|
Wolfdietrich
Wolfdietrich is the eponymous protagonist of the Middle High German heroic epic ''Wolfdietrich''. First written down in strophic form in around 1230 by an anonymous author, it survives in four main versions, widely differing in scope and content, and largely independent of each other. ''Wolfdietrich'' is closely associated with another heroic epic poem of the same period, ''Ortnit''. The two stories have distinct (if disputed) origins but they were combined at an early stage, possibly by a single author, and appear together in most sources. In the earliest surviving version of the first story, Ortnit is killed by two dragons sent by his father-in-law after he abducts and marries his daughter; in the second, Wolfdietrich, deprived of his inheritance by two brothers and an evil counsellor, sets out to seek Ortnit's help but, finding he has been killed, avenges him by killing the dragons, he then defeats his brothers and the counsellor, and marries Ortnit's widow. While the earlies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfdietrich Cpg365 0008
Wolfdietrich is the eponymous protagonist of the Middle High German heroic epic ''Wolfdietrich''. First written down in strophic form in around 1230 by an anonymous author, it survives in four main versions, widely differing in scope and content, and largely independent of each other. ''Wolfdietrich'' is closely associated with another heroic epic poem of the same period, '' Ortnit''. The two stories have distinct (if disputed) origins but they were combined at an early stage, possibly by a single author, and appear together in most sources. In the earliest surviving version of the first story, Ortnit is killed by two dragons sent by his father-in-law after he abducts and marries his daughter; in the second, Wolfdietrich, deprived of his inheritance by two brothers and an evil counsellor, sets out to seek Ortnit's help but, finding he has been killed, avenges him by killing the dragons, he then defeats his brothers and the counsellor, and marries Ortnit's widow. While the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ortnit
Ortnit is the eponymous protagonist of the Middle High German heroic epic ''Ortnit''. First written down in strophic form in around 1230 by an anonymous author, it circulated in a number of distinct versions. In the earliest version, King Ortnit sets out on an expedition to make the daughter of the heathen King Machorel his bride. He is greatly assisted by the cunning of the dwarf Alberich, who can only be seen by the wearer of a magic ring, and by the martial prowess of the Russian king Ilyas, Ortnit's uncle. In the second part of the story, Machorel, enraged by Ortnit's abduction of his daughter, sends him, in a feigned gesture of reconciliation, two dragon eggs. When these hatch, the dragons terrorise the land. After a year's delay, Ortnit sets out to kill the dragons, but falls asleep and is killed by them. In most of the surviving versions, this is followed by the story of Wolfdietrich, who avenges Ortnit's death and marries his widow. Though the two stories have distinct or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Von Bern
Dietrich von Bern is the name of a character in Germanic heroic legend who originated as a legendary version of the Ostrogothic king Theodoric the Great. The name "Dietrich", meaning "Ruler of the People", is a form of the Germanic name "Theodoric". In the legends, Dietrich is a king ruling from Verona (Bern) who was forced into exile with the Huns under Etzel by his evil uncle Ermenrich. The differences between the known life of Theodoric and the picture of Dietrich in the surviving legends are usually attributed to a long-standing oral tradition that continued into the sixteenth century. Most notably, Theodoric was an invader rather than the rightful king of Italy and was born shortly after the death of Attila and a hundred years after the death of the historical Gothic king Ermanaric. Differences between Dietrich and Theodoric were already noted in the Early Middle Ages and led to a long-standing criticism of the oral tradition as false. Legends about Theodoric may have exi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germanic Heroic Legend
Germanic heroic legend (german: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore. Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (german: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (). The early Middle Ages preser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambraser Heldenbuch
The Ambraser Heldenbuch ("The Ambras Castle Book of Heroes") is a 16th-century manuscript written in Early New High German, now held in the Austrian National Library (signature Cod. ser. nova 2663). It contains a collection of 25 Middle High German courtly and heroic narratives along with some shorter works, all dating from the 12th and 13th centuries. For many of the texts it is the sole surviving source, which makes the manuscript highly significant for the history of German literature. The manuscript also attests to an enduring taste for the poetry of the MHG classical period among the upper classes. History The manuscript was commissioned by the Emperor Maximilian I and written by Hans Ried in Bolzano, who worked as a civil servant (tax collector and member of the chancery) in Maximilian's government, over a period of years from 1504 to 1516. Apparently Ried deliberately prolonged the writing process, in order to continue receiving payment without having to return to his t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Þiðreks Saga
''Þiðreks saga af Bern'' ('the saga of Þiðrekr of Bern', also ''Þiðrekssaga'', ''Þiðriks saga'', ''Niflunga saga'' or ''Vilkina saga'', with Anglicisations including ''Thidreksaga'') is an Old Norse chivalric saga centering the character it calls Þiðrekr af Bern, who originated as the historical king Theoderic the Great (454–526), but who attracted a great many unhistorical Germanic heroic legends. The text is probably by a Norwegian scholar from the 1200s who translated a lost Low German prose narrative of Theoderic's life, or who compiled it from various German sources, or by an Icelandic scholar from the 1300s. It is a pre-eminent source for a wide range of medieval Germanic legends. Titles The name ''Vilkinasaga'' was first used in Johan Peringskiöld's Swedish translation of 1715. Peringskiöld named it after ''Vilkinaland'', which the saga says was an old name for Sweden and Götaland. Origins The saga contains many narratives found in other medieval tales ab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine Rhyme
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine And Feminine Endings
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gundoald
Gundoald or Gundovald was a Merovingian usurper king in the area of southern Gaul in either 584 or 585. He claimed to be an illegitimate son of Chlothar I and, with the financial support of the Emperor Maurice, took some major cities in southern Gaul, such as Poitiers and Toulouse, which belonged to Guntram, king of Burgundy, a legitimate son of Chlothar I. Guntram marched against him, calling him nothing more than a miller's son and named him 'Ballomer'. Gundovald fled to Comminges and Guntram's army set down to besiege the citadel (now known as Saint-Bertrand-de-Comminges). The siege was successful, Gundovald's support drained away quickly and he was handed over by the besieged to be executed. The sole source for Gundovald is Gregory of Tours, who wrote about the events in his 'Histories', books 6 and 7. Gundovald was never king of Aquitaine as is sometimes thought; there was no such separate kingdom at the time. While his main backers were magnates of Austrasia, the Byzantine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lombardic Capitals
Lombardic capitals is the name given to a type of decorative Letter case, upper-case letters used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. They are characterized by their rounded forms with thick, curved stems. Paul Shaw describes the style as a "relative" of uncial writing. Unlike Gothic capitals, Lombardic capitals were also used to write words or entire phrases. They were used both in illuminated manuscripts and monumental inscriptions, like the bell tower of Santa Chiara, Naples. In Italian, the style is known as "Longobarda" after an earlier spelling of the Lombardy region. History The term ''Lombardic'' comes from the study of Incunable, incunabula. A characteristic form of text decoration in manuscripts and early printed books with hand colouring was to use alternating red and blue Lombardic capitals for the start of each successive paragraph. Unlike Historiated initial, historiated or inhabited initials, Lombardic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Ambraser Heldenbuch")
