John Ceiriog Hughes
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John Ceiriog Hughes
John Ceiriog Hughes (25 September 1832 – 23 April 1887) was a Welsh poet and collector of Welsh folk tunes, sometimes termed a Robert Burns of Wales. He was born at Penybryn Farm, overlooking the village of Llanarmon Dyffryn Ceiriog in the Ceiriog Valley of north-east Wales, then in Denbighshire, now part of Wrexham County Borough. One of eight children, he was a favourite of his mother, Phoebe, a midwife and herbal-medicine expert. Life At 18, Hughes left the village for Manchester to work as a grocer. He opened his own shop in 1854. There he met and was befriended and influenced by William Williams (Creuddynfab), a station master in the Pennines, who found him a job on the railway. Williams had been appointed first secretary of the National Eisteddfod Society. Hughes decided to sell his shop and concentrate on writing poetry, but he also started to drink heavily. Hughes returned to Wales in 1865 as station master at Llanidloes. From 1868, he was also manager of the Van Rai ...
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Portrait Of John Ceiriog Hughes (4674472)
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitu ...
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Llanwnnog
Llanwnog is a village in Powys, Wales. It is located one-and-a half miles north of Caersws in the community of the same name, on the B4568 road. The Ordnance Survey spell the name with a single 'n'. The Welsh romantic poet John Ceiriog Hughes is buried in the village churchyard in an ornamental grave with cast iron railings and a memorial plate. He was employed on the Cambrian Railways at Caersws as stationmaster and Manager of the Van Railway from 1868 until his death in 1887. The family of Oliver Mathews (the first historian of Shrewsbury Shrewsbury ( , also ) is a market town, civil parish, and the county town of Shropshire, England, on the River Severn, north-west of London; at the 2021 census, it had a population of 76,782. The town's name can be pronounced as either 'Sh ...) had "settled for many generations at Park in the parish of Llanwnog", and according to historian Richard Williams, Mathews may have been born there. References {{authority control Caer ...
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Bardic Name
A bardic name (, ) is a pseudonym used in Wales, Cornwall, or Brittany by poets and other artists, especially those involved in the eisteddfod movement. The Welsh term bardd ("poet") originally referred to the Welsh poets of the Middle Ages, who might be itinerant or attached to a noble household. Some of these medieval poets were known by a pseudonym, for example Cynddelw Brydydd Mawr ("Cynddelw the Master Poet"), fl. 1155–1200 and Iolo Goch ("Iolo the Red"), c. 1320 – c. 1398. The practice seems to have very ancient antecedents, as in the names of the presumably 6th century poets Talhaearn Tad Awen, Blwchfardd and Culfardd, mentioned by the Welsh historian Nennius alongside Taliesin and Aneirin, the last referred to as ''Aneurin Gwenithwawd'' ("Aneurin of the Corn Poetry"). The revival of bardic names became something of a conceit following the reinvention of medieval tradition by Iolo Morganwg in the 18th century. The usage has also extended to Breton and Cornish poetry. ...
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Men Of Harlech
"Men of Harlech" or "The March of the Men of Harlech" (Welsh: ) is a song and military march which is traditionally saidFuld, James J., ''The Book of World-famous Music: Classical, Popular, and Folk'', Dover, 5th ed. 2000, p. 394 to describe events during the seven-year siege of Harlech Castle between 1461 and 1468, when the castle was held by the Lancastrians against the Yorkists as part of the Wars of the Roses. Commanded by Constable Dafydd ap Ieuan, the garrison withstood the longest known siege in the history of the British Isles. ("Through Seven Years" is an alternative name for the song.) The song has also been associated with the earlier, briefer siege of Harlech Castle about 1408, which pitted the forces of Owain Glyndŵr against the future Henry V of England. "Men of Harlech" is important for Welsh national culture. The song gained international recognition when it was featured in the 1941 movie ''How Green Was My Valley'' and the 1964 film '' Zulu''. History The musi ...
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The Ash Grove
''The Ash Grove'' ( cy, Llwyn Onn) is a traditional Welsh folk song whose melody has been set to numerous sets of lyrics. The best-known version was written in English by Thomas Oliphant in the 19th century. History The first published version of the tune was in 1802 in ''The Bardic Museum'', a book written by the harpist Edward Jones. About four years later a version with words appeared, under the name ''Llwyn Onn''. It tells of a sailor's love for "Gwen of Llwyn". At the end of the song, Gwen dies, and in one version of the piece, the writer talks about him mourning and that she is lying neath the shades of the lonely ash grove". The tune might be much older, as a similar air appears in ''The Beggar's Opera'' by John Gay (1728), in the song "Cease Your Funning". This was arranged by Beethoven in his ''Twelve Scottish Songs'', WoO 156 No. 5. In 1922, the English folksong collector Frank Kidson claimed that Gay's air derives from the morris dance tune "Constant Billy", which is ...
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The Bells Of Aberdovey
The Bells of Aberdovey ( cy, Clychau Aberdyfi) is a popular song which refers to the village now usually known locally by its Welsh-language name of Aberdyfi (sometimes still anglicised as ''Aberdovey'') in Gwynedd, Wales at the mouth of the River Dyfi on Cardigan Bay. The song is based on the legend of Cantre'r Gwaelod, which is also called ''Cantref Gwaelod'' or ''Cantref y Gwaelod'' (or in en, The Bottom or Lowland Hundred). This ancient sunken kingdom is said to have occupied a tract of fertile land lying between Ramsey Island and Bardsey Island in what is now Cardigan Bay to the west of Wales. The legend supposes that the bells of the submerged lost kingdom can be heard ringing below the waves on the beach at Aberdyfi. History The song first appeared in 1785 in English in ''Liberty Hall'' which was a comic opera in two acts, written and produced by Charles Dibdin. It was first performed at the Theatre Royal in Drury Lane in London on 8 February 1785, and also contained ot ...
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