Werl Triptych
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Werl Triptych
''The Werl Triptych'' (or ''Triptych of Heinrich von Werl'') is a triptych altarpiece completed in Cologne in 1438, of which the center panel has been lost. The two remaining wings are now in the Prado in Madrid. It was long attributed to the Master of Flémalle, now generally believed to have been Robert Campin, although this identity is not universally accepted. Some art historians believe it may have been painted as a pastiche by either the workshop or a follower of Campin or the Master of Flémalle. The right wing depicts a seated, pious Saint Barbara, who is shown engrossed in her reading of a bound and gilded holy book, seated in front of a warm open fire which lights the room with a golden glow. The left wing has a donor portrait of Heinrich von Werl, who kneels in prayer in the company of John the Baptist facing the missing devotional center-panel scene, which is lost and unrecorded. The two extant panels are in Madrid and renowned for their complex treatment of both ...
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Martyr
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are consid ...
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Vanishing Point
A vanishing point is a point on the image plane of a perspective drawing where the two-dimensional perspective projections of mutually parallel lines in three-dimensional space appear to converge. When the set of parallel lines is perpendicular to a picture plane, the construction is known as one-point perspective, and their vanishing point corresponds to the oculus, or "eye point", from which the image should be viewed for correct perspective geometry.Kirsti Andersen (2007) ''Geometry of an Art'', p. xxx, Springer, Traditional linear drawings use objects with one to three sets of parallels, defining one to three vanishing points. Italian humanist polymath and architect Leon Battista Alberti first introduced the concept in his treatise on perspective in art, '' De pictura'', written in 1435. Vector notation The vanishing point may also be referred to as the "direction point", as lines having the same directional vector, say ''D'', will have the same vanishing point. Mathem ...
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Annunciation (van Eyck, Washington)
''The Annunciation'' is an oil painting by the Early Netherlandish master Jan van Eyck, from around 1434–1436. The panel is housed in the National Gallery of Art, in Washington D.C. It was originally on panel but has been transferred to canvas. It is thought that it was the left (inner) wing of a triptych; there has been no sighting of the other wings since before 1817. The annunciation is a highly complex work, whose iconography is still debated by art historians. It was bought by the Tsar of Russia for the Hermitage Museum, but was sold by Stalin's government in 1930. The picture depicts the Annunciation by the Archangel Gabriel to the Virgin Mary that she will bear the son of God (Luke 1:26-38). The inscription shows his words: ''AVE GRÃ. PLENA'' or "Hail, full of grace...". She modestly draws back and responds, ''ECCE ANCILLA DÑI'' or "Behold the handmaiden of the Lord". The words appear upside down because they are directed to God and are therefore inscribed w ...
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Perspective (graphical)
Linear or point-projection perspective (from la, perspicere 'to see through') is one of two types of 3D projection, graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to ''foreshortening'', meaning that an object's dimensions along the line of sight appear shorter than its dimensions across the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon line depending on the view used. Italian Renaissance painters and architects including Masaccio, Paolo Uccello, Piero della Fran ...
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Peter Murray (art Historian)
Peter John Murray (23 April 1920 – 20 April 1992) was a British art historian and the Professor of History of Art at Birkbeck College, London from 1967 to 1980. Together with his wife, Linda Murray, he wrote primers on Italian Renaissance art which have been used by generations of students. In 1959 they published the highly successful ''Penguin Dictionary of Art and Artists'', which was frequently updated and reissued. In 1963, they published two substantial introductory texts ''The Art of the Renaissance,'' and a book that became a classic primer ''The Architecture of the Renaissance''. Linda also wrote several books on her own, and completed their collaboration ''The Oxford Companion To Christian Art And Architecture'' (1996) after Peter died. Early life and education Murray was born in 1920 in London. His parents were John Knowles Murray, an agricultural businessman, and Dorothy Catton (Murray). He went to King Edward VI School, Birmingham and Robert Gordon's Colle ...
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Window Shutter
A window shutter is a solid and stable window covering usually consisting of a frame of vertical stiles and horizontal rails (top, centre and bottom). Set within this frame can be louvers (both operable or fixed, horizontal or vertical), solid panels, fabric, glass and almost any other item that can be mounted within a frame. Shutters may be employed for a variety of reasons, including controlling the amount of sunlight that enters a room, to provide privacy, security, to protect against weather or unwanted intrusion or damage and to enhance the aesthetics of a building. Depending on the application, and the construction of the window frame, shutters can be mounted to fit within the opening or to overlap the opening. The term window shutter includes both interior shutters, used on the inside of a house or building, and exterior shutters, used on the outside of a structure. On some styles of buildings it is common to have shutters to cover the doors as well as the windows. Inte ...
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Latticework
__NOTOC__ Latticework is an openwork framework consisting of a criss-crossed pattern of strips of building material, typically wood or metal. The design is created by crossing the strips to form a grid or weave. Latticework may be functional – for example, to allow airflow to or through an area; structural, as a truss in a lattice girder; used to add privacy, as through a lattice screen; purely decorative; or some combination of these. Latticework in stone or wood from the classical period is also called Roman lattice or ''transenna'' (plural ''transenne''). In India, the house of a rich or noble person may be built with a ''baramdah'' or verandah surrounding every level leading to the living area. The upper floors often have balconies overlooking the street that are shielded by latticed screens carved in stone called jalis which keep the area cool and give privacy. Examples File:Amber Fort Screen (6652771501).jpg, Lattice screen at Amber Fort File:Masuleh Window.jpg, La ...
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Mérode Altarpiece
The Mérode Altarpiece (or ''Annunciation Triptych'') is an oil on oak panel triptych, now in The Cloisters, in New York City. It is unsigned and undated, but attributed to Early Netherlandish painter Robert Campin and an assistant. The three panels represent, from left to right, the donors kneeling in prayer in a garden, the moment of the Annunciation to Mary, which is set in a contemporary, domestic setting, and Saint Joseph, a carpenter with the tools of his trade. The many elements of religious symbolism include the lily and fountain (symbolising the purity of Mary), and the Holy Spirit represented by the rays of light coming through from the central panel's left hand window. The central panel was completed after 1422, likely between 1425 and 1428, it is thought by a member of Campin's workshop. An earlier version, now in Brussels, may be Campin's original panel. The outer wing panels are later additions by a workshop member, probably on request by the donor who sought to elev ...
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Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son (Jesus Christ) and God the Holy Spirit, three distinct persons sharing one ''homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This doctrine ...
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Sconce (light Fixture)
A sconce (the word is derived from the late Latin via Old French) is a lamp-holder – either a candlestick or lantern with a handle, or a lamp fixed to a wall. In the latter case the light is usually, but not always, directed upwards and outwards, rather than down. The sconce is a very old form of fixture, historically used with candles and oil lamps. Such modern wall fittings are more often called wall lights or wall lamps. They can provide general room lighting, and are common in hallways and corridors, but they may be mostly decorative. A sconce may be a traditional torch, candle or gaslight, or a modern electric light source affixed in the same way. Usage and history Sconces can be placed on both the interior and exterior walls of buildings. In pre-modern usage, these usually held candles or gas flame, and torches respectively. Historically, candle sconces were often made of silver or brass from the 17th century, with porcelain and ormolu coming into use during t ...
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Annunciation - Jan Van Eyck - 1434 - NG Wash DC
The Annunciation (from Latin '), also referred to as the Annunciation to the Blessed Virgin Mary, the Annunciation of Our Lady, or the Annunciation of the Lord, is the Christian celebration of the biblical tale of the announcement by the angel Gabriel to Mary that she would conceive and bear a son through a virgin birth and become the mother of Jesus Christ, the Christian Messiah and Son of God, marking the Incarnation. Gabriel told Mary to name her son Jesus, meaning "YHWH is salvation". According to , the Annunciation occurred "in the sixth month" of Elizabeth's pregnancy with John the Baptist. Many Christians observe this event with the Feast of the Annunciation on 25 March, an approximation of the northern vernal equinox nine full months before Christmas, the ceremonial birthday of Jesus. The Annunciation is a key topic in Christian art in general, as well as in Marian art in the Catholic Church, having been especially prominent during the Middle Ages and Renaissance. A ...
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