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Joseph Benwell Clark
Joseph Benwell Clark (185713 February 1938) was an English painter, etcher, engraver in mezzotint and drypoint, and book illustrator. ''Victorian Painters'' describes Clark as a London painter of rustic subjects. Early life Born at Cerne Abbas, Dorset, Clark was a son of William Henry Clark, linen draper, and his wife Christian Ann Benwell Ellisdon, and was baptized into the Church of England on 24 July 1857. His parents had married at Haggerston, East London, in 1846, and both his grandfathers were drapers. His middle name, Benwell, came from his maternal grandmother, who was Sarah Lovelock Benwell before marrying William Ellisdon. Clark was a nephew of the painter and illustrator Joseph Clark (1834–1926), who was also a native of Cerne Abbas. The younger Clark later lived with his uncle in Holloway, London, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Benwell Clark, Self-portrait, 1889
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled '' Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Mayger Hind
Arthur Mayger Hind (1880–1957) was a British art historian and curator, who usually published as Arthur M. Hind or A. M. Hind. He specialized in old master prints, and was Keeper of the Department of Prints and Drawings at the British Museum until he retired in 1945. Many prints continue to be referred to by the numbers from his catalogue of Italian engravings in the British Museum, a work begun in 1910 and published in expanded form in four volumes in 1948, with another three in 1948. His classic introductory books ''A hortHistory of Engraving and Etching'' (1908) and ''An Introduction to a History of Woodcut'' (1935) continued to be reprinted for decades by Dover Publications. The former was described by a later curator as "perhaps the most influential general guide ever written to the history of printmaking".Carey, 236 With Campbell Dodgson, his predecessor as Keeper, he participated in the "heated atmosphere of rumour and anticipation" (as Dodgson put it in 1927) a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Samuel Chattock
Richard Samuel Chattock (23 August 1825 – 30 January 1906) was an English printmaker, painter and etcher. Biography Chattock was born in Solihull (then in Warwickshire), the third son of Thomas Chattock, a solicitor. After studying at Rugby School, he too entered the legal profession. However, in the late 1850s he began following his interest in art, exhibiting his work in the Royal Birmingham Society of Artists. From 1869 to 1891, he exhibited in the Royal Academy of Arts. Chattock often painted rural scenes and architectural subjects. In 1872, he completed his most famous works, sixteen etchings that depict the industrial landscape of the Black Country considered an unusual choice for artists. For each etching, Chattock gave a description of what is being portrayed, and often how the objects in the etchings were used in the industry. While these descriptions tell of the "intense desolation" of the Black Country, due to an industry that "ransacked tsdepths", Chattock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Abbott McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folio
The term "folio" (), has three interconnected but distinct meanings in the world of books and printing: first, it is a term for a common method of arranging sheets of paper into book form, folding the sheet only once, and a term for a book made in this way; second, it is a general term for a sheet, leaf or page in (especially) manuscripts and old books; and third, it is an approximate term for the size of a book, and for a book of this size. First, a folio (abbreviated fo or 2o) is a book or pamphlet made up of one or more full sheets of paper, on each of which four pages of text are printed, two on each side; each sheet is then folded once to produce two leaves. Each leaf of a folio book thus is one half the size of the original sheet. Ordinarily, additional printed folio sheets would be inserted inside one another to form a group or "gathering" of leaves prior to binding the book. Second, folio is used in terms of page numbering for some books and most manuscripts that ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Sprent Virtue
James Sprent Virtue (18 May 1829 – 29 March 1892) was a British publisher. Early years Born at 26 Ivy Lane, Paternoster Row, in the City of London, EC, J. S. Virtue was the second son of George Virtue, the founder in London of a publishing business, the main feature of which was producing illustrated works. At the age of fourteen, J.S. was apprenticed to his father, and in 1848, when he was 19, he was sent to work in the firm’s New York publishing branch, to expand the United States and Canadian market for its books and journals. He travelled widely through the United States and Canada on business, returnee to England in 1850, when he was admitted as a liveryman of the Stationers' Company, then went back to the New York City branch and became its head. By 1852, Virtue had expanded the firm’s North American business to fifteen local branches in the major cities of the eastern United States and Canada. J.S. returned to England in 1855, when his father retired from active ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Art Journal
''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 750 copies appearing 15 February 1839. It was published in London but its readership was global in reach. History Hodgson & Graves hired Samuel Carter Hall as editor of ''Art Union Monthly Journal'', assisted by James Dafforne. Hall soon became the principal proprietor, but he was unable to turn a profit on his own. The London publisher George Virtue bought a share of the business in 1848, with Hall remaining as editor, and they renamed the periodical ''The Art Journal'' in 1849. In 1851, as part of the "Great Exhibition" of that year, ''The Art Journal'' featured Hall's engravings of 150 pictures from the private collections of Queen Victoria and Prince Albert. Although this project was popular, the publication remained unprofitable, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Spectator
''The Spectator'' is a weekly British magazine on politics, culture, and current affairs. It was first published in July 1828, making it the oldest surviving weekly magazine in the world. It is owned by Frederick Barclay, who also owns ''The Daily Telegraph'' newspaper, via Press Holdings. Its principal subject areas are politics and culture. It is politically conservative. Alongside columns and features on current affairs, the magazine also contains arts pages on books, music, opera, film and TV reviews. Editorship of ''The Spectator'' has often been a step on the ladder to high office in the Conservative Party in the United Kingdom. Past editors include Boris Johnson (1999–2005) and other former cabinet members Ian Gilmour (1954–1959), Iain Macleod (1963–1965), and Nigel Lawson (1966–1970). Since 2009, the magazine's editor has been journalist Fraser Nelson. ''The Spectator Australia'' offers 12 pages on Australian politics and affairs as well as the full UK maga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frederic Watts
George Frederic Watts (23 February 1817, in London – 1 July 1904) was a British painter and sculptor associated with the Symbolist movement. He said "I paint ideas, not things." Watts became famous in his lifetime for his allegorical works, such as ''Hope'' and ''Love and Life''. These paintings were intended to form part of an epic symbolic cycle called the "House of Life", in which the emotions and aspirations of life would all be represented in a universal symbolic language. Early life and education Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the ''Iliad.'' The former put him off conventional religion for life, while the latter was a continual influence on his art. He s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Paul Laurens
Jean-Paul Laurens (; 28 March 1838 – 23 March 1921) was a French painter and sculptor, and one of the last major exponents of the French Academic style. Biography Laurens was born in Fourquevaux and was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical ''mise-en-scène'', came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens' lifetime. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atelier
An atelier () is the private workshop or studio of a professional artist in the fine or decorative arts or an architect, where a principal master and a number of assistants, students, and apprentices can work together producing fine art or visual art released under the master's name or supervision. Ateliers were the standard vocational practice for European artists from the Middle Ages to the 19th century, and common elsewhere in the world. In medieval Europe this way of working and teaching was often enforced by local guild regulations, such as those of the painters' Guild of Saint Luke, and of other craft guilds. Apprentices usually began working on simple tasks when young, and after some years with increasing knowledge and expertise became journeymen, before possibly becoming masters themselves. This master-apprentice system was gradually replaced as the once powerful guilds declined, and the academy became a favored method of training. However, many professional artists c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
