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Weepers
Pleurants or weepers (the English meaning of ''pleurants'') are anonymous sculpted figures representing mourners, used to decorate elaborate tomb monuments, mostly in the late Middle Ages in Western Europe. Typically they are relatively small, and a group were placed around the sides of a raised tomb monument, perhaps interspersed with armorial decoration, or carrying shields with this. They may be in relief or free-standing. In English usage the term "weepers" is sometimes extended to cover the small figures of the deceased's children often seen kneeling underneath the tomb effigy in Tudor tomb monuments. These figures represent the mourners, who pray for the deceased standing during the funeral procession.Stone, 146 Because many of the original tombs have been vandalised or destroyed, relatively few examples remain to be studied. Many figures have been detached from their original context, which is not always known. In the 16th and 17th century the practice of placing anon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Of Bourbon
Isabella of Bourbon, Countess of Charolais (c. 1434 – 25 September 1465) was the second wife of Charles the Bold, Count of Charolais and future Duke of Burgundy. She was a daughter of Charles I, Duke of Bourbon and Agnes of Burgundy, and the mother of Mary of Burgundy, heiress of Burgundy. Life Not much is known about Isabella's life. She was the daughter of the reigning Duke of Bourbon, and his Burgundian wife, Agnes, daughter of John the Fearless, the powerful Duke of Burgundy. Although her father was politically opposed to his brother-in-law, Philip, Duke of Burgundy, he betrothed Isabella to Charles, Count of Charolais, only legitimate son and heir of Burgundy as a condition of truce. She and the Count of Charolais married on 30 October 1454 at Lille, France, and they were reportedly very much in love, perhaps because of (or causing) her husband's faithfulness. In 1459, Isabella stood godmother to Joachim, the short-lived son of the refugee Dauphin of France and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antwerp
Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,Statistics Belgium; ''Loop van de bevolking per gemeente'' (Excel file) Population of all municipalities in Belgium, . Retrieved 1 November 2017. it is the most populous municipality in Belgium, and with a metropolitan population of around 1,200,000 people, it is the second-largest metrop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John, Duke Of Berry
John of Berry or John the Magnificent ( French: ''Jean de Berry'', ; 30 November 1340 – 15 June 1416) was Duke of Berry and Auvergne and Count of Poitiers and Montpensier. He was Regent of France during the minority of his nephew 1380-1388. His brothers were King Charles V of France, Duke Louis I of Anjou and Duke Philip the Bold of Burgundy. John is primarily remembered as a collector of the important illuminated manuscripts and other works of art commissioned by him, such as the '' Très Riches Heures''. His personal motto was ''Le temps venra'' ("the time will come"). Biography John was born at the castle of Vincennes on 30 November 1340, the third son of King John II of France and Bonne of Luxembourg. In 1356, he was made Count of Poitou by his father, and in 1358 he was named king's lieutenant of Auvergne, Languedoc, Périgord, and Poitou to administer those regions in his father's name while the king was a captive of the English. When Poitiers was ceded to England ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Philip The Bold
The Tomb of Philip the Bold is a funerary monument commissioned in 1378 by the Duke of Burgundy Philip the Bold (d. 1404) for his burial at the Chartreuse de Champmol, the Carthusian monastery he built on the outskirts of Dijon, in today's France. It was designed and built by Jean de Marville, head of the duke's sculptural studio, who designed and oversaw the building of the charterhouse. Marville began work on the tomb in 1384, but progressed slowly until his death in 1389. That year Claus Sluter took over design of Champmol, including the tomb. Philip died in 1402 with his funerary monument still very much incomplete. After Sluter's death c. 1405/06, his nephew Claus de Werve completed the project in 1410. The duke is shown recumbent on black marble, with his eyes open, his hands clasped, and his helmet held by two angels as a lion rests at his feet.Antoine (2005) p. 223 Below him, positioned in alternating double archways and triangular niches, pleurants (''mourning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Le Moiturier
Antoine Le Moiturier (1425–1495) was a French sculptor. He was born in Avignon into a family of sculptors. His uncle was the itinerant French master Jacques Morel. Following from the work of Jean de la Huerta beginning in 1443, Le Moiturier completed a group of sculptures of Pleurants known as the Mourners of Dijon. Completed in 1470, these sculptures are in the architectural frieze on the tombs of Duke John the Fearless and Margaret of Bavaria. They reside at the Palace of the Dukes of Burgundy in Dijon. The job had originally been assigned to the workshop of Claus Sluter, but went to Le Moiturier and De la Huerta. In 1461, le Moiturier was hired by Canon Jacques Oboli to create an altarpiece for St Pierre, Avignon. Oboli died before the work could be completed, and in 1463 the church commissioned an altarpiece depicting the Last Judgement. le Moiturier completed this two years later. This stellar work included statues of Jesus, Saint Peter and Paul, and several angel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Philippe Pot
The Tomb of Philippe Pot is a life-sized 15th-century funerary monument commissioned in 1477 by Philippe Pot, some 13 years before his death, to stand over his planned burial place in the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, near Dijon, France. His effigy shows him recumbent on a slab with his hands joined in prayer, wearing armor and a heraldic tunic. He is carried by eight pleurants (mourners), dressed in black hoods and act as pallbearers carrying Philippe towards his grave. Philippe was around 49 years when he comissioned the tomb. He was a godson of Philip the Good and became a Knight of the Golden Fleece and the Grand Seneschal of Burgundy. He served under both of two the two last Dukes of Burgundy: Philip the Good and Charles the Bold, until the latter's defeat by the French king Louis XI at the battle of Nancy in 1477, after which he served under both Louis XI and Charles VIII. The detailed inscriptions running along each sides of the slab detail his import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conrad Meit
Conrad Meit or (usual in German) Conrat Meit (1480s in Worms; 1550/1551 in Antwerp) was a German-born Late Gothic and Renaissance sculptor, who spent most of his career in the Low Countries. The royal tombs that were his largest works still had elaborate Late Gothic architectural frameworks by others, but Meit's figures were Renaissance in conception and style. Meit's work, with its delicately worked plasticity and pronounced corporality, brought an entirely new form of expression to Late Gothic church sculpture. The anatomy of his nude figures draws more from Albrecht Dürer than from classical sculpture. Later many of his works in Brussels, Antwerp, Tongerlo Abbey, and elsewhere were destroyed in the Reformation and French Revolution, leaving the three royal monuments at the then newly built Royal Monastery of Brou, Bourg-en-Bresse, as his outstanding surviving large works. A number of small works, including portrait busts in wood, and small statuettes in various materials h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Monastery Of Brou
The Royal Monastery of Brou is a religious complex located at Bourg-en-Bresse in the Ain ''département'', central France. Made out of monastic buildings in addition to a church, they were built at the beginning of the 16th century by Margaret of Austria, daughter of the Holy Roman Emperor Maximilian I and Governor of the Habsburg Netherlands. The complex was designed as a dynastic burial place in the tradition of the Burgundian Champmol and Cîteaux Abbey, and the French Saint-Denis. The church is known as the Église Saint-Nicolas-de-Tolentin de Brou in French. The church was built between 1506 and 1532 in a lavishly elaborate Flamboyant Gothic style, with some classicizing Renaissance aspects. The tall roof is covered in coloured, glazed tiles. Margaret, her second husband Philibert II, Duke of Savoy, and his mother, Margaret of Bourbon, are all buried in tombs by Conrad Meit within the church, which have avoided the destruction that most royal tombs in France have suffered. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Europeana
Europeana is a web portal created by the European Union containing digitised cultural heritage collections of more than 3,000 institutions across Europe. It includes records of over 50 million cultural and scientific artefacts, brought together on a single platform and presented in a variety of ways relevant to modern users. The prototype for Europeana was the European Digital Library Network (EDLnet), launched in 2008. The Europeana Foundation is the governing body of the service, and is incorporated under Dutch law as Stichting Europeana. History Europeana had its beginnings after a letter was jointly sent in April 2005 by Jacques Chirac, President of France, and the premiers of Germany, Spain, Italy, Poland and Hungary to the President of the European Commission, José Manuel Durão Barroso. It urged the creation of a virtual European library in order to make Europe's cultural heritage more accessible to everyone. The letter helped to give added support to work that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mourners Of Dijon
The Mourners of Dijon ( pleurants of Dijon) are tomb sculptures made in Burgundy during the late fourteenth and early fifteenth centuries. They are part of a new iconographical tradition led by Claus Sluter that continued until the end of the fifteenth century. In this tradition, free-standing sculptures depict mourners who stand next to a bier or platform that holds a body in state. The figures are cloaked in robes which mostly hide their faces. The Dutch historian Johan Huizinga described the tomb as the "most profound expression of mourning known in art, a funeral march in stone."Johnson, Ken.At the Met, Portraits of Grief, Written in Stone. ''New York Times'', 12 May 2010 The pleurants were commissioned to resemble those in the tomb of Philip the Bold. Description The mourners stand sixteen inches high and originally occupied niches around the tombs of Philip the Bold (1342-1404), the first Duke of Burgundy, his son, John the Fearless (1371-1419), the second Duke of Burg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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