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Walter Slaughter
Walter Alfred Slaughter (17 February 1860 – 2 March 1908) was an English conductor and composer of musical comedy, comic opera and children's shows. He was engaged in the West End as a composer and musical director from 1883 to 1904. Life and career Youth and education Slaughter was born in Fitzroy Square, London.''The Musical Herald'', 1 December 1906, p. 359 He attended the City of London School, and sang in the choir of St. Andrew's Church, Wells Street under Joseph Barnby.Obituary, ''The Musical Herald'', 1 April 1908, p. 105 After leaving school, he worked in a wine merchant's office and then for the music publishers Metzler.'' The Strand Magazine'', 4 July 1892, p. 85 While there, he studied music under Alfred Cellier, Berthold Tours, and Georges Jacobi, the musical director of the Alhambra Theatre. He was also brought into frequent contact with Arthur Sullivan, who gave him much encouragement and friendly advice. Slaughter once asked Sullivan the best way to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Slaughter 001
Walter may refer to: People * Walter (name), both a surname and a given name * Little Walter, American blues harmonica player Marion Walter Jacobs (1930–1968) * Gunther (wrestler), Austrian professional wrestler and trainer Walter Hahn (born 1987), who previously wrestled as "Walter" * Walter, standard author abbreviation for Thomas Walter (botanist) ( – 1789) Companies * American Chocolate, later called Walter, an American automobile manufactured from 1902 to 1906 * Walter Energy, a metallurgical coal producer for the global steel industry * Walter Aircraft Engines, Czech manufacturer of aero-engines Films and television * Walter (1982 film), ''Walter'' (1982 film), a British television drama film * Walter Vetrivel, a 1993 Tamil crime drama film * Walter (2014 film), ''Walter'' (2014 film), a British television crime drama * Walter (2015 film), ''Walter'' (2015 film), an American comedy-drama film * Walter (2020 film), ''Walter'' (2020 film), an Indian crime drama film * ''W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinderella
"Cinderella",; french: link=no, Cendrillon; german: link=no, Aschenputtel) or "The Little Glass Slipper", is a folk tale with thousands of variants throughout the world.Dundes, Alan. Cinderella, a Casebook. Madison, Wis: University of Wisconsin Press, 1988. The protagonist is a young woman living in forsaken circumstances that are suddenly changed to remarkable fortune, with her ascension to the throne via marriage. The story of Rhodopis, recounted by the Greek geographer Strabo sometime between around 7 BC and AD 23, about a Greek slave girl who marries the king of Egypt, is usually considered to be the earliest known variant of the Cinderella story.Roger Lancelyn Green: ''Tales of Ancient Egypt'', Penguin UK, 2011, , chapter "The Land of Egypt" The first literary European version of the story was published in Italy by Giambattista Basile in his ''Pentamerone'' in 1634; the version that is now most widely known in the English-speaking world was published in French by Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaiety Theatre, London
The Gaiety Theatre was a West End theatre in London, located on Aldwych at the eastern end of the Strand. The theatre was first established as the Strand Musick Hall in 1864 on the former site of the Lyceum Theatre. In 1868, it became known as the Gaiety Theatre and was, at first, known for music hall and then for musical burlesque, pantomime and operetta performances. From 1868 to the 1890s, it had a major influence on the development of modern musical comedy. Under the management of John Hollingshead until 1886, the theatre had early success with ''Robert the Devil'', by W. S. Gilbert, followed by many other burlesques of operas and literary works. Many of the productions starred Nellie Farren. Hollingshead's last production at the theatre was the burlesque ''Little Jack Sheppard'' (1885–86), produced together with his successor, George Edwardes. Edwardes's first show, ''Dorothy'', became a long-running hit. In the 1880s and 90s, the theatre had further success with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Of Wales's Theatre
The Scala Theatre was a theatre in Charlotte Street, London, off Tottenham Court Road. The first theatre on the site opened in 1772, and the theatre was demolished in 1969, after being destroyed by fire. From 1865 to 1882, the theatre was known as the Prince of Wales's Theatre (not to be confused with Prince of Wales Theatre). Origins The theatre began on this site as The New Rooms where concerts were performed, in Charlotte Street, in 1772, under the management of Francis Pasquali. Popularity, and royal patronage led to the building's enlargement by James Wyatt, and its renaming as the King's Concert Rooms (1780–1786). It then became Rooms for Concerts of Ancient Music and Hyde's Rooms (1786–1802, managed by ''The Directors of Concerts and Ancient Music''). In 1802, a private theatre club managed by Captain Caulfield, the ''"Pic-Nics"'', occupied the building and named it the Cognoscenti Theatre (1802–1808). It became the New Theatre (1808–1815) and was extended and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Rosa Opera Company
The Carl Rosa Opera Company was founded in 1873 by Carl Rosa, a German-born musical impresario, and his wife, British operatic soprano Euphrosyne Parepa-Rosa to present opera in English in London and the British provinces. The company premiered many operas in the UK, employing a mix of established opera stars and young singers, reaching new opera audiences with popularly priced tickets. It survived Rosa's death in 1889, and continued to present opera in English on tour until 1960, when it was obliged to close for lack of funds. The company was revived in 1997, presenting mostly lighter operatic works including those by Gilbert and Sullivan. The company "was arguably the most influential opera company ever in the UK". Background Carl Rosa was born Karl August Nikolaus Rose in Hamburg, Germany, the son of a local businessman. A child violin prodigy, Rosa studied at the Conservatorium at Leipzig and in Paris. In 1863 he was appointed Konzertmeister at Hamburg, where he had oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Savile Clarke
Henry Savile Clarke (14 February 1841 – 5 October 1893) was an English dramatist, journalist and critic. He produced and wrote the lyrics and book for the first professional dramatisation of ''Alice's Adventures in Wonderland'' and ''Through the Looking-Glass'' (1886) which remained a popular children's Christmas entertainment for half a century.Savile Clarke ''Alice'' Productions Lewis Carroll Resources website.Play adaptation of ''Alice in Wonderland'' website [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice In Wonderland (musical)
''Alice in Wonderland'' is a musical by Henry Savile Clarke (book and lyrics), Walter Slaughter (music) and Aubrey Hopwood (lyrics), based on Lewis Carroll's books ''Alice's Adventures in Wonderland'' (1865) and ''Through the Looking-Glass'' (1871). It debuted at the Prince of Wales Theatre in the West End in 1886. The piece, billed as "A musical dream play in two acts", achieved considerable popularity. At Carroll's request, Slaughter retained the old tunes in the parodies such as "Bonny Dundee". Background There were several amateur productions of ''Alice'' after the book's publication, and Carroll himself considered dramatizing the story for the professional stage. In 1877 he wrote to Arthur Sullivan (of Gilbert and Sullivan) in an attempt to persuade him to write the songs for a musical production. Sullivan was interested in the idea and proposed that he would compose a score to Carroll's libretto. Carroll hesitated, partly at the high fee Sullivan suggested for his work. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pall Mall Gazette
''The Pall Mall Gazette'' was an evening newspaper founded in London on 7 February 1865 by George Murray Smith; its first editor was Frederick Greenwood. In 1921, '' The Globe'' merged into ''The Pall Mall Gazette'', which itself was absorbed into ''The Evening Standard'' in 1923. Beginning late in 1868, at least through the 1880s, a selection or digest of its contents was published as the weekly ''Pall Mall Budget''. History ''The Pall Mall Gazette'' took the name of a fictional newspaper conceived by W. M. Thackeray. Pall Mall is a street in London where many gentlemen's clubs are located, hence Thackeray's description of this imaginary newspaper in his novel ''The History of Pendennis'' (1848–1850): We address ourselves to the higher circles of society: we care not to disown it—''The Pall Mall Gazette'' is written by gentlemen for gentlemen; its conductors speak to the classes in which they live and were born. The field-preacher has his journal, the radical free-thinker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gillette De Narbonne
''Gillette de Narbonne'' is an '' opéra comique'' in three acts, with music by Edmond Audran and words by Alfred Duru and Henri Chivot. It is based on a fabliau from ''The Decameron'' and depicts a rejected bride posing as another woman to deceive her husband into consummating their marriage. The first performance was on 11 November 1882 at the Théâtre des Bouffes-Parisiens, Paris, where it ran for 122 performances, until the following March. Productions followed in London, where the piece failed to run, and Berlin, where it was more successful. Background and first performance In the 1850s the Théâtre des Bouffes-Parisiens had been celebrated for its association with Jacques Offenbach.Lamb, Andrew"Offenbach, Jacques (Jacob)" ''Grove Music Online'', Oxford University Press, 2007. Retrieved 11 December 2018 "Gille ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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