William Sweeney (composer)
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William Sweeney (composer)
William John Sweeney (born 5 January 1950) is a Scottish composer. Biography Born in Glasgow, he attended Knightswood Secondary School. He studied the clarinet and composition at the Royal Scottish Academy of Music and Drama from 1967 to 1970, and at the Royal Academy of Music from 1970 to 1973, where his teachers included Alan Hacker and Harrison Birtwistle. He went on to teach woodwind instruments, and then composition at the University of Glasgow. An early influence was the European avant-garde, particularly Karlheinz Stockhausen, though he returned to tonal composition in the mid-1970s. His work is strongly influenced by traditional Scottish folk music; in particular, he has utilised the heterophonic style of Gaelic psalm-singing, and the piobaireachd form; he varies melodies through ornamentation, as in traditional pibroch, and in their contour; he modifies instruments' tone-colours through alternative fingerings. He has a strong regard for the music of Leoš Janáče ...
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Scotland
Scotland (, ) is a country that is part of the United Kingdom. Covering the northern third of the island of Great Britain, mainland Scotland has a border with England to the southeast and is otherwise surrounded by the Atlantic Ocean to the north and west, the North Sea to the northeast and east, and the Irish Sea to the south. It also contains more than 790 islands, principally in the archipelagos of the Hebrides and the Northern Isles. Most of the population, including the capital Edinburgh, is concentrated in the Central Belt—the plain between the Scottish Highlands and the Southern Uplands—in the Scottish Lowlands. Scotland is divided into 32 administrative subdivisions or local authorities, known as council areas. Glasgow City is the largest council area in terms of population, with Highland being the largest in terms of area. Limited self-governing power, covering matters such as education, social services and roads and transportation, is devolved from the Scott ...
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Goidelic Languages
The Goidelic or Gaelic languages ( ga, teangacha Gaelacha; gd, cànanan Goidhealach; gv, çhengaghyn Gaelgagh) form one of the two groups of Insular Celtic languages, the other being the Brittonic languages. Goidelic languages historically formed a dialect continuum stretching from Ireland through the Isle of Man to Scotland. There are three modern Goidelic languages: Irish ('), Scottish Gaelic ('), and Manx ('). Manx died out as a first language in the 20th century but has since been revived to some degree. Nomenclature ''Gaelic'', by itself, is sometimes used to refer to Scottish Gaelic, especially in Scotland, and so it is ambiguous. Irish and Manx are sometimes referred to as Irish Gaelic and Manx Gaelic (as they are Goidelic or Gaelic languages), but the use of the word "Gaelic" is unnecessary because the terms Irish and Manx, when used to denote languages, always refer to those languages. This is in contrast to Scottish Gaelic, for which "Gaelic" distinguishes the l ...
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British Male Classical Composers
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ...
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Scottish Classical Composers
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English *Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland *Scots language, a West Germanic language spoken in lowland Scotland *Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also *Scotch (other) *Scotland (other) *Scots (other) *Scottian (other) *Schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina ("chotis"Span ... * {{disambiguation Language and nationality disambiguation pages ca:Escocès ...
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Aonghas MacNeacail
Aonghas MacNeacail (born 7 June 1942), nickname ''Aonghas dubh'' or ''Black Angus'', is a contemporary writer in the Scottish Gaelic language. Early life MacNeacail was born in Uig on the Isle of Skye on 7 June 1942. He was raised in Idrigil, speaking Gaelic as a child. He was registered at birth as Angus Nicolson, but later changed his official name to "Aonghas MacNeacail," the Scottish Gaelic version of his name. He attended Uig Primary School and Portree High School, and from 1968 the University of Glasgow where he was one of a group of young writers who gathered around Philip Hobsbaum which also included James Kelman, Tom Leonard, Alasdair Gray, Liz Lochhead and Jeff Torrington. Career Besides drawing on Gaelic traditions, MacNeacail is influenced by the Black Mountain School of the US. He has held writing fellowships in Scotland, including residences at the Gaelic college of Sabhal Mòr Ostaig Sabhal Mòr Ostaig () (Great Barn of Ostaig) is a public higher educati ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ...
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Improvisation
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of improvisation can apply to many different faculties, across all artistic, scientific, physical, cognitive, academic, and non-academic disciplines; see Applied improvisation. Improvisation also exists outside the arts. Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Improvised weapons are often used by guerrillas, insurgents and criminals. Engineering Improvisation in engineering is to solve a problem with the tools and materials immediately at hand. Examples of such improvisation was the re-engineering of carbon dioxide scrubbers with the materials on hand during the Apollo 13 space mission, or the use of a knife in place of a screwdriver to turn a screw. Engineering improvisations ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Leoš Janáček
Leoš Janáček (, baptised Leo Eugen Janáček; 3 July 1854 – 12 August 1928) was a Czech composer, musical theorist, folklorist, publicist, and teacher. He was inspired by Moravian and other Slavic musics, including Eastern European folk music, to create an original, modern musical style.Sehnal and Vysloužil (2001), p. 175 Until 1895 he devoted himself mainly to folkloristic research. While his early musical output was influenced by contemporaries such as Antonín Dvořák, his later, mature works incorporate his earlier studies of national folk music in a modern, highly original synthesis, first evident in the opera ''Jenůfa'', which was premiered in 1904 in Brno. The success of ''Jenůfa'' (often called the "Moravian national opera") at Prague in 1916 gave Janáček access to the world's great opera stages. Janáček's later works are his most celebrated. They include operas such as ''Káťa Kabanová'' and ''The Cunning Little Vixen'', the Sinfonietta, the ''Glag ...
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Pibroch
Pibroch, or is an art music genre associated primarily with the Scottish Highlands that is characterised by extended compositions with a melodic theme and elaborate formal variations. Strictly meaning "piping" in Scottish Gaelic, has for some four centuries been music of the Great Highland Bagpipe. Music of a similar nature, pre-dating the adoption of the Highland pipes, has historically been played on the wire-strung Gaelic harp () and later on the Scottish fiddle, and this form is undergoing a revival. A more general term is ( gd, ceòl mòr in reformed spelling or in unreformed spelling), meaning the "great music", to distinguish this complex extended art-music from the more popular Scottish music such as dances, reels, marches and strathspey (dance), strathspeys, which are called or "little music". Etymology The Gaelic languages, Gaelic word literally means 'piping' or 'act of piping'. The word is derived from ('pipes') via ('piper') plus the abstract forming suffix ...
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Ornament (music)
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide added interest and variety, and give the performer the opportunity to add expressiveness to a song or piece. Many ornaments are performed as "fast notes" around a central, main note. There are many types of ornaments, ranging from the addition of a single, short grace note before a main note to the performance of a virtuosic and flamboyant trill. The amount of ornamentation in a piece of music can vary from quite extensive (it was often extensive in the Baroque period, from 1600 to 1750) to relatively little or even none. The word ''agrément'' is used specifically to indicate the French Baroque style of ornamentation. Improvised vs. written In the Baroque period, it was common for performers to improvise ornamentation on a given melodic li ...
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