"Open the Door, Richard" is a song first recorded by the

saxophonist The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to pr ...

Jack McVea John Vivian McVea (November 5, 1914 – December 27, 2000) was an American swing, blues, and rhythm and blues woodwind player and bandleader. He played clarinet and tenor and baritone saxophone. Career Born in Los Angeles, California, his fa ...

for

Black & White Records Black & White Records was an American record company and label founded by Les Schreiber in 1943. It specialized in jazz and blues. When the label was sold to Paul and Lillian Reiner, it moved from New York City to Los Angeles. The catalog includ ...

at the suggestion of A&R man

Ralph Bass Ralph Basso Jr. (May 1, 1911 – March 5, 1997), known as Ralph Bass,The birth surname of Ralph Bass's paternal grandfather, who was born in Italy, was DuBasso. was an American rhythm-and-blues record producer and talent scout for several indepen ...

. In 1947, it was the number one song on ''Billboard'''s "Honor Roll of Hits" and became a runaway pop sensation.

Origin

"Open the Door, Richard" began as a black

vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...

routine.

Pigmeat Markham Dewey "Pigmeat" Markham (April 18, 1904 – December 13, 1981) was an American entertainer. Though best known as a comedian, Markham was also a singer, dancer, and actor. His nickname came from a stage routine, in which he declared himself to be ...

, one of several who performed the routine, attributed it to his mentor Bob Russell. According to Markham, Russell wrote the piece for a show called ''Mr. Rareback'', in which the comedian John Mason performed it (and presumably expanded it in improvisation). Mason, Russell, and Markham were all

African-American African Americans (also referred to as Black Americans and Afro-Americans) are an Race and ethnicity in the United States, ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American ...

comedians; all performed in

blackface Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereo ...

. The routine was made famous by

Dusty Fletcher Clinton "Dusty" Fletcher (July 8, 1900 – March 15, 1954) was an African-American vaudeville performer, who was best known for the comedy routine which became a hit record in 1947, "Open the Door, Richard". Routine "Open the Door, Richard!" ...

on stages such as the

Apollo Theater The Apollo Theater is a music hall at 253 West 125th Street between Adam Clayton Powell Jr. Boulevard (Seventh Avenue) and Frederick Douglass Boulevard (Eighth Avenue) in the Harlem neighborhood of Upper Manhattan in New York City. It is a not ...

in New York City and in a short film. Dressed in rags, drunk, and with a ladder as his only prop, Fletcher would repeatedly plunk the ladder down stage center, try to climb it to knock on an imaginary door, then crash sprawling on the floor after a few steps while shouting, half-singing "Open the Door, Richard". After this, he would mutter a comic monologue, then try the ladder again and repeat the process, while the audience was imagining what Richard was so occupied doing. Jack McVea was responsible for the musical

riff A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompani ...

associated with the phrase "Open the Door, Richard", which became familiar to radio listeners.

Composition

In the song, accompanied by a

rhythm section A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm sec ...

and McVea's expressive tenor honking, the intoxicated, rowdy band members come home late at night, knowing Richard has the only key to the house. Knocking and repeated calls from McVea and the band members for Richard to open the door get no result. The musical refrain kicks in with the musicians singing in unison: The spoken dialogue makes humorous references to negative aspects of urban

life, including poverty and police brutality. The narrator explains: "I know he's in there, 'cause I got on the clothes." He also says "I was on

relief Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the ...

, but they got short of help and you had to go downtown to pick up the checks, so I gave it up." Later, when a policeman tells him to come down from the ladder and begins hitting his feet, the narrator protests: "You act like one of them police that ain't never arrested nobody before." Although the neighbors are being disturbed, McVea continues knocking as the song fades away.

Charting versions

recorded the original "Open the Door, Richard" in October 1946 and it was released by

. It entered the ''Billboard'' Best Seller chart on February 14, 1947 and lasted two weeks there, peaking at number seven. It ends with a

fade-out In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)). A recor ...

instead of the "cold" or final note ending that had previously been employed on commercial records. *

Count Basie William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and the ...

's version was released by

RCA Victor Records RCA Records is an American record label currently owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America. It is one of Sony Music's four flagship labels, alongside RCA's former long-time rival Columbia Records; also Aris ...

with vocals by

Harry "Sweets" Edison Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backi ...

and Bill Johnson. It entered the ''

Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...

'' Best Seller chart on February 7, 1947, and lasted four weeks there, peaking at number one. *

recorded it for

National Records National Records was a record label that was started in New York City by Albert Green in 1945 and lasted until early 1951. Big Joe Turner was signed at the beginning and remained until 1947. Billy Eckstine was also a big seller for the label as w ...

. It entered the ''Billboard'' Best Seller chart on January 31, 1947 and lasted five weeks there, peaking at number three. *The Three Flames's version was released by

Columbia Records Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on Janua ...

. It entered the ''Billboard'' Best Seller chart on February 14, 1947 and lasted three weeks there, peaking at number four. *

Louis Jordan Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his high ...

recorded it for

Decca Records Decca Records is a British record label established in 1929 by Edward Lewis (Decca), Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American ...

number 23841 It entered the ''Billboard'' Best Seller chart on March 7, 1947 and lasted two weeks there, peaking at number seven.

Copyright dispute

The origins of the piece in a vaudeville routine led to there being several claimants to the copyright. Russell was no longer alive, but both Mason and Fletcher came forth claiming to have written it; Fletcher even claimed that he had written the tune. By the time the dust settled, the official credits read "Words by Dusty Fletcher and John Mason, music by Dusty Fletcher and Don Howell". Howell appears to have been an entirely fictional front through which someone managed to pocket some of the royalties at McVea's expense.

References

Bibliography

* * * * * {{Authority control 1947 songs Blues songs Novelty songs 1954 singles Louis Jordan songs Number-one singles in the United States Vaudeville tropes