Werner Enders
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Werner Enders
Werner Enders (11 March 1924 – 1 December 2005) was a German operatic tenor and member of the Komische Oper Berlin. Life and career Born in Beiersdorf, Enders attended the music school of Radebeul and then studied violin in Zwickau and Berlin. In 1941/42 he helped as second violinist at the Semperoper Dresden. During the war he suffered a paralysis of his left hand, which made it impossible for him to continue playing the violin. From 1945 he therefore played drums and from 1947 he was a choir singer in Zwickau, since he had also received singing training. Two years later he went to the Landestheater Altenburg where he worked as a soloist for four years. Later he was at the Landestheater Halle (Saale) and belonged together with Philine Fischer, Margarete Herzberg, Günther Leib, Hellmuth Kaphahn, Kurt Hübenthal and others to the ensemble of the Handel Festival, Halle. In 1955 Enders was engaged by the Komische Oper Berlin. There he was a member of the ensemble from 1957 ...
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Hamburger Abendblatt
The ''Hamburger Abendblatt'' (English: ''Hamburg Evening Newspaper'') is a German daily newspaper in Hamburg. The paper focuses on news in Hamburg and area, and produces regional supplements with news from Norderstedt, Ahrensburg, Harburg, and Pinneberg. Politically the paper is mildly conservative, but usually pro-government, including during SPD administrations. History and profile Four previous Hamburg newspapers had the word ''Abendblatt'' ("Evening Newspaper") in their title, including one named the ''Hamburger Abendblatt'', founded on 2 May 1820. This incarnation of the ''Hamburger Abendblatt'', however, was first published after World War II beginning on 14 October 1948 with an initial edition of 60,000 copies. The paper received a publishing license from the Hamburg Senate and Mayor Max Brauer, making it the first daily paper of post-war Germany to receive a license from German rather than Allied occupation authorities. After about six months of operation, its ...
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Kammersänger
Kammersänger (male) or Kammersängerin (female), abbreviated Ks. or KS, is a German honorific title for distinguished singers of opera and classical music. It literally means "chamber singer". Historically, the title was bestowed by princes or kings, when it was styled ''Hofkammersänger(in)'', where ''hof'' refers to the royal court. The title is given in Germany and in Austria usually on the recommendation of relevant national and local institutions. In East Germany, some concert halls bestowed this designation. Titles and recipients Austria Österreichischer Kammersänger (male) / Österreichische Kammersängerin (female) The honorary title is awarded by the Federal President of Austria on the proposal of the responsible Federal Minister since 1971. * Germany Kammersänger (male) / Kammersängerin (female) * Elise Kutscherra de Nyss (Coburg, 1894) * Gerhard Unger (1952) * Theo Adam (1955) * Hans-Dieter Bader (Hanover, 1981) * Alfred Vökt (Frankfurt, 1989) * (Frankfurt, 1 ...
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Handel Prize
The Handel Prize (german: Händel-Preis) is an annual award, instituted in 1956, which is presented by the city of Halle, in Germany, in honour of the celebrated Baroque composer George Frideric Handel. It is awarded, "for exceptional artistic, academic or politico-cultural services as far as these are connected with the city of Halle's Handel commemoration". The prize consists of a diploma, a gold and enamel badge, (and until 2008 10,000 euros in prize money) and is presented during the annual Handel Festival, Halle The Handel Festival (in German: Händel-Festspiele) in Halle an der Saale, Saxony-Anhalt, is an international music festival concentrating on the music of George Frideric Handel in the composer's birthplace. It was founded in 1922 and it grew into .... List of recipients Source Freundes- und Förderkreis des Händel-Hauses zu Halle e.V: References External linksHandel Prize Winner
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Rainer Kirsch
Rainer Kirsch (17 July 1934 – 4 September 2015) was a German writer and poet. Life and career Kirsch was born in Döbeln in 1934. After graduating from high school, he studied history at the Klosterschule Roßleben and philosophy at the Martin Luther University of Halle-Wittenberg and the University of Jena in 1953. In 1957 he was relegated, and in 1958 he was expelled from the Socialist Unity Party of Germany (SED). After that, he worked as a laborer in a print shop, as a chemical worker, and in agriculture. From 1960 until his death in 2015, he was a freelance writer and published his first poems. From 1963 to 1965, he studied at the German Institute for Literature in Leipzig. He was considered a representative of the Saxon School of Poetry. From 1960 to 1968, he was married to the writer Sarah Kirsch. In 1973, he was excluded from the SED for the second time due to disputes over his comedy ''Heinrich Schlaghands Höllenfahrt''. After the peaceful revolution in East German ...
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Georg Katzer
Georg Katzer (; 10 January 1935 – 7 May 2019) was a German composer and teacher. The last master student of Hanns Eisler, he composed music in many genres, including works for the stage. Katzer was one of the pioneers of electronic new music in the German Democratic Republic and the founder of the first electronic-music studio in the GDR. He held leading positions in music organisations, first in the East ( Akademie der Künste der DDR), then in the united Germany (Academy of Arts, Berlin, and Deutscher Musikrat), and received many awards, including the Art Prize of the German Democratic Republic, the National Prize of the German Democratic Republic, the Order of Merit of the Federal Republic of Germany, and the German Music Authors' Prize. Biography Katzer was born in Habelschwerdt, Lower Silesia (now Bystrzyca Kłodzka, Poland), on 10 January 1935. From 1954 to 1960 he studied piano, music theory, and composition with (amongst others) Rudolf Wagner-Régeny and Ruth Zechl ...
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The Cunning Little Vixen
''The Cunning Little Vixen'' (original title ''Příhody lišky Bystroušky'' or ''Tales of Vixen Sharp-Ears'' in English), is a three-act Czech-language opera by Leoš Janáček completed in 1923 to a libretto the composer himself adapted from a novella by Rudolf Těsnohlídek. Name The opera's libretto was adapted by the composer from a 1920 serialized novella, ''Liška Bystrouška'', by Rudolf Těsnohlídek, which was first published in the newspaper ''Lidové noviny'' (with illustrations by Stanislav Lolek). For the title of the opera, ''Příhody'' means ''tales''; ''lišky'' is the genitive of ''vixen''. ''Bystroušky'', still genitive, is the pun ''sharp'', having the double meaning of ''pointed'', like fox ears, and ''clever''. The opera first became familiar outside Czechoslovakia in a 1927 German adaptation by Max Brod who provided the new name ''Das schlaue Füchslein'', by which Germans still know it and which in English means ''The Cunning Little Vixen''. Compositio ...
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Tagesspiegel
''Der Tagesspiegel'' (meaning ''The Daily Mirror'') is a German daily newspaper. It has regional correspondent offices in Washington D.C. and Potsdam. It is the only major newspaper in the capital to have increased its circulation, now 148,000, since German reunification, reunification. ''Der Tagesspiegel'' is a Liberalism in Germany, liberal newspaper that is classified as Centrism, centrist media in the context of German politics. History and profile Founded on 27 September 1945 by Erik Reger, Walther Karsch and Edwin Redslob, ''Der Tagesspiegel'' main office is based in Berlin at Askanischer Platz in the locality of Kreuzberg, about from Potsdamer Platz and the former location of the Berlin Wall. For more than 45 years, ''Der Tagesspiegel'' was owned by an independent Financial endowment, trust. In 1993, in response to an increasingly competitive publishing environment, and to attract investments required for technical modernisation, such as commission of a new printing pla ...
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Barbe-bleue (opera)
''Barbe-bleue'' (, ''Bluebeard'') is an opéra bouffe, or operetta, in three acts (four scenes) by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic HalévyLamb A. Barbe-bleue. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. based on Charles Perrault's 1697 story. Performance history The work was composed while Offenbach was travelling during 1865, in Vienna, Brussels and Cologne, conducting his works in those cities. Other distractions during the period were the marriage on 9 August in Étretat of his eldest daughter Berthe to Charles Comte (for which he composed a mass) and problems with gout (which he encouraged the press to report). It was first performed at the Théâtre des Variétés, Paris on 5 February 1866, playing for five months. Following the great success of the creators' ''Belle Hélène'', the roles were close relations of the composer's antique operetta: Dupuis (Paris) another seducer, in Barbe-Bleue, Kopp (M ...
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Harry Kupfer
Harry Alfred Robert Kupfer (12 August 1935 – 30 December 2019) was a German opera director and academic. A long-time director at the Komische Oper Berlin, he worked at major opera houses and at festivals internationally. Trained by Walter Felsenstein, he worked in the tradition of realistic directing. At the Bayreuth Festival, he staged Wagner's ''Der fliegende Holländer'' in 1978 and ''Der Ring des Nibelungen'' in 1988. At the Salzburg Festival, he directed the premiere of Penderecki's '' Die schwarze Maske'' in 1986 and ''Der Rosenkavalier'' by Richard Strauss in 2014. Career Born in Berlin, Kupfer studied theatre at the Theaterhochschule Leipzig from 1953 to 1957. He was the assistant director at the Landestheater Halle, where he directed his first opera, Dvořák's '' Rusalka'', in 1958. From 1958 to 1962, he worked at the Theater Stralsund, then at the Theater in Karl-Marx-Stadt, from 1966 as opera director at the Nationaltheater Weimar, also lecturing at the Hochschul ...
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Götz Friedrich
Götz Friedrich (4 August 1930 in Naumburg, Germany – 12 December 2000 in Berlin, Germany) was a German opera and theatre director. He was a student and assistant of Walter Felsenstein at the Komische Oper Berlin in (East) Berlin, where he went on to direct his early productions. He first came to international prominence with a controversial 1972 production of Wagner's ''Tannhäuser'' at Bayreuth. He defected to the West whilst working on a production of ''Jenůfa'' in Stockholm later the same year. From 1972 to 1981 he was principal director at the Hamburg State Opera. Between 1977 and 1981, he was also director of productions at the Royal Opera House at Covent Garden in London, where he staged the first British performances of the three-act completion of Berg's ''Lulu''. In 1981 he took up the post of general director of the Deutsche Oper Berlin where he stayed until his death in 2000, staging productions across the whole of the operatic repertoire. He was particularly ...
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Joachim Herz
Joachim Herz (15 June 1924 – 18 October 2010) was a German Opera director and manager. He learned at the Komische Oper Berlin as an assistant to Walter Felsenstein. His major stations were the Leipzig Opera where he opened the new house with Wagner's '' Die Meistersinger von Nürnberg'', Komische Oper and Semperoper in Dresden, where he opened the restored house with Weber's ''Der Freischütz'' in 1985. He staged many world premieres, and worked internationally. Herz was the first director to apply Felsenstein's concepts to Wagner's ''Der Ring des Nibelungen'', staged in Leipzig from 1973 to 1976. Life Born in Dresden, Herz attended the Kreuzschule there, completing with the Abitur in 1942. He then studied piano, clarinet and music pedagogy at the Hochschule für Musik Dresden. His studies were interrupted by military service in 1944 and 1945 but completed in 1948. He then studied opera direction there with Heinz Arnold, later also musicology at the Humboldt University of B ...
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