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Wolfdietrich Cpg365 0008
Wolfdietrich is the eponymous protagonist of the Middle High German heroic epic ''Wolfdietrich''. First written down in strophic form in around 1230 by an anonymous author, it survives in four main versions, widely differing in scope and content, and largely independent of each other. ''Wolfdietrich'' is closely associated with another heroic epic poem of the same period, '' Ortnit''. The two stories have distinct (if disputed) origins but they were combined at an early stage, possibly by a single author, and appear together in most sources. In the earliest surviving version of the first story, Ortnit is killed by two dragons sent by his father-in-law after he abducts and marries his daughter; in the second, Wolfdietrich, deprived of his inheritance by two brothers and an evil counsellor, sets out to seek Ortnit's help but, finding he has been killed, avenges him by killing the dragons, he then defeats his brothers and the counsellor, and marries Ortnit's widow. While the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfdietrich Cpg365 0008
Wolfdietrich is the eponymous protagonist of the Middle High German heroic epic ''Wolfdietrich''. First written down in strophic form in around 1230 by an anonymous author, it survives in four main versions, widely differing in scope and content, and largely independent of each other. ''Wolfdietrich'' is closely associated with another heroic epic poem of the same period, '' Ortnit''. The two stories have distinct (if disputed) origins but they were combined at an early stage, possibly by a single author, and appear together in most sources. In the earliest surviving version of the first story, Ortnit is killed by two dragons sent by his father-in-law after he abducts and marries his daughter; in the second, Wolfdietrich, deprived of his inheritance by two brothers and an evil counsellor, sets out to seek Ortnit's help but, finding he has been killed, avenges him by killing the dragons, he then defeats his brothers and the counsellor, and marries Ortnit's widow. While the earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theudebert
Theudebert (also Theodobert, Theudibert, Theodebert, Theodbert, Dietbert, Tibert, etc.E. W. Förstemann, ''Altdeutsches Namenbuch'', 18561168f. /ref>) is a Germanic name, Germanic dithematic name, composed from the elements ''theodiscus, theo-'' "people" and ''bert'' "bright". The name is attested primarily in the German Middle Ages. The Cat character in Reynard the Fox is called either Tibert or Theobald, Tybalt. Historical people called Theobert include: *Two Franks, Frankish kings of Austrasia: **Theudebert I (r. 533–548); his name is given as Θευδιβερτος by Procopius and Agathias **Theudebert II (r. 595–612) *Theodbert of Bavaria, Duke of Bavaria c. 716 – c. 719 *Theodebert, Count of Meaux in 877–888 *one Dietbert or Theobert of Tholey, locally venerated as a saint in the 13th century {{given name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lombardic Capitals
Lombardic capitals is the name given to a type of decorative Letter case, upper-case letters used in inscriptions and, typically, at the start of a section of text in medieval manuscripts. They are characterized by their rounded forms with thick, curved stems. Paul Shaw describes the style as a "relative" of uncial writing. Unlike Gothic capitals, Lombardic capitals were also used to write words or entire phrases. They were used both in illuminated manuscripts and monumental inscriptions, like the bell tower of Santa Chiara, Naples. In Italian, the style is known as "Longobarda" after an earlier spelling of the Lombardy region. History The term ''Lombardic'' comes from the study of Incunable, incunabula. A characteristic form of text decoration in manuscripts and early printed books with hand colouring was to use alternating red and blue Lombardic capitals for the start of each successive paragraph. Unlike Historiated initial, historiated or inhabited initials, Lombardic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine Rhyme
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine And Feminine Endings
Masculine ending and feminine ending are terms used in prosody, the study of verse form. "Masculine ending" refers to a line ending in a stressed syllable. "Feminine ending" is its opposite, describing a line ending in a stressless syllable. This definition is applicable in most cases; see below, however, for a more refined characterization. Example Below are the first two stanzas of "A Psalm of Life" by Henry Wadsworth Longfellow. In each stanza, the first and third lines have a feminine ending and the second and fourth lines a masculine one. Tell me not, in mournful numbers, Life is but an empty dream!— For the soul is dead that slumbers, And things are not what they seem. Life is real! Life is earnest! And the grave is not its goal; Dust thou art, to dust returnest, Was not spoken of the soul. The final stressless syllables, creating feminine endings, are ''-bers'', again ''-bers'', ''-nest'', and again ''-nest''. The final stressed syllables, creat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foot (prosody)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length. The most common feet in English are the iamb, trochee, dactyl, and anapest. The foot might be compared to a bar, or a beat divided into pulse groups, in musical notation. The English word "foot" is a translation of the Latin term ''pes'', plural ''pedes'', which in turn is a translation of the Ancient Greek ποῦς, pl. πόδες. The Ancient Greek prosodists, who invented this terminology, specified that a foot must have both an arsis and a thesis, that is, a place where the foot was raised ("arsis") and where it was put down ("thesis") in beating time or in marching or dancing. The Greeks recognised three basic types of feet, the iambic (where the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kudrun
''Kudrun'' (sometimes known as the ''Gudrunlied'' or ''Gudrun''), is an anonymous Middle High German heroic epic. The poem was likely composed in either Austria or Bavaria around 1250. It tells the story of three generations of the ruling house of Hetelings on the North Sea, but is primarily the story of Kudrun, who is abducted by the Norman prince Hartmut who desires to marry her. Kudrun remains true to her fiancé Herwig and eventually is rescued. After the defeat of the Normans, however, Kudrun ensures that peace will be kept between the two peoples by arranging for marriages and alliances. Although the story of Kudrun is very likely the invention of the poet, the story of her parents has its origins in a common Germanic tale known in Scandinavia as the ''Hjaðningavíg'': it tells how Kudrun's mother, Hilde, eloped with her father, Hetel, against the will of Hilde's father, Hagen. In ''Kudrun'', this originally tragic tale has been transformed into a happy one that serves as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crusade
The Crusades were a series of religious wars initiated, supported, and sometimes directed by the Latin Church in the medieval period. The best known of these Crusades are those to the Holy Land in the period between 1095 and 1291 that were intended to recover Jerusalem and its surrounding area from Islamic rule. Beginning with the First Crusade, which resulted in the recovery of Jerusalem in 1099, dozens of Crusades were fought, providing a focal point of European history for centuries. In 1095, Pope Urban II proclaimed the First Crusade at the Council of Clermont. He encouraged military support for Byzantine emperor AlexiosI against the Seljuk Turks and called for an armed pilgrimage to Jerusalem. Across all social strata in western Europe, there was an enthusiastic response. The first Crusaders had a variety of motivations, including religious salvation, satisfying feudal obligations, opportunities for renown, and economic or political advantage. Later crusades were cond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson De Geste
The ''chanson de geste'' (, from Latin 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ''chansons'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hildebrand
Hildebrand is a character from Germanic heroic legend. ''Hildebrand'' is the modern German form of the name: in Old High German it is ''Hiltibrant'' and in Old Norse ''Hildibrandr''. The word ''hild'' means "battle" and ''brand'' means "sword". The name itself is very likely of Lombardic origin. He is associated with the cycle of legends about Theodoric the Great, called Dietrich in German, to whom he is a companion. Hildebrand appears in many works, most prominently in the Old High German ''Hildebrandslied'', the Middle High German ''Nibelungenlied'', in the Old Norse song "Hildebrand's Death" in ''Ásmundar saga kappabana'' (called ''Hildibrandr''), and in the late medieval ''Jüngeres Hildebrandslied''. He also appears as ''Hildiger'' in ''Gesta Danorum''. In the Nibelungenlied, he is the armourer, brother-in-arms, and fatherly friend of Dietrich von Bern. Hildebrand kills Kriemhild, after she orders her brother's death and then kills Hagen herself. Hildebrand plays a suppo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
