William Cochran (tenor)
William Cochran (23 June 1943 — 16 January 2022) was an American Heldentenor who achieved an international career. Life Born in Columbus, Ohio, Cochran studied at the Curtis Institute of Music and with Martial Singher. He attended the Music Academy of the West in 1967 and 1968. A winner of the Lauritz Melchior Heldentenor Foundation Award, he debuted with the Metropolitan Opera as Vogelgesang in Wagner's ''Die Meistersinger'', in 1968. The following year, he appeared as Froh in Wagner's ''Das Rheingold'' with the San Francisco Opera. In 1974, Cochran first sang at Covent Garden, as Laca in Janáček's ''Jenůfa'', conducted by Sir Charles Mackerras. In 1975, he performed the title role of Wagner's ''Lohengrin'' at the New Orleans Opera, and, in 1977, sang in Janáček's ''Katya Kabanova'' at San Francisco, alongside Elisabeth Söderström, Chester Ludgin and Susanne Marsee. He returned to that company in 1997, for Herod in ''Salome'' by Richard Strauss. For the Opera Company o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heldentenor
A heldentenor (; English: ''heroic tenor''), earlier called tenorbariton, is an operatic tenor voice, most often associated with Wagnerian repertoire. It is distinct from other tenor ''fächer'' by its endurance, volume, and dark timbre, which may be, in its middle Vocal register, register, like that of a baritone. The voice may also sound clear or metallic. It is one of the rarest voice types in opera. Heldentenor roles, such as the title roles in ''Siegfried (opera), Siegfried'' and ''Lohengrin (opera), Lohengrin'', often require commanding stage presence and strong acting ability. In some cases, due to reasons such as voice misidentification, singers may begin their careers as baritones before later transitioning. The term ''heldentenor'' may be used to refer to both a singer and their voice. The treble counterpart of the heldentenor is the Wagnerian soprano. Roles The following roles are in the standard heldentenor repertoire: Richard Wagner * Lohengrin, ''Lohengrin (o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chester Ludgin
Chester Ludgin (May 20, 1925 – August 9, 2003) was an American operatic baritone. Biography Chester Ludgin was a native of Brooklyn, New York. He made his professional debut in 1956 with The Experimental Opera Theatre of America (affiliated with the New Orleans Opera Association), as Baron Scarpia in Giacomo Puccini's ''Tosca'', conducted by Renato Cellini and directed by Armando Agnini. The very next year, he first appeared with the New York City Opera, as Dr Falke in Johann Strauss II's ''Die Fledermaus'', opposite Phyllis Curtin. With the City Opera, Ludgin was heard in many roles, including what was perhaps his greatest success, John Proctor in the world premiere of Robert Ward's ''The Crucible'' (1961, with Norman Treigle as the Reverend John Hale). He was also in the premieres of Robert Kurka's ''The Good Soldier Schweik'' (1958), Norman Dello Joio's '' The Triumph of St. Joan'' (1959), and Abraham Ellstein's ''The Golem'' (1962) for that company. He also portrayed Br ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Der Prinz Von Homburg (opera)
''Der Prinz von Homburg'' (''The Prince of Homburg'') is a German-language opera in three acts by Hans Werner Henze with a libretto by Ingeborg Bachmann (1926–1973). It was completed in 1958 but premiered on 22 May 1960 in Hamburg. Background The text is based on the 1811 play, '' Prinz Friedrich von Homburg'' by Heinrich von Kleist. Frederick Bridgham prepared an English-language translation for the English National Opera/Schott 1996 production in London. The opera shows Henze's strong personal dislike of German militarism. In a 1996 lecture, extracted and translated in the programme to the ENO 1996 production, Henze mentions the Leipzig tradition from Bach to Max Reger, Hermann Grabner and Wolfgang Fortner, the Viennese classical tradition and the Second Viennese School, in particular Beethoven and Arnold Schoenberg, Gustav Mahler and Stravinsky as influences. He describes how he contrasts "the beautiful old harmonies of yesterday" used to represent the Prince's dreamworld ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Excursions Of Mr
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oper Frankfurt
The Oper Frankfurt (Frankfurt Opera) is a German opera company based in Frankfurt. Opera in Frankfurt am Main has a long tradition, with many world premieres such as Franz Shrek's ''Der ferne Klang'' in 1912, '' Fennimore und Gerda'' by Frederick Delius in 1919, and Carl Orff's ''Carmina Burana'' in 1937. Frankfurt's international recognition began in the Gielen Era, 1977 to 1987, when Michael Gielen and stage directors such as Ruth Berghaus collaborated. A historic opera house from 1880 was destroyed in World War II, and reconstructed as a concert hall, the Alte Oper. The present opera house, built in 1963, is under one roof with the stage for drama. The opera orchestra is called Frankfurter Opern- und Museumsorchester. Today's venue for Baroque and contemporary opera is the Bockenheimer Depot, a former tram depot. Voted best 'Opera house of the year' by ''Opernwelt'' several times since 1996, including 2020, Oper Frankfurt is part of the Städtische Bühnen Frankfurt. H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jessye Norman
Jessye Mae Norman (September 15, 1945 – September 30, 2019) was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but refused to be limited to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Cassandre and Didon by Berlioz and Bartók's Judith. ''The New York Times'' music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls." Norman trained at Howard University, the Peabody Institute, and the University of Michigan. Her career began in Europe, where she won the ARD International Music Competition in Munich in 1968, which led to a contract with the Deutsche Oper Berlin. Her operatic début came as Elisabeth in Wagner's ''Ta ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sarah Caldwell
Sarah Caldwell (March 6, 1924March 23, 2006) was an American opera conducting, conductor, impresario, and stage director. Early life Caldwell was born in Maryville, Missouri, and grew up in Fayetteville, Arkansas. She was a child prodigy and gave public performances on the violin by the time she was ten years old. She graduated from Fayetteville High School (Arkansas), Fayetteville High School at the age of 14. Caldwell graduated from Hendrix College in 1944 and attended the University of Arkansas as well as the New England Conservatory of Music. She won a scholarship as a viola player at the Berkshire Music Center in 1946. In 1947, she staged Ralph Vaughan Williams, Vaughan Williams's ''Riders to the Sea''. For 11 years she served as the chief assistant to Boris Goldovsky. Career Caldwell moved to Boston, Massachusetts, in 1952 and became head of the Boston University opera workshop. In 1957 she started the Boston Opera Group with $5,000. This became the Opera Company of B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Makropoulos Case
''The Makropulos Affair'' (or ''The Makropoulos Case'', ''The Makropulos Secret'', or, literally, ''The Makropulos Thing''; Czech ''Věc Makropulos'') is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play ''Věc Makropulos'' by Karel Čapek. Composed between 1923 and 1925, ''The Makropulos Affair'' was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself. The opera received its world premiere at the National Theatre in Brno on 18 December 1926, conducted by František Neumann. Composition history Janáček had seen the play early in its run in Prague on 10 December 1922, and immediately saw its potential as an opera. He entered into a correspondence with Čapek, who was accommodating towards the idea, although legal problems in securing the rights to the play delayed work. When these problems were cleared on 10 September ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Die Soldaten
' (''The Soldiers'') is a four-act opera in German by Bernd Alois Zimmermann, based on the 1776 play by Jakob Michael Reinhold Lenz. In a letter accompanying his newly printed play (23 July 1776, aged 24) that he sent to his best friend, the German philosopher Johann Gottfried von Herder, Lenz described himself as "an enigma to even his most precious friends", while saying of the play, "Here, into your holy hands, the piece which carries half of my existence. he ideas it contains aretrue and will remain so, even if centuries may walk contemptuously across my skull". Zimmermann wrote and revised his opera in phases between 1957 and 1964; it was premiered in 1965 and dedicated to Hans Rosbaud.''Die Soldaten'' at Schott Music
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