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Wer Unterm Schutz Des Höchsten Steht
"" (Whoever stands under the protection of the Most High) is a Christian hymn in German. The anonymous text, paraphrasing Psalm 91, appeared first in 1972 in a Protestant hymnal, with a 1537 melody from Michael Vehe's hymnal. It is contained in the Catholic hymnal ''Gotteslob''. History "" appeared first in 1972, then in the common Protestant hymnal ''Evangelisches Kirchengesangbuch'' (EKG). A paraphrase of Psalm 91, it is written in three stanzas. The associated melody came from the first Catholic hymnal that Michael Vehe published in 1537. The hymn was included in the common German Catholic hymnal ''Gotteslob'' in 1975, as GL 291, and in the second edition as GL 423, in the section Leben in Gott / Vertrauen und Trost (Life in God / Trust and solace). It is a Psalmlied, a song that can be used instead of a liturgical psalm reading. Johann Paul Zehetbauer composed a four-part setting. Gaël Liardon wrote a chorale prelude for organ. A chorale cantata for choir a cappella ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian '' H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 91
Psalm 91 is the 91st psalm of the Book of Psalms, beginning in English in the King James Version: "He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty." In Latin, it is known as 'Qui habitat". As a psalm of protection, it is commonly invoked in times of hardship. Though no author is mentioned in the Hebrew text of this psalm, Jewish tradition ascribes it to Moses, with David compiling it in his Book of Psalms. The Septuagint translation attributes it to David. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 90. The psalm forms a regular part of Jewish, Catholic, Eastern Orthodox, Lutheran, Anglican and other Protestant liturgies. The complete psalm and selected verses have often been set to music, notably by Heinrich Schütz and Felix Mendelssohn, who used verses for his motet '' Denn er hat seinen Engeln befohlen''. The psalm has been paraphrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Vehe
Michael Vehe (c. 1480–1539) was a German monk and theologian. Life Vehe was born in Biberach (now part of Heilbronn, near Bad Wimpfen). He joined the Dominicans in Wimpfen and was sent to Heidelberg in 1506, where he taught in 1512 and received a doctorate in theology in 1513. In 1515 he was appointed regent of the Dominican house of studies at Heidelberg; later Cardinal Albert of Mainz chose him as theologian and put him in charge of the church of Halle, Saxony. He was summoned to Augsburg in 1530 to refute the Lutheran Confession of Faith and took a prominent part in a debate against the Lutherans in 1534 in Leipzig. He was called to the bishopric of Halberstadt on February 21, 1539. He died in Halle in April 1539. Works Some Catholic commentators view Vehe's writings as the best apologetical treatises that appeared in Germany during the sixteenth century. His works include the following: *"Von dem Gesatz der Niessung des h. hochw. Sacraments" (Leipzig, 1531) and "Errett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotteslob
''Gotteslob'' ("Praise of God") is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies. History ''Gotteslob'' was developed as a sequel of the first common German hymnal, ''Gotteslob'' of 1975. It was developed over a period of 10 years by around 100 experts, who studied the use of hymns, conducting surveys and running tests in selected congregations. ''Gotteslob'' was published by Catholic dioceses in Germany, Austria, South Tyrol, and is also used by German-speaking parishes in Luxembourg and the Diocese of Liège, Belgium. It was introduced from Advent 2013, beginning on 1 December. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evangelisches Kirchengesangbuch
The Evangelisches Kirchengesangbuch (EKG, literally: Protestant church songbook) was the first common hymnal of German-speaking churches in the Protestant state churches (''Landeskirchen'') in Germany and the Protestant churches in Austria. It was introduced between 1950 and 1969. The EKG was replaced by the current '' Evangelisches Gesangbuch'' (EG) between 1993 and 1996. History The intention to have a common German Protestant hymnal date back to the mid of the 19th century. A meeting of representatives of German state churches in Eisenach Eisenach () is a town in Thuringia, Germany with 42,000 inhabitants, located west of Erfurt, southeast of Kassel and northeast of Frankfurt. It is the main urban centre of western Thuringia and bordering northeastern Hessian regions, situat ... in 1853 resulted in a collection of songs that were widely known and preferred, ''Deutsches Evangelisches Kirchen-Gesangbuch in 150 Kernliedern'', also known as ''Eisenacher Büchlein''. The E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal ''Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and ''Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her " Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as " Komm, Heilger Geist, der Leben schafft", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaël Liardon
Gaël Liardon (18 December 1973 – 21 October 2018) was a Swiss classical keyboard player, composer and academic. Born in Lausanne, he studied harpsichord, organ and continuo playing with and , piano with , and improvisation with Rudolf Lutz. He has been organist of the church of Villamont, Lausanne, from 1995. In 2009, he obtained a diploma of teaching theory at the Geneva University of Music, with distinction. He taught music pedagogy at the Geneva Conservatory. In 1997, he created the Festival de Musique Improvisée de Lausanne and also participated in the creation of the research group on improvisation of the Schola Cantorum Basiliensis. In 2011, he founded the Sweelinck Ensemble on Cantate-choir.info in Geneva. References External links *[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polypho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass (music), compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and a pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the cantatas composed in his second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chorale was developed as an independent movement; * a form in which the chorale appeared in some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for '' alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach Wilhelm Friedemann Bach (22 November 17101 July 1784), the second child and eldest s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
