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Wealth In Wood
William D. Alexander (1916 – November 19 1991) was an American filmmaker. He made U.S. government sponsored newsreels for African American audiences. He later established his own production company, Alexander Productions, in New York City and became a film producer. He made the short documentary film ''Village of Hope'' about a leper colony in Liberia. He also made the films ''Portrait of Ethiopia'' ''Wealth of Wood'', which received the United Nations Award at the Madrid International Film Festival in 1967. Biography Alexander was born in 1916 in Denver, Colorado, or in Missouri. He grew up in Colorado and was educated at Colorado State College of Education, now the University of Northern Colorado, and Chicago State University. In 1941, Alexander relocated to Washington, D.C., where he was employed by the National Youth Administration. He worked for a radio program, where his responsibilities involved interviewing African Americans who worked for the federal governmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander And Winburn
Alexander is a male given name. The most prominent bearer of the name is Alexander the Great, the king of the Ancient Greek kingdom of Macedonia (ancient kingdom), Macedonia who created one of the largest empires in ancient history. Variants listed here are Aleksandar, Aleksander and Aleksandr. Related names and diminutives include Iskandar, Alec, Alek, Alex, Alexandre (given name), Alexandre, Aleks (given name), Aleks, Aleksa (given name), Aleksa and Sander (name), Sander; feminine forms include Alexandra, Alexandria (given name), Alexandria, and Sasha (name), Sasha. Etymology The name ''Alexander'' originates from the (; 'defending men' or 'protector of men'). It is a compound of the verb (; 'to ward off, avert, defend') and the noun (, genetive, genitive: , ; meaning 'man'). It is an example of the widespread motif of Greek names expressing "battle-prowess", in this case the ability to withstand or push back an enemy shield wall, battle line. The earliest Attested langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entertainment Weekly
''Entertainment Weekly'' (sometimes abbreviated as ''EW'') is an American digital-only entertainment magazine based in New York City, published by Dotdash Meredith, that covers film, television, music, Broadway theatre, books, and popular culture. The magazine debuted on February 16, 1990, in New York City. Different from celebrity-focused publications such as ''Us Weekly'', ''People'' (a sister magazine to ''EW''), and ''In Touch Weekly'', ''EW'' primarily concentrates on entertainment media news and critical reviews; unlike ''Variety'' and ''The Hollywood Reporter'', which were primarily established as trade magazines aimed at industry insiders, ''EW'' targets a more general audience. History Formed as a sister magazine to ''People'', the first issue of ''Entertainment Weekly'' was published on February 16, 1990. Created by Jeff Jarvis and founded by Michael Klingensmith, who served as publisher until October 1996, the magazine's original television advertising soliciting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm In A Riff
Rhythm in a Riff is a 1947 medium length musical film produced by William D. Alexander and directed by Leonard Anderson. The film stars Billy Eckstine and his band performing as well as Ann Baker, Hortense Allen Jordan, Sarah Harris, and Emmett "Babe" Wallace. The film is extant. The film was.made in New York City. It was released by Astor Pictures. The film was targeted to am African American audience, features and African American cast, and was produced and directed by African Americans. The film is also known as ''Flicker Up''. The film features various songs performed by Eckstine, who served as the film's hero. who sings, conducts, and performs solo in the film. Several soundies were made from excerpts of the film. "Lonesome Lover Blues" is one of the songs Eckstine performs in the film. A September 1949 review in the '' Indianapolis Recorder'' described the film as "jampacked full of music, pep, and vitality" and praised Eckstine's acting performance as a bandleader in se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Highest Tradition
''The Highest Tradition'' is a 1946 documentary film from the U.S. about African American war heroes. It was written and produced by William D. Alexander William D. Alexander (1916 – November 19 1991) was an American filmmaker. He made U.S. government sponsored newsreels for African American audiences. He later established his own production company, Alexander Productions, in New York City and b .... It is a World War II era war propaganda film. Fredric March narrates. The film begins with stock footage of the Pearl Harbor it then transitions into profiles of African American war heroes. Astor Pictures released the 2-reel film in 1946. The film is extant and available online. References 1946 films 1946 documentary films American black-and-white films African-American films African-American history of the United States military American World War II propaganda films United States government films American documentary films Astor Pictures films 1940s English-langu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juvenile Delinquency
Juvenile delinquency, also known as juvenile offending, is the act of participating in unlawful behavior as a minor or individual younger than the statutory age of majority. In the United States of America, a juvenile delinquent is a person who commits a crime and is under a specific age. Most states specify a juvenile delinquent as an individual under 18 years of age while a few states have set the maximum age slightly different. In 2021, Michigan, New York, and Vermont raised the maximum age to under 19, and Vermont law was updated again in 2022 to include individuals under the age of 20. Only three states, Georgia, Texas, and Wisconsin still appropriate the age of a juvenile delinquent as someone under the age of 17. While the maximum age in some US states has increased, Japan has lowered the juvenile delinquent age from under 20 to under 18. This change occurred on April 1, 2022 when the Japanese Diet activated a law lowering the age of minor status in the country. Just as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Louis
Joseph Louis Barrow (May 13, 1914 – April 12, 1981) was an American professional boxer who competed from 1934 to 1951. Nicknamed the Brown Bomber, Louis is widely regarded as one of the greatest and most influential boxers of all time. He reigned as the world heavyweight champion from 1937 until his temporary retirement in 1949. He was victorious in 25 consecutive title defenses, Heavyweight boxing championship records and statistics, a record for all weight classes. Louis had the longest single reign as champion of any boxer in history. Louis's cultural impact was felt well outside the ring. He is widely regarded as the first person of African-American descent to achieve the status of a nationwide hero within the United States, and was also a focal point of anti-Nazi sentiment leading up to and during World War II because of his historic rematch with German boxer Max Schmeling in 1938. He was instrumental in integrating the game of golf, breaking the sport's color barrier in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fight Never Ends
''The Fight Never Ends'' is an American film with a crime fighting theme released in 1948. It was directed by Joe Lerner, with a cast that included boxer Joe Louis, Ruby Dee, The Mills Brothers, and Harrel Tillman. It was one of stage star Ruby Dee's first films. A poster for the film touted it with the slogan "The Brown Bomber Fights His Greatest Fight - Against Crime". Cast *Joe Louis as "The Champ" *Ruby Dee Ruby Dee (October 27, 1922 – June 11, 2014) was an American actress, poet, playwright, screenwriter, journalist, and civil rights activist. She originated the role of "Ruth Younger" in the stage and film versions of ''A Raisin in the Sun'' (19 ... as Janey * The Mills Brothers * Harrel Tillman as Jerry, also known as "The Caper" * Gwendolyn Tynes *Elwood Smith as Howard "Howie" Robinson * William Greaves as Frankie * Emmett "Babe" Wallace * Milton Woods *Gilbert Whyte as Spider * William Leftwich as Cricket * Roger Furman References {{DEFAULTSORT:Fight Never End ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feature Film
A feature film or feature-length film is a narrative film (motion picture or "movie") with a running time long enough to be considered the principal or sole presentation in a commercial entertainment program. The term ''feature film'' originally referred to the main, full-length film in a cinema program that included a short film and often a newsreel. Matinee programs, especially in the US and Canada, in general, also included cartoons, at least one weekly serial and, typically, a second feature-length film on weekends. The first narrative feature film was the 60-minute ''The Story of the Kelly Gang'' (1906, Australia). Other early feature films include ''Les Misérables'' (1909, U.S.), ''L'Inferno'', ''Defence of Sevastopol'' (1911), '' Oliver Twist'' (American version), '' Oliver Twist'' (British version), '' Richard III'', ''From the Manger to the Cross'', ''Cleopatra'' (1912), '' Quo Vadis?'' (1913), ''Cabiria'' (1914) and ''The Birth of a Nation'' (1915). Description The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open The Door, Richard
"Open the Door, Richard" is a song first recorded by the saxophonist Jack McVea for Black & White Records at the suggestion of A&R man Ralph Bass. In 1947, it was the number one song on ''Billboard'''s "Honor Roll of Hits" and became a runaway pop sensation. Origin "Open the Door, Richard" began as a black vaudeville routine. Pigmeat Markham, one of several who performed the routine, attributed it to his mentor Bob Russell. According to Markham, Russell wrote the piece for a show called ''Mr. Rareback'', in which the comedian John Mason performed it (and presumably expanded it in improvisation). Mason, Russell, and Markham were all African-American comedians; all performed in blackface. The routine was made famous by Dusty Fletcher on stages such as the Apollo Theater in New York City and in a short film. Dressed in rags, drunk, and with a ladder as his only prop, Fletcher would repeatedly plunk the ladder down stage center, try to climb it to knock on an imaginary door, then c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlesque In Harlem
''Burlesque in Harlem'' (also released as Rock & Roll Burlesque and A French Peep Show) is a 1949 revue film directed by William D. Alexander that features a cast of singers, dancers and comedians who were prominent on the so-called Chitlin' Circuit of vaudeville theaters and nightclubs that exclusively presented African American talent. The plotless film is hosted by Dick Barrow, who sings "Juice Head Baby", and the main headliner is the comedian Pigmeat Markham, who performs a sketch called ''The Love Making Bureau''. Other performers in the cast include the dancer Gertrude "Baby" Banks, the singers Jo Jo Adams and Hucklebuck Jones, the striptease contortionist Tarza Young, and the tap dance duo Slip and Slide.Weldon, Michael J. “The Psychotronic Video Guide.”1996, St. Martin’s Press. Plot Barrow, the master of ceremonies, invites the audience to a special "bronze burlesque", consisting of a series of performances from strip-tease dancers, burlesque singers, and the cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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