William Ross (actor)
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William Ross (actor)
was a Tokyo-based company dedicated to the dubbing of Japanese films and media for the English language. Frontier did jobs for Toho International, Toei Animation and Shochiku Company, dubbing their films into English for export. Along with New York’s Titra Studios, Rome's Associated Recording Artists, and Hong Kong’s Axis and Omni Productions, Frontier was one of the early pioneers in English-language dubbing. History Frontier Enterprises was founded in 1964 by Cincinnati-born Korean War veteran William Ross, whose initial postwar plans were to join the Japanese State Department but instead became involved with the Japanese film industry. He became involved in the dubbing industry in 1959, upon recommendation by Japanese actor So Yamamura. He showed such a talent for the industry, that the Japanese dubbing director left Ross in charge on the first day. As the other Tokyo-based dubbing companies began to fold, Ross decided to found Frontier Enterprises, which soon be ...
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Dubbing (filmmaking)
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The te ...
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The Samurai (TV Series)
''The Samurai'' is a Japanese historical fiction television series made by Senkosha Productions during the early 1960s. Its original Japanese title was . The series premiered in 1962 on TBS and ran continuously until 1965 for ten self-contained story arcs (seasons), usually of 13 episodes each. Also created were two black-and-white feature films by Toei Company, made in 1964 by the same crew which created the TV series, and a stage show. ''The Samurai'' proved to be highly successful despite its initially very limited budget. It was the first Japanese TV program ever screened in Australia, where it premiered in 1964 and built up a remarkably large fan-base among the local young audience at the time, rapidly becoming a cult favourite. Despite its massive popularity in Australia as well as success in Japan, New Zealand and the Philippines, the series was not widely screened elsewhere and its fame remains largely restricted to those countries. It was followed in 1965 by the spin-off ...
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Princess Knight
''Princess Knight'', also known as ''Ribon no Kishi'' is a Japanese manga series written and illustrated by Osamu Tezuka. This manga follows the adventures of Sapphire, a girl who was born accidentally with a blue heart of a boy and a pink heart of a girl. She pretends to be a male prince to prevent the evil Duke Duralumin from inheriting the throne of Silverland. The gender-bending main character was inspired by the all-female musical theater group Takarazuka Revue in which women performed both female and male roles. The story was ordered by one editor of Kodansha's magazine ''Shōjo Club'' who wanted Tezuka to produce a manga aimed towards a female audience that could replicate the success of his former boy-aimed stories. The author then created ''Princess Knight'', originally serialized in that magazine from 1953 to 1956. The manga's popularity resulted into a radio dramatization in 1955, three other serializations between 1958 and 1968, and a 52-episode television anim ...
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Ōgon Bat
is a Japanese superhero created by Suzuki Ichiro and Takeo Nagamatsu in 1931 who originally debuted in a ''kamishibai'' (paper theater). Ōgon Bat is considered by some to be the world's first superhero, and is a precursor to later superhero characters such as the Japanese ''kamishibai'' character ''Prince of Gamma'' (debut early 1930s), and the American comic book characters ''Superman'' (debut 1938) and ''Batman'' (debut 1939). History Ōgon Bat was created by 16-year old Takeo Nagamatsu and twenty-five year old Suzuki Ichiro in 1931 and was named after the ''Golden Bat'' cigarette brand. The two were inspired by drawings of mythological characters in Tokyo's Ueno Royal Museum to create a new hero based on science rather than mythology. The character debuted in a ''kamishibai'', a type of traveling show in which a sequence of pictures are shown, narrated by a storyteller. The character was popular enough to survive the decline of kamishibai following World War II, and was even ...
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Princess From The Moon
is a 1987 Japanese film directed by Kon Ichikawa. It is based on ''The Tale of the Bamboo Cutter'', a 10th-century Japanese fairy tale about a girl from the Moon who is discovered as a baby inside the stalk of a glowing bamboo plant. Plot One day bamboo cutter Taketori-no-Miyatsuko (Toshiro Mifune) discovers a baby girl while he is out in the forest, visiting his daughter's grave. Not wanting to leave the infant to die and because of her resemblance to his dead daughter, he takes the child home with him- only to discover that the child grows at an extraordinarily fast rate. Incredibly beautiful, the now grown child Kaya (Yasuko Sawaguchi) attracts the attention of everyone around her, including the land's Emperor. Unwilling to accept their advances, Kaya gives the men a list of increasingly difficult tasks. By the film's end Kaya returns to outer-space by way of a space ship. Cast * Toshiro Mifune as Taketori-no-Miyatsuko * Yasuko Sawaguchi as Kaya, the Princess Kaguya * Ayako Wa ...
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Legend Of Dinosaurs & Monster Birds
, also known in the U.S. as ''The "Legend of Dinosaurs"'', is a 1977 Japanese kaiju science fiction film produced and distributed by Toei Company. The film was initially unsuccessful in Japan, but later became an overseas blockbuster in the Soviet Union. Plot A young woman wanders barefoot in the lush Aokigahara (青木ヶ原), also known as the Sea of Trees (樹海 Jukai) region of Mount Fuji, and suddenly falls into a cavern, awakening in an icy cave full of large eggs. When one of the eggs start to hatch, she goes into hysterics and flees until she is discovered by a construction crew. Before falling into a coma, the girl babbles about what she saw to a reporter. Her story airs on a televised news report that is seen by geologist Takashi Ashizawa. Upon hearing about the fossilized egg, Takashi sets off to Mount Fuji to find it. When he arrives at the small village bordering Fuji's Saiko Lake, Takashi immediately heads into the heavily forested Jukai when a sudden earth ...
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The Bullet Train
(also known as ''Super Express 109'') is a 1975 Japanese action thriller film directed by Junya Satō and starring Ken Takakura, Sonny Chiba, and Ken Utsui. When a Shinkansen ("bullet train") is threatened with a bomb that will explode automatically if it slows below 80 km/h unless a ransom is paid, police race to find the bombers and to learn how to defuse the bomb. Plot Tetsuo Okita is a former businessman who lost his manufacturing company to bankruptcy and separated from his wife and son a year earlier. Desperate to make ends meet and start over, he collaborates with activist Masaru Koga and his former employee Hiroshi Ōshiro in an elaborate plot to extort money from the government. ''Hikari 109'' is a high-speed 0 series bullet train carrying 1,500 passengers from Tokyo to Hakata. Shortly after the train's departure, railway security head Miyashita is notified by Okita that a bomb has been planted aboard and will explode if the train slows down below 80 km/h ...
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The Triphibian Monster
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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The War Of The Gargantuas
is a 1966 '' kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Referred by film historian Stuart Galbraith IV as a "quasi–sequel" to '' Frankenstein vs. Baragon'', the film was a Japanese-American co-production; it was the third and final collaboration between Toho Co., Ltd and Henry G. Saperstein. The film stars Russ Tamblyn, Kumi Mizuno and Kenji Sahara, with Yû Sekida as Sanda and Haruo Nakajima as Gaira. In the film, scientists investigate the sudden appearance of two giant hairy humanoid monsters that culminates in a battle in Tokyo. The script's final draft was submitted in April 1966. Tab Hunter was originally hired by Saperstein, choosing to replace Nick Adams. However, Hunter was replaced by Tamblyn during pre-production. Honda's contract was not renewed and had to seek employment by speaking to Tanaka on a film-by-film basis. Honda, Saperstein, and chief assistant Seiji Tani noted that Tamblyn was difficult to work with. Tamblyn did ...
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The Lost World Of Sinbad
is a 1963 Japanese drama action film directed by Senkichi Taniguchi, with special effects by Eiji Tsuburaya. The film stars Toshiro Mifune and Mie Hama.''The Lost World at Sinbad''
at Time Out The film is often confused with the theme of fantasy instead of '''' but, the book ''Toho Special Effects All Monster Encyclopedia'' specifically identifies it in the genre of ''tokusatsu'' fantasy. It was also released as ''Samurai Pirate'' in the United States.


Cast

* as Sukezaemon Naya *
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The Last War (1961 Film)
is a 1961 Japanese tokusatsu science-fiction film directed by Shūe Matsubayashi. Produced and distributed by Toho, it was the Toho's second highest-grossing film in Japan that year. Plot The film begins with a narration over shots of a modern-day Tokyo, noting that 16 years have passed since the end of World War II, and Japan has achieved rapid recovery. Mokichi Tamura works as a driver for a press center, hoping for happiness for his family. His daughter, Saeko, is in love with a merchant, Takano, who has been at sea for a long time. When he returns, the young couple agrees to get married with the consent of Saeko's father. Meanwhile, tensions between the Federation and the Alliance (fictional stand-ins for the United States/NATO and the USSR/Warsaw Pact, respectively) build, especially after an intelligence-gathering vessel is captured. A new Korean War breaks out across the 38th parallel, with the Federation and Alliance drawn into the war. Tensions reach a critical leve ...
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Sanjuro
is a 1962 black-and-white Japanese ''jidaigeki'' film directed by Akira Kurosawa and starring Toshiro Mifune. It is a sequel to Kurosawa's 1961 ''Yojimbo''. Originally an adaptation of the Shūgorō Yamamoto novel ''Hibi Heian'', the script was altered following the success of the previous year's ''Yojimbo'' to incorporate the lead character of that film. Plot Nine young samurai believe that the lord chamberlain, Mutsuta, is corrupt after he tore up their petition against fraud at court. One of them tells the superintendent Kikui of this and he agrees to intervene. As the nine meet secretly to discuss this at a shrine, a rōnin overhears and cautions them against trusting the superintendent. While at first they do not believe him, he saves them from an ambush. But as their rescuer is about to leave, he realises that Mutsuta and his family must now be in danger and decides to stay and help. By the time the samurai get to Mutsuta's house, the chamberlain has been abducted and h ...
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