Willie O Winsbury
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Willie O Winsbury
Willie O Winsbury is Child Ballad 100 (Roud 64). The song, of which there are many variants, is a traditional Scottish ballad that dates from at least 1775, and is known under several other names, including "Johnnie Barbour" and "Lord Thomas of Winesberry". Synopsis A king is away for some time. His daughter becomes pregnant by the hero, William or Thomas. The king threatens to hang him, but is struck by his beauty and offers him his daughter's hand, gold, and land. The hero agrees to marry the king's daughter but declares the gold and the land to be hers, not his own. Historical Basis This ballad closely parallels Child ballad 99, "Johnie Scot". In one variant, the lands are specifically described: he will be king when he returns to Scotland. It may, in fact, be based on James V's courtship of and marriage to Madeleine de Valois of France; James came to see the woman he was betrothed to in disguise, and went on to meet the princess, who fell in love with him.Francis James C ...
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Child Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ...
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Anne Briggs
Anne Patricia Briggs (born 29 September 1944) is an English folk singer. Although she travelled widely in the 1960s and early 1970s, appearing at folk clubs and venues in England and Ireland, she never aspired to commercial success or to achieve widespread public acknowledgment of her music. However, she was an influential figure in the British folk revival, being a source of songs and musical inspiration for others such as A. L. Lloyd, Bert Jansch, Jimmy Page, The Watersons, June Tabor, Sandy Denny, Richard Thompson, and Maddy Prior. Early life Briggs was born in Toton, Beeston, Nottinghamshire, England. Her mother died of tuberculosis when she was young. Her father, Albert, was severely injured in World War II and she was raised in Toton by her aunt Hilda and uncle Bill, who also brought up Hilda's youngest sister Beryl, and their own daughter Betty. In 1959, she hitch-hiked with a friend to Edinburgh. They stayed overnight with Archie Fisher, who was at that time prominent ...
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Connie Dover
Connie Dover is an American singer-songwriter who primarily writes and performs Celtic music and American folk music. Born in Arkansas and raised in Kansas City, Missouri, she started her career playing bluegrass before joining Celtic band Scartaglen in the early 1980s. In the 1990s, she began a solo career and has released four solo albums since 1991's ''Somebody'', all on the Taylor Park Music label, with noted Scottish musician Phil Cunningham of Silly Wizard serving as producer. She completed recording a CD of traditional Christmas songs and carols with the Kansas City Chamber Orchestra, entitled ''The Holly and the Ivy'', which was released in 2008. Her broadcast performances include guest appearances and features on NPR's ''Weekend Edition'' (Saturday and Sunday), ''A Prairie Home Companion'', ''The Thistle & Shamrock'', ''Mountain Stage'' and ''E-Town''. Connie's work as a writer and composer has flourished alongside her performance career. She received a 2007 Emmy Awa ...
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Dick Gaughan
Richard Peter Gaughan (born 17 May 1948) is a Scottish musician, singer and songwriter, particularly of folk and social protest songs. He is regarded as one of Scotland's leading singer-songwriters. Early years Gaughan was born in Glasgow's Royal Maternity Hospital while his father was working in Glasgow as an engine driver. He spent the first year-and-a-half of his life in Rutherglen, South Lanarkshire, after which the whole family moved to Leith, a port on the outskirts of Edinburgh. The eldest of three children, Gaughan grew up surrounded by the music of both Scotland and Ireland. His mother, a Highland Scot from Lochaber who spoke Gaelic, had as a child won a silver medal for singing at a Gaelic Mòd. His father, a native of Leith, played guitar. His Irish-born paternal grandfather (a native of Erris, County Mayo) played the fiddle and his paternal grandmother, a Glaswegian born to Irish parents, played button accordion and sang. The family experienced considerable pover ...
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Robert Cinnamond
Robert Cinnamond (18 May 1884 – 3 June 1968) was an Irish traditional singer and collector of songs. He was born in Tullyballydonnell, Ballinderry, County Antrim, Ireland. Along with his siblings he attended the nearby school located at the front of St. Mary's chapel, Tullyballydonnell. He married Elizabeth Murphy in 1913 - she died in 1936 giving birth to their ninth child. He was a founding chairman of St. Joseph's Gaelic Football club. Due to the hundreds of songs he had in his repertoire he was interviewed several times by both BBC and RTE. He was interviewed by Seán Ó Boyle as part of the field recording venture carried out in Ireland by the BBC between 1952 and 1957. Cinnamond provided 70 songs for the field researchers. A number of these songs were featured on the BBC radio programmes ''As I Roved Out'' and ''Music on the Hearth'' and were released on the cassette ''You Rambling Boys of Pleasure''; also as the gramophone record 12T269 by Topic Records, 1975. One of ...
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From The Beggar's Mantle
''From the Beggar's Mantle ... Fringed with Gold'' is an album by Barbara Dickson. "The Morning Lies Heavy on Me" by Allan Taylor is a soldier's farewell to his family. Dickson had met the folk singer Daisy Chapman (1912 - 1979) in 1968, and had learned "The Orange and the Blue" directly from her. It is a longer version of the song " All Around My Hat". "Lord Thomas of Winesberry and the King's Daughter" is sustained for 6 minutes with simple fiddle and guitar accompaniment. The album was recorded in 1971 and released on vinyl in 1972. It was re-released in 2006 on CD with ''Do Right Woman''. Track listing Side One # "Witch of the Westmorland" (Archie Fisher) (4:08) # "If I Never, Ever Saw You Again" (Archie Fisher) (3:03) # "Recruited Collier" (Traditional) (2:35) # "The Morning Lies Heavy On Me" (Allan Taylor) (3:10) # "Fine Flowers in the Valley" (Traditional) (3:01) Side Two # "Lord Thomas of Winesberry and the King's Daughter" (Traditional; arranged by Archie Fisher) (6:02) ...
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Barbara Dickson
Barbara Ruth Dickson (born 27 September 1947) is a Scottish singer and actress whose hits include 'I Know Him So Well', 'Answer Me' and 'January February'. Dickson has placed fifteen albums on the UK Albums Chart from 1977 to date, and had a number of hit singles, including four which reached the top 20 on the UK Singles Chart. ''The Scotsman'' newspaper has described her as Scotland's best-selling female singer in terms of the numbers of hit chart singles and albums she has achieved in the UK since 1976. She is also a twice Olivier Award-winning actress, with roles including Viv Nicholson in the musical ''Spend Spend Spend'', and was the original Mrs. Johnstone in Willy Russell's long-running musical '' Blood Brothers''. On television she starred as Anita Braithwaite in '' Band of Gold''. Career Early years Dickson was born in Dunfermline and went to Woodmill High School and Dunfermline High School. Previously she lived in "Dollytown", Rosyth, a prefab housing estate that ...
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Solomon's Seal (album)
''Solomon's Seal'' is an album recorded in 1972 by folk-rock band Pentangle. It was the last album recorded by the original line-up, before the band split in 1973. Jacqui McShee has stated that it is her favourite Pentangle album. The album title refers to the Seal of Solomon — a mythical signet ring with magical powers, sometimes associated with the pentagram symbol adopted by Pentangle. ''Solomon's Seal'' was recorded at Sound Techniques studio, London, between February and March 1972. Pentangle's contract with Transatlantic had expired and, amid a dispute with Transatlantic over royalties, the band had switched allegiance to Warner/Reprise, who had been their U.S. distributor. The album was released in September 1972, to coincide with the start of Pentangle's new tour. However, by the start of 1973, the band had split and sales of the album were disappointing, leaving the band members still paying off their debts, against the album's advance royalties, into the early 1980s. ...
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Pentangle (band)
Pentangle are a British folk band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn (vocals and guitar); Bert Jansch (vocals and guitar); Danny Thompson (double bass); and Terry Cox (drums). The name ''Pentangle'' was chosen to represent the five members of the band, and is also the device on Sir Gawain's shield in the Middle English poem ''Sir Gawain and the Green Knight'', which held a fascination for Renbourn. In 2007, the original members of the band were reunited to receive a Lifetime Achievement award at the BBC Radio 2 Folk Awards and to record a short concert that was broadcast on BBC radio. The following June, all five original members embarked on a twelve-date UK tour. History Formation The original group formed in 1967. Renbourn an ...
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Faro Annie
''Faro Annie'' is the 1971 solo album by British folk musician John Renbourn. On this release, Renbourn ventures into folk rock and blues territory. There is also heavy use of the sitar on this album, played by Renbourn himself. He is joined on the album by Pentangle bandmates Danny Thompson and Terry Cox. Track listing Personnel *John Renbourn - guitar, sitar, harmonica, lead vocals *Danny Thompson - bass on "Shake Shake Mamma" and "Faro Annie" *Sue Draheim - fiddle on "Little Sadie", "Willy O'Winsbury" and "Country Blues" *Pete Dyer - harmonica on "Kokomo Blues" and "Come On in My Kitchen" *Terry Cox - drums on "Shake Shake Mamma" and "Faro Annie" *Dorris Henderson Dorris Henderson (February 2, 1933 – March 3, 2005) was an American-born, United Kingdom-based folk music singer and autoharp player. Early years Born in Lakeland, Florida but raised in Los Angeles, she was the daughter of an African American ... - vocals on "White House Blues", "Kokomo Blues" and "Back o ...
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John Renbourn
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman. While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, ''Sir John Alot'' (1968), featured his take on tunes from the medieval period. Biography John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy. In the 1960s, the new craze in popula ...
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Hedgehog Pie
Hedgehog Pie were a British folk rock group from the north-east of England, that evolved between 1969 and 1971. Despite frequent line-up changes, they built up a considerable regional and national following and produced three highly regarded albums. They were connected to many of the most important folk and rock bands of the region from the 1970s and have been seen as one of the most significant groups in a rediscovery and popularisation of Northumbrian roots music. History Origins The origins of Hedgehog Pie were in a loose collection of folk musicians in Newcastle-upon-Tyne from 1969. It started in Hebburn when brothers Mick and Kevin Doonan and brothers Phil and Jim Murray started playing together in local pubs and clubs. By 1971 it had solidified into two members of the Doonan Family Band, Mick Doonan (flute) and Phil Murray (bass), together with Jed Grimes (guitar) and Andy Seagroat (fiddle).C. Dolmetsch, 'The Wonderful Legend of Hedgehog Pie', ''Porthole'', 2 (1996), , r ...
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