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William Strang (1859 - 1921) - The Cathedral, Segovia - ABDAG007066 - Aberdeen City Council (Archive
William Strang (13 February 1859 – 12 April 1921) was a Scottish painter and printmaker, notable for illustrating the works of Bunyan, Coleridge and Kipling. Early life Strang was born at Dumbarton, the son of Peter Strang, a builder, and was educated at the Dumbarton Academy. For fifteen months after leaving school he worked in the counting-house of a firm of shipbuilders, then in 1875, when he was sixteen, went to London. There he studied art under Alphonse Legros at the Slade School for six years. Strang had great success as an etcher and became assistant master in the etching class. He was one of the founding members of the Royal Society of Painter-Etchers, and his work was part of its first exhibition in 1881. Some of his early plates were published in ''The Portfolio'' and other art magazines. Work He worked in many techniques: etching, drypoint, mezzotint, sand-ground mezzotint, burin engraving, lithography and woodcut. He cut a large wood engraving of a man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dumbarton
Dumbarton (; also sco, Dumbairton; ) is a town in West Dunbartonshire, Scotland, on the north bank of the River Clyde where the River Leven flows into the Clyde estuary. In 2006, it had an estimated population of 19,990. Dumbarton was the capital of the ancient Kingdom of Strathclyde, and later the county town of Dunbartonshire. Dumbarton Castle, on top of Dumbarton Rock, dominates the area. Dumbarton was a Royal burgh between 1222 and 1975. Dumbarton emerged from the 19th century as a centre for shipbuilding, glassmaking, and whisky production. However these industries have since declined, and Dumbarton today is increasingly a commuter town for Glasgow east-southeast of it. Dumbarton F.C. is the local football club. Dumbarton is home to BBC Scotland's drama studio. History Dumbarton history goes back at least as far as the Iron Age and probably much earlier. It has been suggested that in Ancient Rome, Roman times Dumbarton was the "place of importance" named as Alauna in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Portfolio
''The Portfolio'' was a British monthly art magazine published in London from 1870 to 1893. It was founded by Philip Gilbert Hamerton and promoted contemporary printmaking, especially etching, and was important in the British Etching Revival. Early contributors included Joseph Beavington Atkinson (1822–1886), Francis Turner Palgrave (1824–1897) and Sidney Colvin (1845–1927). History The mid-nineteenth century in France and Britain saw a rise in the interest in etching. Hamerton had spent the 1860s in France with his French wife, Eugénie. The impetus for the launch of ''The Portfolio'' came in the wake of the foundation in Paris of the Société des aquafortistes in 1862, and to a lesser extent from the longer established Etching Club from 1838. Etchings by many French etchers such as Paul Rajon (1843–1888), Alfred Brunet-Debaines (1845–1939), and Benjamin Damman (1835–1921) were a marked feature of the publication. Indeed, ''The Standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baron Munchausen
Baron Munchausen (; ) is a fictional German nobleman created by the German writer Rudolf Erich Raspe in his 1785 book '' Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia''. The character is loosely based on a real baron, Hieronymus Karl Friedrich, Freiherr von Münchhausen. Born in Bodenwerder, Electorate of Hanover, the real-life Münchhausen fought for the Russian Empire in the Russo-Turkish War of 1735–1739. Upon retiring in 1760, he became a minor celebrity within German aristocratic circles for telling outrageous tall tales based on his military career. After hearing some of Münchhausen's stories, Raspe adapted them anonymously into literary form, first in German as ephemeral magazine pieces and then in English as the 1785 book, which was first published in Oxford by a bookseller named Smith. The book was soon translated into other European languages, including a German version expanded by the poet Gottfried August Bürger. The real-life ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A True Story
''A True Story'' ( grc, Ἀληθῆ διηγήματα, ''Alēthē diēgēmata''; or ), also translated as True History, is a long novella or short novel written in the second century AD by the Greek author Lucian of Samosata. The novel is a satire of outlandish tales that had been reported in ancient sources, particularly those that presented fantastic or mythical events as if they were true. It is Lucian's best-known work. It is the earliest known work of fiction to include travel to outer space, alien lifeforms, and interplanetary warfare. It has been described as "the first known text that could be called science fiction". However, the work does not fit into typical literary genres: its multilayered plot and its characters have been interpreted as belonging to science fiction, fantasy, satire or parody, and have been the subjects of scholarly debate. Plot The novel begins with an explanation that the story is not at all "true", and that everything in it is a complete an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucian Of Samosata
Lucian of Samosata, '; la, Lucianus Samosatensis ( 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration ''The Dream'', he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an education in Ionia. He may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Benwell Clark
Joseph Benwell Clark (185713 February 1938) was an English painter, etcher, engraver in mezzotint and drypoint, and book illustrator. ''Victorian Painters'' describes Clark as a London painter of rustic subjects. Early life Born at Cerne Abbas, Dorset, Clark was a son of William Henry Clark, linen draper, and his wife Christian Ann Benwell Ellisdon, and was baptized into the Church of England on 24 July 1857. His parents had married at Haggerston, East London, in 1846, and both his grandfathers were drapers. His middle name, Benwell, came from his maternal grandmother, who was Sarah Lovelock Benwell before marrying William Ellisdon. Clark was a nephew of the painter and illustrator Joseph Clark (1834–1926), who was also a native of Cerne Abbas. The younger Clark later lived with his uncle in Holloway, London, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Mariner
''The Rime of the Ancient Mariner'' (originally ''The Rime of the Ancyent Marinere'') is the longest major poem by the English poet Samuel Taylor Coleridge, written in 1797–1798 and published in 1798 in the first edition of ''Lyrical Ballads''. Some modern editions use a revised version printed in 1817 that featured a gloss. Along with other poems in ''Lyrical Ballads'', it is often considered a signal shift to modern poetry and the beginning of British Romantic literature. ''The Rime of the Ancient Mariner'' recounts the experiences of a sailor who has returned from a long sea voyage. The mariner stops a man who is on his way to a wedding ceremony and begins to narrate a story. The Wedding-Guest’s reaction turns from bemusement to impatience to fear to fascination as the mariner's story progresses, as can be seen in the language style: Coleridge uses narrative techniques such as personification and repetition to create a sense of danger, the supernatural, or serenity, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pilgrim's Progress
''The Pilgrim's Progress from This World, to That Which Is to Come'' is a 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of theological fiction in English literature and a progenitor of the narrative aspect of Christian media. It has been translated into more than 200 languages and never been out of print. It appeared in Dutch in 1681, in German in 1703 and in Swedish in 1727. The first North American edition was issued in 1681.Lyons, M. (2011). Books: A Living History. Getty Publications. It has also been cited as the first novel written in English. According to literary editor Robert McCrum, "there's no book in English, apart from the Bible, to equal Bunyan's masterpiece for the range of its readership, or its influence on writers as diverse as C. S. Lewis, Nathaniel Hawthorne, Herman Melville, Charles Dickens, Louisa May Alcott, George Bernard Shaw, William Thackeray, Charlotte Bronte, Mark Twain, John Steinbeck a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aken Drum
"Aiken Drum" (Roud 2571) is a popular Scottish folk song and nursery rhyme, which probably has its origins in a Jacobite song about the Battle of Sheriffmuir (1715). Lyrics Modern versions of the lyrics include: There was a man lived in the moon, lived in the moon, lived in the moon, There was a man lived in the moon, And his name was Aiken Drum. ''Chorus'' And he played upon a ladle, a ladle, a ladle, And he played upon a ladle, and his name was Aiken Drum. And his hat was made of good cream cheese, of good cream cheese, of good cream cheese, And his hat was made of good cream cheese, And his name was Aiken Drum. And his coat was made of good roast beef, of good roast beef, of good roast beef, And his coat was made of good roast beef, And his name was Aiken Drum. And his buttons made of penny loaves, of penny loaves, of penny loaves, And his buttons made of penny loaves, And his name was Aiken Drum. And his waistcoat was made of crust pies, of crust pies, of crust pies, An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Engraving
Wood engraving is a printmaking technique, in which an artist works an image or ''matrix'' of images into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, wood engravings deteriorate less quickly than copper-plate engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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