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Wucai
''Wucai'' (五彩, "Five colours", "Wuts'ai" in Wade-Giles) is a style of decorating white Chinese porcelain in a limited range of colours. It normally uses underglaze cobalt blue for the design outline and some parts of the images, and overglaze enamels in red, green, and yellow for the rest of the designs. Parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then glazed and fired. The rest of the design is then added in the overglaze enamels of different colours and the piece fired again at a lower temperature of about 850°C to 900°C. It has its origins in the ''doucai'' technique. The usual distinction made with ''doucai'', which also combines underglaze blue with overglaze enamels in other colours, is that in ''wucai'' only parts of the design include blue, and these cover wider areas, and are often rather freely painted. In ''doucai'' the whole design is outlined in the blue, even if parts are overlaid by the enamels and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doucai
''Doucai'' () is a technique in painting Chinese porcelain, where parts of the design, and some outlines of the rest, are painted in underglaze blue, and the piece is then ceramic glaze, glazed and fired. The rest of the design is then added in overglaze enamels of different colours and the piece fired again at a lower temperature of about 850°C to 900°C. The style began in the 15th century under the Ming dynasty in the Jingdezhen ware, imperial factories at Jingdezhen, and its finest products come from a few years in the reign of the Chenghua Emperor, mostly small pieces like the famous Chicken Cup (Chenghua), Chicken cups. The style was discontinued after a few decades, as a suitable overglaze blue was developed, but later revived under the Qing dynasty. It is not to be confused with the ''wucai'' style, which was a related early technique for polychrome painting. ''Doucai'' can be translated as "contrasted colours", "fitted colours", "colours which fit together" or "dove-tail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Porcelain
Chinese ceramics show a continuous development since pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the Palaeolithic era. Chinese ceramics range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns, to the sophisticated Chinese porcelain wares made for the imperial court and for export. Porcelain was a Chinese invention and is so identified with China that it is still called "china" in everyday English usage. Most later Chinese ceramics, even of the finest quality, were made on an industrial scale, thus few names of individual potters were recorded. Many of the most important kiln workshops were owned by or reserved for the emperor, and large quantities of Chinese export porcelain were exported as diplomatic gifts or for trade from an early date, initially to East Asia and the Islamic world, and then from around the 16th century to Eur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Famille Verte
Famille jaune, noire, rose, verte are terms used in the West to classify Chinese porcelain of the Qing dynasty by the dominant colour of its enamel palette. These wares were initially grouped under the French names of ("green family"), and (pink family) by Albert Jacquemart in 1862. The other terms (yellow) and (black) may have been introduced later by dealers or collectors and they are generally considered subcategories of ''famille verte''. ''Famille verte'' porcelain was produced mainly during the Kangxi era, while ''famille rose'' porcelain was popular in the 18th and 19th century. Much of the Chinese production was Jingdezhen porcelain, and a large proportion were made for export to the West, but some of the finest were made for the Imperial court. Famille verte ''Famille verte'' (康熙五彩, ''Kangxi wucai'', also 素三彩, ''Susancai''), adopted in the Kangxi period around 1680, uses green in a few different shades and iron red with other overglaze colours. It dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Underglaze
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen. Underglaze decoration uses pigments derived from oxides which fuse with the glaze when the piece is fired in a kiln. It is also a cheaper method, as only a single firing is needed, whereas overglaze decoration requires a second firing at a lower temperature. Many historical styles, for example Persian mina'i ware, Japanese Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. However, because the main or glost firing is at a higher temperature than used in overglaze deco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overglaze Enamels
Overglaze decoration, overglaze enamelling or on-glaze decoration is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain. Many historical styles, for example mina'i ware, Imari ware, Chinese doucai and wucai, combine the two types of decoratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramic Glaze
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding liquids, sealing the inherent porosity of unglazed biscuit earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted. Most pottery produced in recent centuries has been glazed, other than pieces in unglazed biscuit porcelain, terracotta, or some other types. Tiles are almost always glazed on the surface face, and modern architectural terracotta is very often glazed. Glazed brick is also common. Domestic sanitary ware is invariably glazed, as are many ceramics u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinrande
''Kinrande'' (金襴手 , literally "gold brocade") is a Japanese porcelain style where gold is applied on the surface and there are a number of variations. It originated from China during the Jiajing (1521-1566) and Wanli (1573-1620) periods of the Ming dynasty. In the late Edo period, Arita ware, Imari ware, Kotō ware, Kutani ware, Kyō ware and Satsuma ware had pieces in this style. Imari pieces in ''kinrande'' style were particularly popular in Baroque era Europe. King Augustus II the Strong of Poland amongst the foremost collectors. Typically, gold was added to Chinese ''wucai'' (五彩) palette, called ''gosai'' in Japanese, which had a white base with red, green, and yellow motifs. Other types of ''kinrande'' include: * multi-colored motifs and gold on a white base (赤絵金襴手 ''akae kinrande'') * red base, multi-colored motifs and gold (赤地金襴手 ''akaji kinrande'') * green base (緑地金襴手 ''ryokuji kinrande'') * yellow base (黄地金襴手 ''ouji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Chinese Words And Phrases
This category is for articles on words and phrases of Chinese Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of va ... origin. For articles on words and phrases related to a specific area of China, or to a specific spoken variant, please refer to one of the subcategories. Words Words and phrases by language {{CatAutoTOC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese - Wine Jar With Carp Among Water Weeds And Lotuses - Walters 491917 - View A (cropped)
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Nationals of the People's Republic of China ** Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predominantly in China, sharing a written script (Chinese c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jar (Ping) With The Eight Immortals (Baxian) LACMA 53
A jar is a rigid, cylindrical or slightly conical container, typically made of glass, ceramic, or plastic, with a wide mouth or opening that can be closed with a lid, screw cap, lug cap, cork stopper, roll-on cap, crimp-on cap, press-on cap, plastic shrink, heat sealed lidding film, an inner seal, a tamper-evident band, or other suitable means. Etymology The English word "jar" originates from the Arabic word ''jarra'', which means an earthen pot or vessel. Creation Jars are sterilised by putting them in a pressure cooker with boiling water or an oven for a number of minutes. Glass jars are considered microwavable. Utility Jars can be used to hold solids too large to be removed from, or liquids too viscous to be poured through a bottle's neck; these may be foods, cosmetics, medications, or chemicals. Glass jars—among which the most popular is the mason jar—can be used for storing and preserving items as diverse as jam, pickled gherkin, other pickles, marmalade, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kangxi Emperor
The Kangxi Emperor (4 May 1654– 20 December 1722), also known by his temple name Emperor Shengzu of Qing, born Xuanye, was the third emperor of the Qing dynasty, and the second Qing emperor to rule over China proper, reigning from 1661 to 1722. The Kangxi Emperor's reign of 61 years makes him the longest-reigning emperor in Chinese history (although his grandson, the Qianlong Emperor, had the longest period of ''de facto'' power, ascending as an adult and maintaining effective power until his death) and one of the longest-reigning rulers in history. However, since he ascended the throne at the age of seven, actual power was held for six years by four regents and his grandmother, the Grand Empress Dowager Xiaozhuang. The Kangxi Emperor is considered one of China's greatest emperors. He suppressed the Revolt of the Three Feudatories, forced the Kingdom of Tungning in Taiwan and assorted Mongol rebels in the North and Northwest to submit to Qing rule, and blocked Tsarist R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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