMusic. Retrieved 2 January 2010 The military concept of a radio operator provides a contrast with the musical roles of a DJ or a vocalist using a microphone. The band ended its existence definitively in the summer of 2021 due to the termination of cooperation with Chris https://www.facebook.com/officialfunkervogt/posts/331553865092373] History The group appeared on several German compilations and, in 1996, released their debut album ''Thanks for Nothing''. Following the release of two limited editi ...
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Steriogram
Steriogram were a rock band from New Zealand that formed in Auckland in 1999. The band consisted of frontman Tyson Kennedy (lead vocals and drums), Brad Carter (vocals, lead guitar and lead vocals), Tim Youngson (rhythm guitar and backing vocals), Jake Adams (bass guitar and backing vocals) and Jared Wrennall (drums and backing vocals). The band released three studio albums ''Schmack!'' (2004), ''This Is Not the Target Market'' (2007) and ''Taping the Radio'' (2010). The band's 2004 international hit single " Walkie Talkie Man" was used in an advertisement for the iPod and a number of films and video games. History Formation, EPs and ''Schmack!'' (1999–2005) Steriogram was formed in June 1999 by Brad Carter and Jake Adams, two friends from Whangarei, who joined with Tyson Kennedy and Tim Youngson, two friends from Auckland. They started performing as a melodic rock four-piece band with a manic live show. They released the EP ''Soccerstar'' in December that year. It had three ...
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D-D-Don't Stop The Beat
''D-D-Don't Don't Stop the Beat'' is the first studio album by Danish pop duo Junior Senior. Originally released in March 2002 in Denmark, an altered edition became available later in the year for the rest of continental Europe, and in 2003, the album was released in both the UK and US. It is most widely known for the song "Move Your Feet", the duo's first and most successful single. The United States release of the album received the Parental Advisory rating on its release. The album received positive reviews from music critics upon release. Based on 18 reviews, Metacritic calculated an average score of 79 for ''D-D-Don't Don't Stop the Beat'', with the summary, "This party album from the Danish band Junior Senior has garnered attention throughout Europe with its mix of garage rock, pop and disco." ''Pitchfork'' placed the album at number 36 on their ''Top 50 Albums of 2003'' list. Release history The album was first released on 4 March 2002 in Denmark by the independent Crunc ...
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Junk Culture
''Junk Culture'' is the fifth studio album by English electronic music, electronic band Orchestral Manoeuvres in the Dark (OMD), released on 30 April 1984 by Virgin Records. After the commercial disappointment of the Experimental music, experimental 1983 album ''Dazzle Ships (album), Dazzle Ships'', OMD and Virgin intended for the group to shift toward a more accessible sound on its follow-up release. The band retained much of their early experimental approach but embraced a wider range of influences than previously, drawing inspiration from Pop music, pop, Dance music, dance, Latin music, Latin and black music. The record's musical style has been characterised as "Talking Heads-meets-Kraftwerk". ''Junk Culture'' became OMD's fourth consecutive Top 10 album in the UK. It spawned four singles, including the UK Top 20 entries "Locomotion (Orchestral Manoeuvres in the Dark song), Locomotion" and "Talking Loud and Clear", and the Nightclub, club hit "Tesla Girls". The record met with ...
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White Trash (film)
''The Young One'' ( es, La joven) (released as ''White Trash'' in the United States and ''Island of Shame'' in the United Kingdom) is a 1960 English-language Mexican drama film directed and co-written by Luis Buñuel, and starring Zachary Scott, Bernie Hamilton, Key Meersman, Crahan Denton and Claudio Brook. " Inspired by" the story "Travelin' Man" by Peter Matthiessen, the film deals with issues such as racism and statutory rape by depicting the interactions between two men and a teenage girl on a private island game preserve. It was Buñuel's second (and last) film in English, following ''Robinson Crusoe'' (1954); both were co-written by Hugo Butler (under the pseudonym H. B. Addis) and produced by George Pepper (as George P. Werker), Americans who had moved to Mexico after being blacklisted in Hollywood. ''The Young One'' was screened in competition at the 1960 Cannes Film Festival, and has received highly positive reviews since its release. Plot When a white woman accuses ...
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Sumo (band)
Sumo was a 1980s Argentine alternative rock band, heavily influenced by post-punk, reggae and funk-metal. Led by Italian-born Scottish Luca Prodan, it remained underground for most of its short activity but was extremely influential in shaping contemporary Argentine rock.Sumo
en Rock.com.ar Consultado el Retrieved January 28, 2017
Sumo is credited with introducing British post-punk to the Argentine scene, mostly by songs with lyrics in English, and with providing a visceral counterpoint to the progressive and '''' influences then dom ...
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