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Welsh Triple Harp
The triple harp is a type of multi-course harp employing three parallel rows of strings instead of the more common single row. One common version is the Welsh triple harp (Welsh: ''telyn deires''), used today mainly among players of traditional Welsh folk music. Italian ''arpa tripla'' The triple harp originated in 16th-century Italy. To enable chromatic playing required by late-Renaissance music, a second row of strings containing the pentatonic scale (the accidentals) was added in parallel to the first row, which contained the diatonic scale. These harps were called ''arpa doppia'' or double harp and allowed for fully chromatic playing for the first time in the history of the harp. Later, a second diatonic row of strings was added on the other side of the pentatonic row of strings, creating the ''arpa tripla'' or triple harp. Double and triple harps continued to be the norm throughout the Baroque era in Italy, Spain, and France and were employed both as solo and continuo inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nansi Richards
Nansi Richards Jones (14 May 1888 – 21 December 1979) was a Welsh harpist, sometimes known as the "Queen of the Harp"Folktrax 351"Nansi Richards, Triple Harp" or by her bardic name "Telynores Maldwyn". Early life and education Jane Ann "Nansi" Richards was born at Pen-y-bont-fawr, Montgomeryshire. An expert on both the triple and pedal harps, she always maintained that the greatest influences on her life were her father Thomas Richards, the Kale (Welsh Romanies) who stayed on their farm, and Tom Lloyd (Telynor Ceiriog, 1848–1917), who taught her to play the harp. She also studied at the Guildhall School of Music in London, with harpist John Thomas. Musical career She won the National Eisteddfod harp competition three times in succession. After a year at the Guildhall School of Music, she toured with American comedian "Happy" Fanny Fields. The two young women devised tricks for Nansi to do while playing the harp, such as playing with her back turned, or playing two h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dafydd Y Garreg Wen
Dafydd y Garreg Wen is a traditional Welsh musical air and folk song. There is a tradition that the tune was composed by David Owen (1712–1741), a harpist and composer who lived near Porthmadog in Caernarfonshire. He was known locally as ''Dafydd y Garreg Wen'' (). ''Y Garreg Wen'' was the name of the farm where he lived near Morfa Bychan. There is a tradition that as Owen lay on his death bed, he called for his harp and composed the tune of the haunting song. He died at the age of 29 and was buried at St Cynhaearn's Church near Porthmadog.Befriend a church BBC North Wales, accessed 5 August 2010 The words were added more than a hundred years later by the poet |
Richard Barrett (composer)
Richard Barrett (born 7 November 1959) is a Welsh composer. Biography Barrett was born in Swansea, Wales and attended Olchfa School. He began to study music seriously only after graduating in genetics and microbiology from University College London in 1980. From then until 1983 he took private lessons with Peter Wiegold. There followed fruitful encounters at the 1984 Internationale Ferienkurse für Neue Musik with Brian Ferneyhough and Hans-Joachim Hespos. In the 1980s he became associated with the so-called New Complexity group of British composers because of the intricate notation of his scores. He is equally active in free improvisation, most often in the electronic duo FURT with Paul Obermayer, formed in 1986, but also since 2003 as a member of the Evan Parker Electro-Acoustic Ensemble. Since 1990 about half of his compositions have been written for the ELISION Ensemble, most notably the extended works ''Opening of the Mouth'', ''DARK MATTER'', ''CONSTRUCTION'' and ''wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheryl Ann Fulton
Cheryl Ann Fulton is an American harpist. Fulton performs, records, teaches, and researches the harp. She is a performer of historical harps, and one of the few harpists to play triple harp, medieval harp, and lever harps. Fulton has performed on over thirty albums and soundtracks broadly ranging from medieval, baroque, orchestral, and contemporary music to Celtic music and film scores, on records labels such as PolyGram, Koch International Classics, Nonesuch, Gourd Music, and others. Her first solo album, ''The Airs of Wales'', brought her recognition. She is a composer as well as a performer, and her original compositions from her second solo album, ''The Once & Future Harp'' ( Gourd Music), have been featured on National Public Radio. Career Fulton earned a B.S. degree in pedal harp, and an M.M. and D.M. in early music/historical harp from the School of Music of Indiana University, Bloomington. Her doctoral thesis on the history of the triple harp won her the Burton E. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elinor Bennett
Elinor Bennett, Baroness Wigley, OBE (born 17 April 1943) is a Welsh harpist who has an international reputation as a soloist, master instructor, and founded the Harp College of Wales. Biography Bennett was born in 1943 in Llanidloes, Wales. When she was six, her family moved into a house known as Gwyndy on the White Hall estate of Owen Morgan Edwards at Llanuwchllyn near Bala. She was a student at the local primary school and then attended the Bala Girls' Grammar School. Her father bought Bennett her first harp when she was six, though she did not begin lessons until age 11. Upon graduation from high school, Bennett studied law at University College Wales, Aberystwyth and after completing a Bachelor of Laws, she moved to London, where she was employed in a law office. Wanting to continue her education, she applied for and won a scholarship to attend the Royal Academy of Music, studying with Osian Ellis. Graduating three years later, she later completed music therapy co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bethan Nia
Bethan Nia is a Welsh singer and harpist of traditional and contemporary music. Noted for her beguiling interpretations of traditional Welsh language folk music, she also writes songs in English on traditional themes. She is winner of the Danny Kyle Award 2008 at Glasgow's Celtic Connections Festival. She has performed at Glastonbury Glastonbury (, ) is a town and civil parish in Somerset, England, situated at a dry point on the low-lying Somerset Levels, south of Bristol. The town, which is in the Mendip district, had a population of 8,932 in the 2011 census. Glastonbur ... and Lorient Interceltic Festivals amongst others. References External linksBethan Nia {{DEFAULTSORT:Nia, Bethan 21st-century Welsh women singers Living people Year of birth missing (living people) Place of birth missing (living people) Welsh classical harpists Women harpists Welsh women musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romani People
The Romani (also spelled Romany or Rromani , ), colloquially known as the Roma, are an Indo-Aryan ethnic group, traditionally nomadic itinerants. They live in Europe and Anatolia, and have diaspora populations located worldwide, with significant concentrations in the Americas. In the English language, the Romani people are widely known by the exonym Gypsies (or Gipsies), which is considered pejorative by many Romani people due to its connotations of illegality and irregularity as well as its historical use as a racial slur. For versions (some of which are cognates) of the word in many other languages (e.g., , , it, zingaro, , and ) this perception is either very small or non-existent. At the first World Romani Congress in 1971, its attendees unanimously voted to reject the use of all exonyms for the Romani people, including ''Gypsy'', due to their aforementioned negative and stereotypical connotations. Linguistic and genetic evidence suggests that the Roma originated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Llandysul
Llandysul is a small town and community in the county of Ceredigion, Wales. As a community it consists of the townships of Capel Dewi, Horeb, Pontsian, Pren-gwyn, Tregroes, Rhydowen and the village of Llandysul itself. Llandysul lies in south Ceredigion in the valley of the River Teifi and is visited for its fishing and canoeing. The community had a population of 2732, as of 2011. The village itself has a population of 1484. Llandysul is also known as the home of Gwasg Gomer, one of the most prominent publishers of Welsh-interest and Welsh language books in Wales. The town is twinned with Plogonnec (''Plogoneg'') in Brittany, France. Etymology The name of the town in Welsh is a combination of ' "church" and the mutated saint's name ' to mean "the church of St Tysul". History Pencoedfoel is an Iron Age hillfort one mile northeast of Llandysul. An oval banked and ditched enclosure with double ramparts, about 160m by 128m, is defined by degraded banks and scarps on the sum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fishguard
Fishguard ( cy, Abergwaun, meaning "Mouth of the River Gwaun") is a coastal town in Pembrokeshire, Wales, with a population of 3,419 in 2011; the community of Fishguard and Goodwick had a population of 5,407. Modern Fishguard consists of two parts, Lower Fishguard and the "Main Town". Fishguard and Goodwick are twin towns with a joint Town Council. Lower Fishguard is believed to be the site of the original hamlet from which modern Fishguard has grown. It is in a deep valley where the River Gwaun meets the sea, hence the Welsh name for Fishguard. It is a typical fishing village with a short tidal quay. The settlement stretches along the north slope of the valley. The main town contains the parish church, the High Street and most of the modern development, and lies upon the hill to the south of Lower Fishguard, to which it is joined by a steep and winding road. The west part of the town that faces Goodwick grew in the first decade of the 20th century with the development of Fish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Weston Thomas
John Weston Thomas (25 January 1921 – 1992) revived the tradition of Welsh harp making. Thomas was born in Cardiff. After spells in the merchant navy, and teaching carpentry, he began making harps, originally with the aid of old instruments and illustrations, as there was no existing harp maker to teach him. Although the harp is firmly associated with Wales, at the time he was the only harp maker in Wales, and one of three in the whole of Britain. John Weston Thomas had three students, these were Alun Thomas (his son), Bryan Blackmore (in Pembrokeshire) and Allan Shiers (in Llandysul Llandysul is a small town and community in the county of Ceredigion, Wales. As a community it consists of the townships of Capel Dewi, Horeb, Pontsian, Pren-gwyn, Tregroes, Rhydowen and the village of Llandysul itself. Llandysul lies in sout ...); all three are still working as harp makers. John Weston Thomas died in Pembrokeshire in 1992 having worked until shortly before his deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mr Roberts, Newtown Harpist NLW3361216 (cropped)
''Mister'', usually written in its contracted form ''Mr.'' or ''Mr'', is a commonly used English honorific for men without a higher honorific, or professional title, or any of various designations of office. The title 'Mr' derived from earlier forms of ''master'', as the equivalent female titles ''Mrs'', '' Miss'', and '' Ms'' all derived from earlier forms of ''mistress''. ''Master'' is sometimes still used as an honorific for boys and young men. The modern plural form is ''Misters'', although its usual formal abbreviation ''Messrs''(.) derives from use of the French title ' in the 18th century. ' is the plural of ' (originally ', "my lord"), formed by declining both of its constituent parts separately. Historical etiquette Historically, ''mister'' was applied only to those above one's own status if they had no higher title such as ''Sir'' or ''my lord'' in the English class system. That understanding is now obsolete, as it was gradually expanded as a mark of respect to tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Harp
The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra. It typically has 47 strings with seven strings per octave, giving a range of six and a half octaves. In this type of harp the pedals alter the pitch of the strings, so that the pedal harp can easily play works written in any key. This is particularly important in the harmonically complex music of the Romantic period and later 20th-century classical music. Parts Body and strings A pedal harp typically stands about high, is deep, and wide at the bass end of the soundboard. It weighs about . The body of the harp consists of a straight upright pillar, sometimes adorned with a crown at the top; a soundboard, which in most harps is pear-shaped with additional width at the bottom, although some older instruments have soundboards that are straight-sided but widening toward t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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