|
Whole Note
A whole note (American) or semibreve (British) in musical notation is a single note equivalent to or lasting as long as two half notes or four quarter notes. Description The whole note or semibreve has a note head in the shape of a hollow oval—like a half note (or ''minim'')—but with no note stem (see Figure 1). Since it is equal to four quarter notes, it occupies the entire length of a measure in time. Other notes are multiples or fractions of the whole note. For example, a double whole note (or ''breve'') lasts twice the duration of the whole note, a half note lasts one half the duration, and a quarter note (or ''crotchet'') lasts one quarter the duration. A related symbol is the whole rest (or semibreve rest), which signifies a rest for the duration of a whole note. Whole rests are drawn as filled-in rectangles generally hanging under the second line from the top of a musical staff, though they may occasionally be put under a different line (or ledger line) in more c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Note And Rest , a philosophical and social theory
{{disambiguation ...
Whole may refer to: Music * Whole note, or semibreve * Whole step, or major second * ''Whole'' (Jessa Anderson album) or the title song, 2014 * ''Whole'' (Soil album), 2013 * ''Whole'', an EP by Pedro the Lion, 1997 * "Whole", a song by Basement from ''Colourmeinkindness'', 2012 * "Whole", a song by Flaw from ''Through the Eyes'', 2001 * "Whole", a song by Jacob Whitesides, 2019 Other uses * Whole (campaign), a British anti-stigma mental health campaign * ''Whole'' (film), a 2003 American documentary by Melody Gilbert * Whole milk, milk which has not had fat removed See also * Holism Holism () is the idea that various systems (e.g. physical, biological, social) should be viewed as wholes, not merely as a collection of parts. The term "holism" was coined by Jan Smuts in his 1926 book ''Holism and Evolution''."holism, n." OED Onl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ledger Line
A ledger line or leger line is used in Western musical notation to notate pitches above or below the lines and spaces of the regular musical staff. A line slightly longer than the note head is drawn parallel to the staff, above or below, spaced at the same distance as the lines within the staff. The origin of the word is uncertain, but may have been borrowed attributively from the term for a horizontal timber in a scaffolding, lying parallel to the face of the building and supporting the putlogs. There is no basis to support the often-found claim that the word originates from the French ''léger'', meaning "light" or "slight" . The Oxford online dictionary describes the origin of the "leger" spelling as a "variant of ledger" that first appeared in the 19th century . Although ledger lines are found occasionally in manuscripts of plainchant and early polyphony, it was only in the early 16th century in keyboard music that their use became at all extensive . Even then, printers had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Musical Symbols
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which fingers, keys, or pedals are to be used, whether a string instrument should be bowed or plucked, or whether the bow of a string instrument should move up or down). Lines Clefs A clef assigns one particular pitch to one particular line of the staff on which it is placed. This also effectively defines the pitch range or tessitura of the music on that staff. A clef is usually the leftmost symbol on a staff, although a different clef may appear elsewhere to indicate a change in register. Historically, clefs could be placed on any line on a staff (or even on a space), but modern notation a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calque
In linguistics, a calque () or loan translation is a word or phrase borrowed from another language by literal word-for-word or root-for-root translation. When used as a verb, "to calque" means to borrow a word or phrase from another language while translating its components, so as to create a new lexeme in the target language. For instance, the English word "skyscraper" was calqued in dozens of other languages. Another notable example is the Latin weekday names, which came to be associated by ancient Germanic speakers with their own gods following a practice known as ''interpretatio germanica'': the Latin "Day of Mercury", ''Mercurii dies'' (later "mercredi" in modern French), was borrowed into Late Proto-Germanic as the "Day of Wōđanaz" (*''Wodanesdag''), which became ''Wōdnesdæg'' in Old English, then "Wednesday" in Modern English. The term ''calque'' itself is a loanword from the French noun ("tracing, imitation, close copy"), while the word ''loanword'' is a calque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew out of an earlier, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Staff
In Western musical notation, the staff (US and UK)"staff" in the Collins English Dictionary "in British English: also called: stave; plural: staffs or staves""staff" in the Merriam-Webster Dictionary /ref> or stave (UK) (: staffs or staves) is a set of five horizontal lines and four spaces that each represent a different musical pitch or in the case of a percussion staff, differe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Note Head
In music, a notehead is the part of a note, usually elliptical in shape, whose placement on the staff indicates the pitch, to which modifications are made that indicate duration. Noteheads may be the same shape but colored completely black or white, indicating the note value (i.e., rhythmic duration). In a whole note, the notehead, shaped differently than shorter notes, is the only component of the note. Shorter note values attach a stem to the notehead, and possibly beams or flags. The longer double whole note can be written with vertical lines surrounding it, two attached noteheads, or a rectangular notehead.Gerou, Tom & Lusk, Linda''Essential Dictionary of Music Notation''.Alfred Music, 1996, p. 210. An "x" shaped notehead may be used to indicate percussion, percussive effects (ghost notes), or speaking. A square, diamond, or box shaped notehead may be used to indicate a natural or artificial harmonic. A small notehead can be used to indicate a grace note. History Not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rest (music)
A rest is a musical notation sign that indicates the absence of a sound. Each rest symbol and name corresponds with a particular note value for length, indicating how long the silence should last. Description Rests are intervals of silence in pieces of music, marked by symbols indicating the length of the pause. Each rest symbol and name corresponds with a particular note value, indicating how long the silence should last, generally as a multiplier of a measure or whole note. * The quarter (crotchet) rest (𝄽) may also be found as a form in older music.''History of Music Notation'' (1937) by C. Gorden, p. 93. * The four-measure rest or longa rest are only used in long silent passages which are not divided into bars. * The combination of rests used to mark a pause follows the same rules as for note values.''AB guide to music theory'' by E. Taylor, chapter 13/1, One-bar rests When an entire bar is devoid of notes, a whole (semibreve) rest is used, regardless of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quarter Note
A quarter note (American) or crotchet ( ) (British) is a note (music), musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem (music), stem. The stem usually points upwards if it is below the middle line of the musical staff, staff, and downwards if it is on or above the middle line. An upward stem is placed on the right side of the notehead, a downward stem is placed on the left (see image). The Unicode symbol is U+2669 (♩). A quarter rest (music), rest (or crotchet rest) denotes a silence of the same duration as a quarter note. It typically appears as the symbol , or occasionally, as the older symbol .''Rudiments and Theory of Music'' Associated Board of the Royal Schools of Music, London 1958. I,33 and III,25. The former section shows both forms without distinction, the latter the "old" form only. The book was the Official ABRSM theory manual in the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
